Tag Archives: snake suspenderz

grumph

i emailed the band (snake suspenderz) a month ago regarding playing for the party after SACBO was over. all of the band members except hobbit said that they could do it. hobbit wanted to get paid. the people putting on the party said they couldn’t pay, in fact the party was supposed to be a fund raiser (i.e. NOBODY was getting paid).

after going through three weeks of increasingly tense back-and-forth action, we finally agreed, tentatively, to perform at the party, which i announced to the organiser a week ago.

SACBO came around, and the first day (saturday, two days ago) was intermittently rainy and overcast. hobbit showed up for about an hour (long enough to get stoned) and then took off, before the fair was open, without playing anything. sketch didn’t show up at all. thaddeus and i busked, alternately playing swing music a la snake suspenderz, and “experimental” music, with me playing the didjeriflute, and thaddeus playing his guitar with interesting effects pedals. we made around $30 each, which wasn’t that bad.

yesterday was sunny and beautiful. hobbit showed up again, but sketch didn’t show up until almost 2:00. we played, first without sketch and then with him, but not very energetically or enthusiastically, and with considerable breaks between the music. at the end of the day, we had made about $10 each. i donated mine to hobbit, because, three or four years ago, i said that if the “take” from busking was $10 or less, i would donate it all to hobbit, because he needs it more than i do.

and then, hobbit said that he wasn’t going to the party, because he wanted to play with his new video-editing software (which he had been ranting about all day), and sketch said that he wasn’t going to the party, partially because hobbit wasn’t going, and partially because, simply, he “didn’t feel like it”…

which, of course, means that, now, the people who organised the SACBO after-party are pissed off at me, because i promised them a band and then backed out at the last possible moment.

alledgedly, snake suspenderz has another one-hour performance at the château in renton in september, but it was my impression that we have already done all of the château performances, and despite the fact that somebody said they would confirm the dates for me, nobody has yet.

it used to be that snake suspenderz would play, somewhere, even if it was the ballard sunday market, at least twice a month. however, it seems to me as though, ever since hobbit moved to lynnwood (about 10 miles to the north of downtown seattle), it has become more and more difficult to convince him to do anything other than busk at the pike place market, which, of course, i can’t do, because the market doesn’t allow my tuba, because it’s made of brass. i find this odd behaviour for hobbit, primarily because i live 25 to 30 minutes south of downtown seattle, and i’m up there all the time for various different rehearsals and performances, but i’m getting the idea that it’s one of the things that makes hobbit what he is.

it is my distinct impression, at this point, that snake suspenderz may not be a band any longer, and that i should be looking for other people with whom to play music.

thaddeus wants to form an electronic/experimental group with me, which is definitely an interresting concept (i keep thinking that it would also be a good way to entice ken to come down from bellingham and jam with us), but that’s more of a fantasy than anything else at this point, especially since thaddeus is preparing to go on a road-trip to play in Oberon Zell‘s emporium in california (among other places) in a couple weeks.

i am aware of the fact that there are more musicians than the ones that i know, even in seattle… i mean, i know a lot of musicians, but i don’t know all of them, by any stretch of the imagination. what i really need to do is to find a bunch of musicians who all like to play the kind of music i like to play, who also have a desire to play music for other people in exchange for money, and who don’t have the mental/emotional/social difficulties which are way-too-typical of the current batch of musicians i know.

so far…

i’m done playing moisture festival shows with the “show band” for this year. i still have a few other moisture festival related shows coming up as “artists” this year, with snake suspenderz: we’re playing the volunteer party, three “on stage” appearances, and at least one “fluffing” (where we entertain the audience waiting outside the theatre, before the performances start) that are still upcoming.

i’m waiting to see whether or not the band that is taken up the last two weeks of shows as the “show band” is any good before i make a firm decision, but there’s a good chance that i will be bowing out of next year’s moisture festival performances all together, if things don’t work out. i’m just getting way to tired of watching other people become part of the “old boy network” with a fraction of the input that i have made to the festival, when i am not even considered for that network, in spite of the fact that i’ve been in it since the beginning. it’s getting to be the same way with the oregon country fair, as well. i’ve never been a person that appreciates “old boy networks”, and these two things have been grating against that dislike for quite some time now. there are definite advantages to both, but, if not soon, definitely eventually, i’m going to have to bow out of both, because, fundamentally, i dislike the way they take advantage of me without offering sufficient benefits.

at the same time, i want to create a new act for next year’s moisture festival, that is a sextet (or larger group) that plays bach or mozart or something like that, on nose-flutes. so my feelings are definitely conflicted.

arf…

i’m well and truly into the midst of rehearsal season: we’ve been rehearsing the fremont philharmonic for 3 weeks for a week of shows at the moisture farcetival, we’ve been rehearsing snake suspenderz for a week for a gig at the château, a recording session with deb seymour(!), three moisture farcetival shows, and a moisture farcetival volunteer party, and next week rehearsals for the sousa band, whose first gig will be while i am in orlando.

and, speaking of orlando, this evening, i made, and paid for, the reservations for my trip from seattle, to orlando, to warrensburg, to seattle between may 23 and june 3. this is the first trip i’ve taken where i’ve had to fly, by myself, for my own enjoyment, in my entire life. i haven’t flown anywhere since the big bois with poise went to san francisco in 2012, and i haven’t been on the east coast since i went to boston when i started at software dot com in 1998… and then i was working (actually, i slept through most of the training classes, because i had stayed up until 4:00 in the morning drinking beer with spods), so i didn’t get the chance to see that much… and this is sort of the opposite corner of the continent…

i guess i’m officially starting to get “excited” about going on this trip…

but the visa signature conceirge service, in the process of giving me options for the trip, gave me the option of flying from orlando to kansas city, by way of… wait for it… seattle. yes, they tried to make what would ordinarily be a 3 hour non-stop flight into an 18 hour trip back home, with a 9 hour layover. really! 😕

flight weirdness
flight weirdness
flight weirdness
flight weirdness

stuff & nonsense

i brought home the glass bong that i made in the previous post, and now have two glasses in the annealer, waiting for me to pick them up. 8)

the fremont phil has a gig on friday, which is tomorrow. i’m probably going up to b’ham to visit with kenyth on saturday. maybe coming back saturday, maybe sunday… haven’t decided yet.

saturday is also frank zappa day, and international talk-like-a-pirate day. a week from saturday is festa italiana for the BSSB. the thursday after that (which is the first of october), snake suspenderz has a gig at the chateau retirement center. maybe they’ll remember to pay us this time.

there’s a video that goes here, but it’s taking forever to upload, so i’ll put it in later.