but of course, it’s by beethoven, it’s for a trombone ensemble, and it’s in the public domain: Drei Equale für vier Posaunen.
i got 21 CDs of mozart from somebody on freecycle. i’m in mozart heaven right now, and will be for a few days.
i’ve accomplished about as much as is possible for me to do without help… and possibly a ladder. the insulation is left over from an igloo stage-prop that was a part of a movie that jeremy was a part of producing last year, before i went to burning man. he wrote a message to cirquechat saying that he had this “dome” that needed to be got rid of, and it sort of fit into my fantasy of what a dome should be, so i said i wanted it. but when it was delivered, i discovered that it was not very substantial, being made of quarter-inch plywood and foam insulation, so i stowed it under a huge blue tarp at the bottom of our property and used it for projects like insulation for windows, knowing that eventually i would have a project like this to use the rest of it. now i intend to cover the bottom half of the insulated wall with sheetrock (which is just out of camera range on the right side of the photo) and the top half with pegboard. i came home from home depot the other day with two 4×8 sheets of pegboard, and i realised that i have never had this much pegboard – with a purpose – in my entire life.
in other news, i installed gucharmap yesterday, and when i rebooted, apparently my operating system decided that instead of running KDE, it was really set up to run gnome by default. which, of course, meant that when i rebooted this morning, instead of loading my pretty, shiny KDE desktop, it loaded the red, drab, default gnome desktop, and gave me an error message that said “The panel encountered a problem while loading OAFIID: GNOME_FastUserSwitchApplet. Do you want to delete the applet from your configuration”. after a good deal of whinging and complaining, and a good deal of forum perusing, and a little bit of inginuity, i discovered that i could disable automatic login and change my session back to KDE, whereupon everything went back to the way i expected it to be.
also, stuart has decided that he’s not going to play with the fremont philharmonic any longer. i don’t know what that means in the short run, considering that we’ve got trolloween and december performances of alladin, but it means a substantial change in the phil, and potentially the end of the phil all together. pam has said that if she has the choice of performing with the phil for no money, or going hiking, that she’s going to choose hiking. ted hasn’t been showing up very regularly for about a year, and katharine just had a baby, so there’s no guarantee that he’s going to be any more consistent in the short run. joseph just quit the phil as well, about a month ago. that leaves myself, sasha, kiki, and possibly kim, and i don’t know how much any of those people – myself included – want to be involved with building a new fremont philharmonic, especially since we’ve got a huge repertoire, for which we would have to come up with all the parts, or start all over from scratch. it also affects my participation in things like the moisture festival, OCF and the fremont solstice parade. i’m stereotypically worried, but there isn’t much i can do about it at this point, because, although stuart says he’s discussed his decision with simon (the founding clown of the fremont players), macque isn’t even back from burning man yet, and i haven’t even talked to the other members of the band… but i’m stereotypically worried anyway. i hate to think that my ability to attend OCF (for example) could be affected by stuart’s quitting the band, but there it is, and at this point, there’s nothing i can do about it.
a long time ago i heard of this album by lou reed called “Metal Machine Music” which was supposedly so horribly offensive to the ears that the company had to quit making albums because so many people had returned them. of course, being who i am, i was tremendously interested in hearing this gawd-awful piece of noise for myself, but at the time, there were no copies, nobody had it on tape or CD and mp3s hadn’t been invented yet, so i was out of luck. a good friend of mine had actually heard the album, though, and he had assured me that it wasn’t worth the time i spent trying to find out about it, because it was truly awful, and, because i had faith in this friend’s tastes in music, i took his word for it and gave up trying to find a copy.
that was until last week, when i found a bittorrent of lou reed that included the fateful album. of course i had to download it. i even wasted my good share ratio and only downloaded the albums i wanted instead of downloading the whole thing, because we were going on vacation for a week and i had to shut down my computer during that time. i just got around to listening to it today, and i have to say that, while i understand why most “normal” people wouldn’t find it appealing in the least, i find it really interesting indeed, and i am somewhat disappointed that i gave up so easily. actually, i find it compelling in the same way i find the music of john cage compelling. it’s definitely a classic, and while i can understand that it is the reason lou reed is considered to be the founder of heavy metal music, i also find that this particular piece bears a striking resemblence to karlheinz stockhausen, charles amirkhanian or luciano berio.
Metal Machine Music by Lou Reed – it’s worth a listen, regardless of what your friends who normally have excellent taste in music might say.
from kiki the hood, human theremin, comes the question “but is it music?” to which i respond with the classic john cage quote “which is more musical: the sound of a truck driving past a gravel quarry or the sound of a truck driving past a music school?”
only these guys did it with a tractor: