what happened?

in 1978, i was a just-out-of-high-school musician and composer of “unusual” music. i won the state award for music performance playing a composition that i wrote, which was a companion piece for the bach ‘cello suite number 1 in g, first movement; after playing the first movement of the suite number one, instead of the second movement, i played my composition. it was for solo trombone, which meant that it was in bass clef (like the ‘cello suite), but, unlike the ‘cello suite, it did not have a time signature, key signature, nor tonal center… or, it might be said that it had “multiple, unrelated” tonal centers 😉. it also had a section where the only way to play it correctly meant being able to circular breathe.

as an aside, in another competition when i performed this pair of pieces, i was interrupted halfway through my performance, by someone who came in and started talking with one of the judges, because they thought i was “warming up”… 😒 once they had realised their mistake, and apologised to me and the judge, i was given the unprecedented option of starting over, which, under ordinary circumstances, was NEVER allowed.

not many (who am i kidding, it was really absolutely no) other people were interested in even looking at the music i composed, much less performing it, or even trying it out in rehearsal… even in classes where developing composition skills was the whole point of the class. 😒 eventually i “transitioned” into composing more “popular style” music, and that was that…

in 1978, the composer Wieland Hoban WAS BORN, and he is now famous for “unusual” music, like this performance, by Pavlos Antoniadis of “when the panting STARTS”, a composition written “separately for the pianist’s ten fingers, as an ensemble rather than a unity”…

😖 waaa! it’s no fair! he gets to do it and be famous, and i didn’t! what happened to people’s idea of what music is between then and now? grumble, mutter… 😒