not much has been happening, except for the world slowly blowing up because of the inanity of #drumpf.
i’ve finished one week of moisture festival performances, with the phil, and snake suspenderz actually has a rehearsal (our first one in more than a year), on wednesday, three days prior to us going on stage on saturday, for two more moisture festival shows. the moisture festival is over on sunday. i keep wondering why i do this, and i am still wondering why i do this, unlike my previous predicition.
there are a few more snake suspenderz gigs coming up, for a change…
apart from that, it’s pretty much rehearsal season.
i found a new dispensary, fairly close to my house — commencement bay cannabis — which appears to have high quality material for insanely low prices… like, for the price of an ounce in a number of other places i have been to, i can get TWO ounces at CBC. current fave is Cinex.
this year features 9 shows featuring the fremont philharmonic, and 2 shows that feature snake suspenderz… if my recollection (and this) serves, that’s two fewer than last year, and eight fewer than two years ago, which, once again, makes me wonder why the hell am i doing this?
of course, once it starts going on, i will remember why, but now, at this point, it’s more annoying than anything else.
the third of four weeks of panto performances finished today. i’m confident that Rapunzel Stiltskin is the best panto we have done in the fifteen years that we have been doing pantos. we’ve got one more week, four more performances, and it can only get better from here.
i got a kurt weill songbook yesterday, and i intend to write arrangements for the phil, which, hopefully, we can work into moisture festival performances in some way or another. unofficially, we have been offered the second week of performances. once again, unofficially, the “old boy network” is still trying to replace the phil with their buddies, but they still haven’t done more than replace the last two weeks of bands with people who are part of the network, which, strangely enough (because the phil has played every moisture festival since the beginning) doesn’t include the phil. snake suspenderz hasn’t been offered anything, as far as i have heard, which is odd, because the guy who supposedly books music for the festival said that he had more gigs for us… two years ago… needless to say, i am less than enthusiastic about participating in the moisture festival this year.
moe is going to visit the puppies again on friday. at this point, 9 puppies are doing great, and the health of the mother, Sis, is improving massively, although there are still some mysterious deficiencies that are still eluding everyone. at this point, everyone agrees that everyone is going to survive, which is considerably different than the opinion a week and a half ago.
i’m done playing moisture festival shows with the “show band” for this year. i still have a few other moisture festival related shows coming up as “artists” this year, with snake suspenderz: we’re playing the volunteer party, three “on stage” appearances, and at least one “fluffing” (where we entertain the audience waiting outside the theatre, before the performances start) that are still upcoming.
i’m waiting to see whether or not the band that is taken up the last two weeks of shows as the “show band” is any good before i make a firm decision, but there’s a good chance that i will be bowing out of next year’s moisture festival performances all together, if things don’t work out. i’m just getting way to tired of watching other people become part of the “old boy network” with a fraction of the input that i have made to the festival, when i am not even considered for that network, in spite of the fact that i’ve been in it since the beginning. it’s getting to be the same way with the oregon country fair, as well. i’ve never been a person that appreciates “old boy networks”, and these two things have been grating against that dislike for quite some time now. there are definite advantages to both, but, if not soon, definitely eventually, i’m going to have to bow out of both, because, fundamentally, i dislike the way they take advantage of me without offering sufficient benefits.
at the same time, i want to create a new act for next year’s moisture festival, that is a sextet (or larger group) that plays bach or mozart or something like that, on nose-flutes. so my feelings are definitely conflicted.