Tag Archives: music

🙄

so, i decided to reposition major furniture in my office, to achieve the following results:

  1. i have to figure out how my studio is set up. i originally set it up to use with the piano/synthesizer setup, and i seem to recall doing at least one piece of music in that configuration… and then i set it up some other way, which i don’t remember, and now everything is mixed up and i can’t figure it out, because all of the connections are on the back of the devices, and in order to access the back of the amplifier, i have to move the printer, and stand on a stool, while leaning over the printer, and accessing the back upside down… which isn’t ideal. what i need is the back of everything to be as easily accessible as the front, which means moving stuff around.
  2. in the process of trying to figure out how the studio stuff was hooked up, i thought i had completely disconnected every audio connection from my computer to the amplifier… and yet, i seem to be able to play music from my computer, and hear the sound through the speakers… which would seem to indicate that there is a new/different/as-yet-undiscovered audio connection that i have overlooked somehow… (possibly the HDMI connection from the monitor, but how does it get to the amplifier??? 😕) but, unfortunately, the cables from the computer to the amplifier are accessed from the back, AND under my desk… which is REALLY not ideal… i’ve got to figure that out.

this may involve a trip to ikea and possibly a new desk, as the one that i have is a repurposed ikea table.

the reason i want to figure out how my studio works (again), is because i have recently discovered jamulus, which appears to be an audio interface that is designed to be used over internet. i realise that there’s some pretty hard physical constants that make audio connections… let’s say difficult… over long distances, but, apparently, distances less than 50 miles or so the latency is tolerable, and they get around the rest of it, sketchily, by having everyone listen to the server, and not the actual sound coming out of your instrument, and… well, i haven’t been able to busk the past couple of weeks (HVAC stuff), and i’ve been going nuts, because there are new songs that we’ve been talking about, but we can’t get together and rehearse because i have to be at home to let the workers in… and now i’ve got jamulus installed, and (apparently) working… all i have to do is hook up a microphone, which i do, but… no sound… and thus began the task of figuring out how the studio is set up.

there’s another thing i tried to get set up, but couldn’t, because of a lack of installation instructions. JamStud.io actually advertises “jam online without latency”, despite the fact that, as far as i know, scientists are still stymied by the speed of light 😉 which makes it impossible to have an audio connection without more and more latency as the distance increases… but, hey… if i could get it installed, i might be using that, instead.

here we go again… 🙄

i’ve got a zoom class this evening, a telehealth appointment tomorrow, and a moisture festival rehearsal on saturday…

… and my tablet decided to stop charging this morning. 🤬

i got in touch with the technician that replaced the charging port (odd that this seems to happen on an almost yearly basis… odd indeed… 😒), and informed him that it had quit charging again, and he said i should bring it in. so i left an hour earlier than normal, and headed up the east side of the lake to redmond, where the technician confirmed that it was, indeed, a faulty charging port, said that they would fix it on warranty, and ordered the new part. 👍

problem is, i’m fairly sure he DIDN’T also order a new screen at the same time… and this particular model of ipad is NOTORIOUS for screen breakage when you have to open it up FOR ANYTHING… kinda like they had to do last year (and the year before) when they replaced the charging port. it turned into a two week job, during which time the screen of my tablet was BROKEN, which precluded me from using it for ANYTHING… 😒

and that can’t happen this time, because i have zoom classes, telehealth appointments, and moisture festival rehearsals AND PERFORMANCES in the next three weeks. i can get through the rehearsals and performances with my old-school hard-copy music, and the zoom classes and telehealth appointments THEORETICALLY can take place on my phone, but it will be at least three levels of hassle that i would rather avoid, if i had the choice. 😒

VEWPRF/year-end stuff

i’m slowly rebuilding my music collection. today i added two tom zé albums, from the early 2000s, which are “no longer available” — meaning “the only place to find them is on discogs. one is an album i had pre-cloud-drive-disaster, called “Estudando o Pagode (Na Opereta Segregamulher e Amor)“. the other is one that “just happened” to be available from the same vendor, from two years earlier, in 2003, and it’s called “Imprensa Cantada“. both of them appear in several tom zé anthologies, but the original CDs have artwork that is NOT included in the anthologies, and, especially in the case of tom zé, the graphic artwork is almost as important as the musical artwork in the overall scheme of things. i should be getting another Gogol Bordello CD pretty soon, also

we’re giving away the last piece of ikea furniture that we own, that is NOT shelves, tomorrow… which should be interesting, as we currently have three days worth of snow on the ground, and only a few tire tracks of people driving past our house. it’s the king-size storage bed frame, which means that now we’ve got the adjustable bed frame on the 4-inch legs that it came with (rather than on the 2-inch legs, on top of the storage bed), no storage under the bed (currently), and no headboard (currently). the plan is to get some other form of storage, and a headboard… and, possibly a dresser and nightstand to replace the ones i inherited from my grandparents in 1980-something.

moe is getting “stem cell treatment” on her knees on thursday [UPDATE: WEDNESDAY!!] (hopefully the roads will have cleared enough by then that i can drive out of the neighbourhood). this is to (hopefully) “cure” her bum knees, which currently have no meniscus. if everything goes according to plan, this is going to create “new” padding between the bones in her knee. naturally, “insurance” won’t pay for it, and the only other option — total knee replacement — isn’t happening at the moment because the orthopedist that moe has been seeing is fat-phobic, and won’t operate until she’s lighter than she’s ever been in her adult life. 😒… so the (veterinary) clinic is paying for the whole procedure(!!). alledgedly, it’s going to be a couple of days of being “pretty out of it”, followed by a couple weeks of “light duty”, and then it will develop into an “up to 80% improvement”, which is A LOT better than where she’s been for the past few years.

i’ve managed to stay a lot more insulated from the standard xmas “celebration”, this year, but it’s primarily because of the pandemic, which doesn’t look like it’s going to be ending any time in the forseeable future, barring a miracle of some sort… and, as we all know, miracles that involve anti-vax mask-holes, and the right-wing, republican’t, fascist, white-supremacist IDIOTS that currently make up slightly less than HALF of the population of this gawd-forsaken wasteland, are, for all practical purposes, totally unheard-of… but, on the plus side, almost complete isolation for the second year in a row, has made it so that i have only had to listen to one, partial rendition of “feliz navidad” this year, so i can’t say that’s all bad.

and i got a theremin for xmas! 😎

yawn, again…

back to nothing happening again…

my harvest is curing, but the trimmings aren’t drying as fast as i would like them to. i’m pretty sure that if i took the screen off of my office window (which i am not currently using anyway), i could speed up the drying process. maybe i’ll do that today.

i went to a concert with moe and her friend lora, a couple days ago. i was chosen at the last minute to substitute for lora’s husband, who said that a concert might jeopardise his recent sobriety (and he was an AWFUL drunk, so i totally agree), and, also, because, that way, i could drive and lora and moe could talk. 😉 it was the first time i have done ANYTHING that “public” in almost two years, and it felt really weird. it felt weird going to the tacoma-dome, and being in the (relatively light) crowd of people getting into the venue… i wore a N95 mask AND my cloth mask, and kept my hands in my pockets as much as possible. it felt weird sitting in the row of seats with a totally strange (masked) woman so close that she was touching my arm, for the two and a half hours of the concert. a majority of the people were wearing masks, but there was also food and drink available, and a significant number of people thought it was “okay” to wear their masks incorrectly (under their nose), which made me feel like they could have easily taken it off and not felt guilty about it. it felt weird, and creepy, and, when i got home, i felt like i had been swimming in other peoples’ cooties. i took a long, hot shower after the show.

the concert was jackson browne and james taylor, with both of whom i am, more or less, unfamiliar. with jackson browne, there were a few songs that, once he started singing, i went “yeah, i know that song” (although there was one that moe said “if you were alive in the ’70s, you know this song”, but i didn’t), and even a couple that i knew most of the lyrics to, but, honestly, if it weren’t for the fact that i was hearing them at a show that featured jackson browne and james taylor, i wouldn’t have been able to tell you that it was a jackson browne song… hell, i was under the impression, prior to the concert, that jackson was a black man, because that’s the way i always imagined him. that’s how ignorant i was. 😕 james taylor was only a little better, in that i knew that he was white, and i knew a few james taylor songs — all of which they played, of course 😒 — but with both of them, i never had time to listen to their songs because they were INTENSELY popular, so much a part of popular culture, and, particularly, because, james taylor was married to carly simon, and was addicted to heroin…

i never had a thing for carly simon, but i figured that if he were that famous on his own, and he was married to carly simon, then i’m guessing there was something more than “love” involved in the process. 😒

besides which, at the time, i was a lot more interested in the music of morton subotnik, arnold schönberg, and karlheinz stockhausen, who were — and are — A LOT more interesting… 😉

but the musicianship was outstanding — james taylor was backed up by steve gadd on drums, and bruce fowler on horns, both of whom played with frank zappa — the music was good, the lyrics were as “woke” as i remembered them to be in the ’70s, and more “woke” and more “blunt” for the newer songs, james taylor is no longer married to carly simon, or addicted to heroin…

but i would still have much preferred to see a concert of music by morton subotnik, arnold schönberg, or karlheinz stockhausen. 😉

they started up my unicycle class again. it meets for the first time on sunday, which is also halloween. i have to figure out a costume in which i can also ride a unicycle… also, now i have a much higher possibility of learning how to turn left before the end of the year.

i ordered two “performance masks” on the 5th of october, and they still haven’t been shipped out… but it’s just as well, because it has been raining a lot, particularly over the past few days. the pond has water in it, again, but it’s still drastically low.

hope? — dashed?

sorting through the mess of recovered data is heartbreaking.

i’m finding all sorts of stuff that, once i actually see (or hear) a bit of it, i know exactly what it is, and i’m starting to get things organised enough that, some of the time, i even have a place to put it, once i’ve discovered what it is…

but, then… everything doesn’t come crashing down, but…

i haveHAD a CDR album called “We Bore 2“, which was one of my favourites. it was produced in 2003 by Toast & Jam Records, which has, since, gone out of business, and their web site is now a japanese porn site… it was a “various artists” compilation of electronic, experimental, glitch music, and it was AWESOME!

i found a .RAR archive with the .mp3s for “We Bore 2”, and i was, like, “COOL!”… i expanded the archive, and put it in the place it had been taken from in my collection, and went on to the next archive.

today, for the first time, i actually LISTENED to “We Bore 2″…

yeah, all the tracks are there, but track 1 is NOT what was there the last time i listened to “We Bore 2″… and track 2 is also the same way, to a lesser extent… and track 3 is pretty messed up… and track four is mostly there, except for a patch in the middle which is totally missing… and track 5… and track 7… and track 8… and track 9… 😭

pretty much all of the tracks have something wrong with them…

and i can’t get another copy of the CD, because i originally downloaded it as a .rar file…

and, i’m pretty sure (given the huge quantity of .rar and .zip files that got recovered) that more than a few of them are going to have exactly the same problem. 😭

ETA: all is not lost… well, for “We Bore 2” anyway… it turns out i actually have the original CDR for this album… but i’m fairly sure that is NOT going to be the case with a majority of the .rar and .zip archives i have…

sumbunal

i found sumbunal of my music collection, on a huge stack of CDs and DVDs (possibly two, i haven’t checked thoroughly, yet) which i had stashed in the garage, in a cabinet in front of which i have stacked 4 huge cartons of incense… so, naturally, it was the absolute LAST place i thought to look. this appears to be my music backups from 2002, or thereabouts, until 2016 or 17 — when i “moved everything to the cloud” — which means that the part of my collection that isn’t backed up, is, very likely, music that i have on CD (which i can re-rip, if necessary) or music that was in a .zip or .rar archive… and, strangely enough, not many of the .mp3s that are on the recovery disk actually made it, but there’s probably 90% to 95% of the .zip and .rar archives that appear to have made it through… meaning that, when i opened the archive with ark, it opened and didn’t tell me that the archive was corrupt most of the time… 😕 i don’t completely understand how that happened, but i’ll take it.

and, to be honest, there are more than a few albums where i was able to download all but one track from the backup disk (for whatever reasons), so i’m really glad that i actually have as many CDs as i do, because that makes it a lot easier to go back and re-rip one track from an album.

it’s been more than a month since i played music through my stereo speakers. i spent ALL DAY today, listening to music and uploading gigabytes of music to the new NAS. 👍😉

and, TOMORROW, i’m going BUSKING!!! 👍😎👍

Evolution Control Committee

“What Would You Think If I Sang Autotune” by Evolution Control Committee.

“Whole Lotta Royalty Payments” by Evolution Control Committee.

i found this book in a “little free library” today… i’m having a lot of fun imagining what it COULD BE about… 😉

The Complete Book Of Meat
The Complete Book Of Meat

creativity…?

i recorded the tuba part for a collaborative effort to create the panto 2020 “Welcome Song”, but since we can’t actually meet to rehearse, we’re recording the parts, which, presumably, will be together enough that they will be able to be combined together, and then emailed to the people who have come to the pantos in the past.

i experienced the clarinet part, and the “click track”, which was kiki playing the song on the ukulele and singing, along with a metronome. without the click track (which, i’m assuming is the ultimate goal), the clarinet part and the tuba part ended up staying together… mostly… and the times when it seemed like we were going to lose the beat, miraculously, found the beat again in a lot less time than it would have taken if we had been in a live rehearsal.

but it’s really weird playing the tuba part without all of the other parts, only knowing that they will be put together at a later date.

Heirophany
Heirophany
there’s a possibility that thaddeus and i are going to resurrect “Heirophany”, which is me playing the harmonic flute and twiddling with electronic gadgets, and thaddeus playing guitar, and twiddling with electronic gadgets. we released a 12 minute long single — with a fantastic cover, which is a picture of a ‘cello on fire 😉👍 — a couple of years ago, and then didn’t do anything else, but, at this point, we can do it “socially distanced”, and i’ve even been thinking of designing a mask for the harmonic flute, anyway, that will make it so that i can play when it’s windy… only, now, it’s so that i can play while i’m masked… and it’s something where we can play for other people, and, potentially, make some money at it at the same time.

#drumpf still hasn’t conceded, and his lawsuits are getting tossed out as fast as he can file ’em, but, ultimately, i think he’s going to try to make an end run around losing the popular vote and the electoral vote by “declaring” the election invalid, refusing to accept the results, and going to the supreme court (which he has stacked with sycophants) to make the final decision. he has made statements within the past 24 hours that include “just get rid of the ballots”, and “there will be no transition”, and “biden can’t enter the white house without proving that his ballots are legal”, which don’t make it sound particularly like he’s intending to go anywhere. and, while i would like nothing better than to watch as he was dragged out by his heels, kicking and screaming like a three-year-old having a tantrum (which, i have no doubt, would happen, if it came to that), i seriously doubt that any president that comes after that would have any chance of pulling the country back together again any time within my lifetime, i don’t care who he is, or how fast he impliments universal health care and universal basic income.

420 update

i’m getting closer and closer to divesting myself of all of my web hosting clients. i’m hoping that my last day of hosting anybody except me, and people directly related to me (i.e. my wife and son) will be 190430. i’m still trying to get two domains off my server, and then there will be one, which i don’t know whether they are going to find a new server, or whether they are just going to let it die. either way, it’s SEP and i don’t have to worry about it…

although i am… 😒

we came back from the beach. it rained a lot. i planned on taking mushrooms, but it rained, so i didn’t. i did spent a lot of time sleeping… and other passtimes:

190408 drawing
190408 drawing

like drawing…

190408 picture
190408 picture

although the dog moved by the time i took the picture…

and, given that it’s the first time that i’ve drawn anything other than doodles since my injury, i kinda like it…

then, we came home, and went to a concert by The University of Washington Harry Partch Ensemble, with authentic Harry Partch instruments:

190413 Harry Partch Instruments
190413 Harry Partch Instruments

the instruments are the Cloud Chamber Bowls, the Adapted Viola, the Adapted Guitar III, The Kithara II, the Spoils Of War, the Bass Marimba the Harmonic Canon, the Surrogate Kithara, the Diamond Marimba, the Marimba Eroica, the Koto, and the Chromelodeons I and II

190413 Spoils Of War
190413 Spoils Of War

a close-up of the Spoils Of War, with the Cloud Chamber Bowls in the background, and the Diamond Marimba in the foreground

190413 Modified Viola music
190413 Modified Viola music

it’s STANDARD NOTATION!!! just sub-scripts and super-scripts to define the microtones and the rythmn… i never would have guessed… but, at the same time, when you’re already working with music that is THAT DIFFERENT from what we, in the west, think of as “normal”, i suppose it’s a lot easier to not have to learn a new way of notating that “abnormal” music, as well…

it turns out that the current Harry Partch Foundation is located at the UW, and all of his instruments are housed there. again, i never would have guessed, but… wow.

i told monique, when we walked into the concert hall, that they had not played a note and i was already ecstatic.

i started my third session of my circus class. it’s a “basic circus skills for handicapped adults” class — mostly people with parkinson’s — but, because of the fact that i took to unicycle, i started a unicycle class, as well:

190419 my very own unicycle!
190419 my very own unicycle!
at first, i borrowed a unicycle from one of monique’s co-workers, but it was too short, so i went on craigslist and bought an almost-new, used unicycle, that was exactly the same size wheel but a longer seatpost, that is now my very own, personal unicycle.

i have this vision — my training from the flybottle class would say “fantasy” — of what i want to do with the unicycle: there’s this guy, in portland, who is known as “The Unipiper”. he rides around portland, on a unicycle, playing a flaming bagpipe.

i’ve wanted to make a flaming tuba for a long time. i’ve got all the necessary materials to make a flaming tuba. all i have to do is learn to ride a unicycle, and i can be “The Tubacyclist”.

i hope to be relatively stable on the unicycle by OCF this year. i’m GOING to do this! 🐉

before & after

before
before

before = three notebooks and a file folder full of music, weighing approximately 40 to 50 pounds.

after
after

after = one 8½"x11½" tablet, weighing approximately 2 pounds.

and ALL of that music takes up only a tiny fraction of my local storage… 292.5MB out of 256GB, so there’s plenty of room for more, as well! 😎

when going places with my tuba and/or my trombone, this is definitely several steps in the right direction! 👍😎

although i’m probably still going to take the big purple notebook (on the bottom of the stack) with me, when i go busking, because when i’m playing for nickels and dimes, i don’t want to have a $1,500 tablet on my music stand where anyone can grab it and run off… 😉

a step forward

new ipad
new ipad
the fedex package finally arrived, which, of c(o)urse, meant that i went to the fedex distribution centre and forced them to let me have it there, rather than waiting for them to pull their head out of their ass and hire a full time driver who learns where my address is, instead of using a different contractor who doesn’t have the first clue — EVERY! SINGLE! TIME! 😠

anyway, i’ve got it more or less set up. i set it up as a new ipad, rather than transfering all of my old apps to it, which meant that i had — and still have — some finishing touches to add, most notably, the noisepad app, which requires a hard link to itunes in order to upload new sounds, but the version of itunes i have on my ancient macbook pro is several versions out of date and won’t recognise my new equipment, and even if it did, the ipad only has a USB-C plug, and my macbook only has USB-A plugs… so i’m probably going to have to use moe’s machine to get around that.

the big benefit is that i can display full-size, 8½”x11″ pages, which is 90% of my music, and the other 10%, which is more than one 8½”x11″ page, i can get a bluetooth foot-pedal page-turning gadget for about $50.

new ipad
new ipad

AND i’ve already got a fairly substantial portion of my music already “on the cloud” — i.e. either dropbox or my own, personal cloud-server — which means that, under the best of circumstances, i won’t even have to load my 256GB disk down with music files… although i might want to keep files on the ipad anyway, just in case i don’t have network connectivity, as i would (not) at the oregon country fair… 😉

and, after all, loading it down with music is the principle reason i bought a huge-ass tablet anyway… 😉

idea

thurible
thurible
recently, i’ve been incensing the neighbourhood.

i’ve been taking my thurible outside (because, realistically, that’s the only place i can use it without setting off my smoke alarm), drinking beer, smoking pot, listening to frank zappa, and burning frankincense, benzoin and copal resin — rather like the ethiopian family that lived next door to us, where we used to live, in renton, did…

although i’m reasonably sure that the ethiopian family didn’t smoke pot, drink beer, and listen to frank zappa… πŸ˜‰

but, basically, i really like burning incense, i really like burning frankincense, because it has the scientifically-proven ability to calm my anxiousness, and i really like “sharing” the good smells with my neighbours… whether they like it or not… 😈

which got me to thinking, yesterday…

i also REALLY like playing music for people. particularly, i really like playing my overtone flute at the oregon country fair, where people passing by have the possibility of hearing my music, but not knowing exactly from where it may be coming.

so, i thought, why not combine the two, and put together a “performance” or a “concert”, or something like that, where i set up somewhere, incense the whole place, and play my overtone flute?

it would have to be an outside venue, because nobody would want “concert” like this inside, where it would be extremely likely to set off smoke alarms, but that’s okay, because if it’s outside, there’s more of a possibility that people will experience the scent and not even be able to tell from where it’s coming… possible places are greenlake, volunteer park and gasworks park.

i would probably also want to set up a sign, or something, letting people know what i’m doing… but it would also be interesting to do that sort of thing without any clues, just to see how people might respond…

rⒾⓅoff…?

i present, for your musical enjoyment, Mexican Dance, by George Gershwin:

written in 1923, it is subtitled “Tomale o I’m Hot For You”.

it is suspiciously similar to Golliwogg’s Cakewalk, by Claude Debussy:

which was written in 1913… 😉

maque asked me to build a bullroarer

maque asked me to build a bullroarer. i may have gone a little bit overboard…

i built a 30″ bullroarer. it’s big enough that i had to order special rubber bands to finish it. then, when i realised that i had to wait for the rubber bands to be delivered, i went crazy and spent two days going various places searching for a suitable alternative.

180506 30 inch bullroarer
180506 30 inch bullroarer

it’s a lot quieter than i expected. i’m going to have to build a smaller one, like this:

to see if smaller helps it be noisier.

take-away from the 2018 moisture festival

here’s what i want:

i want a tablet that has a USB interface (or not, depending on its disk size) that is approximately 9″x12″ or thereabouts, on which i can store ALL of my music (and, potentially, music for everyone else in the band, as well). if it has a USB interface, then i can have different bands on different flash drives. if not, different bands go in different directories or suchlike. my understanding is that there is an “automatic page-turning” app that one operates with a remote using their feet, but my impression is that most PDF readers switch pages with a swipe, which is pretty much what i do already, anyway…

that way i won’t have to carry around 40 pounds of music, as well as my tuba, music stand and chair…

180325 tom noddy and the littlest gymnast
180325 tom noddy and the littlest gymnast
the second week of the moisture festival — the one that i played in, with the fremont philharmonic — is over. it went really well, i played a majority of the right notes, didn’t drop my music, or lose tunes, made a majority of my cues, kept ALL of my music in alphabetical order, except for the tunes that were “officially” part of the show, so i could find things instantaneously when things changed abruptly without warning…

which they INEVITABLY do at the moisture festival.

hacki and möppi were there, tom noddy was there, sandy was there, frank olivier was there, peewee and joanne (barry and yvonne, couple #69) were there… i saw people that i only see once a year, at the moisture festival… it was the 15th anniversary of the longest running comedy/varieté showcase IN THE WORLD (and my 15th year as a performer in the moisture festival), and hardly anybody mentioned the fact that the palladium is up for sale, and there’s a possibility that whoever buys it will not honour the contracts that events like the moisture festival (and the panto) have with mike hale… but, at least for now, things are happening in a more or less normal, for the moisture festival, way. who knows what’s going to happen next year… apparently somebody does, but it’s not me, and whoever it is, isn’t saying anything.

otamatone! オタマトーン 😊

i’ve wanted one for a long time: pretty much ever since i first read about them on internet, a few years ago. but i’ve never bought one, because it seemed too frivolous… and i’ve read some really negative reviews of them, that made me think they are not very well built, and so forth.

but this a gift, and it is from my lovely wife, so, of course i want it… and, actually, it plays pretty well — for a “novelty” “toy” that doesn’t have notes marked on it… it will definitely be an honoured member of my sound-effects collection, if nothing else… 😊

otamatone オタマトーン
otamatone オタマトーン

not only that, but the guy on the package (who, i assume, is Novmichi Tosa, the inventor of the otamatone), is wearing a wrist watch with an old-school telephone dial on it:

wrist watch with a telephone dial... what does it do?
wrist watch with a telephone dial… what does it do?

bleugh…

i’ve been sick for the past couple of days. i hope i’m going to be well enough to perform in cinderella on saturday, because that’s when it starts. dress rehearsal is tomorrow, and i haven’t even marked all of the sound effects or where to use them, so it’s going to be touch and go. i should be well enough to make rehearsal tomorrow, but i’ve already loaded the first batch of sound effects into my car. i’ve still got a huge box, plus the bell, which has it’s own stand…

i’ve volunteered to play trombone for a SANCApators performance at Teatro ZinZanni in redmond, in february. reheasals start during the run of cinderella, but the sancapators rehearse during the week, and cinderella is on the weekend, so there won’t be any conflict.

#SCROTUS #drumpf just reduced the size of two national monuments, Bear’s Ears, and Escalante, in utah, to about half of their original size. he wants to eliminate all national monuments, completely, and open the areas for oil drilling and mineral exploration. it’s probably illegal, and there’s already at least one lawsuit filed over it, but that won’t stop him from running rough-shod over it while he has the chance. DAPL has already sprung a couple of leaks, and there are lawsuits over that, as well, but you can’t put oil back in the ground, once it has been extracted… and spilled. meanwhile, there’s a rumour that democrats are going to force a vote to impeach him soon, but as long as the republicretins are in the majority, it’s not going to go anywhere. there’s eventually going to be action from special prosecutor mueller – he just subpoenad Deutsche Bank’s records concerning #drumpf’s accounts, and those of his family (although faux/fake news/jay sekulow (of the ACLJ, a “christian” hate-group) says that he hasn’t), which, allegedly, was the line across which, if he stepped, #drumpf had vowed to fire mueller, but it just happened this morning, so there’s no news on whether he will actually follow through. my personal opinion is that, if he fires mueller, i’m going to start fomenting revolution, and i’m not alone. on the other hand, if he doesn’t fire mueller, then he can definitely be more easily impeached, because his criminal activities, not to mention his treason, will be much more obvious… but once #drumpf is impeached, we’re going to have to impeach pence, and ryan, and the whole list of “republicans all the way down” before anything is going to change… and the only other option is for mueller to declare the 2016 election null-and-void, because of #drumpf’s treason and collusion, but, by then, it’ll be too late to do it over… and it’s never been done before, so nobody’s really sure whether or not it even CAN be done…

i want to be the person he shoots

moe’s father and his piano

moe’s father died, suddenly, in late october. his funeral was last saturday. some would say “fortunately”, i had two panto performances that day, so i couldn’t go. however, one of the things that was an upshot of moe’s father dying was that moe inherited his piano. so, we now have a fairly decent spinnet piano in our house… or, rather, it will be a fairly decent spinnet piano when we get somebody in to fix the dead keys and clean out the bird-seed and spider-webs. in order to fit it in our house, we had to completely clear out the “office/guest-bedroom” which hasn’t been used as either for a couple of years. the office had a double bed, and a reclining chair that turns into a single bed, along with all of my inventory from hybrid elephant, most of my sound effects (i.e. the ones that i don’t have at the panto currently), a trombone, three trumpets, two soprano clarinets, an alto clarinet, a guitar, a whole bunch of home-made instruments, two huge bags of air-pillow packing materials, a cosco-sized bundle of paper towel rolls, three sleeping bags, and a bunch of other miscellaneous stuff. we got up fairly early yesterday, cleaned out the room and the hallway leading to it, and then we, along with moe’s step-brother, took delivery of a piano. also, because of the fact that it was superfluous, we freecycled the bed… and then we loaded up the back of moe’s step-brother’s truck and made a dump run with a bunch of brush and old lumber.

initially, i was hesitant about bringing the piano into our house, because i was under the impression that it was one of those upright pianos that you see in old western movies, that people stand, lean on, and put their glasses of beer on top of. this piano is actually about half that size. it’s about 3 feet tall, and 24 inches deep.

so, now, instead of an “office/guest-bedroom”, we have a “music room/guest-bedroom”. i’ve already moved in my bach trombone, my fender-rhodes piano, my DX-7, my E♭ tuba, my Sandviker’s Stradivarius musical saw, and my didjeriflute. the theory is that, eventually, that will be a place where we (meaning moe, too, whether she likes it or not! 😈) can go and IMMEDIATELY play music on a variety of instrumets, and the most preparation we might have to do is take an instrument out of its case. it will also be very beneficial for me, when i am transcribing music and need a keyboard. and, because my laptop is portable, i can easily use it to do all kinds of recording and editing and, using my DX-7 as a MIDI controller, i can even use my laptop as an instrument… 😎

Your Gold Teeth II

Your Gold Teeth II

Who are these children
Who scheme and run wild
Who speak with their wings
And the way that they smile
What are the secrets
They trace in the sky
And why do you tremble
Each time they ride by

Throw out your gold teeth
And see how they roll
The answer they reveal
Life is unreal

Who are these strangers
Who pass through the door
Who cover your action
And go you one more
If you’re feeling lucky
You best not refuse
It’s your game the rules
Are your own win or lose

Throw out your gold teeth
And see how they roll
The answer they reveal
Life is unreal

the bewlay brothers

in the mid-1980s, i lived in an apartment with randy, who was a david bowie fanatic. i was not, at the time, because i had been brought up listening to jazz, classical, and contemporary classical music, had been heavily involved with jazz, marching and concert bands and orchestras, and, basically, “didn’t have time” to listen to “inferior” music made by “talentless” artists.

but, at the same time, i was also beginning to suspect that everything i had learned about “christianity” was not only false, but that there HAD to be another alternative to what the “christians” were ranting about. i had read some of the works of Aliester Crowley, and been able to make exactly zero sense of it, and started heading for other religions to fill the gaps.

then i heard this song, and a few others like it, and they helped me to realise that sometimes, in order to comprehend the deeper meanings of things, one had to read more than what was on the surface…

new antique music by somebody else…

once again, i would like to offer my utmost gratitude to my wife, who made it possible for me to own the awesome music notation software called Sibelius. it has made processes like this take so much less time than doing the same thing “by hand”… and it’s not something that i have to imagine, as i have actually done projects like this “by hand” in the past, and it was so tedious and drawn-out over, literally, months, that i no longer do such projects… conversely, this project in it’s entirety, took 5 weeks to go from “a gleam in my eye” to having finished parts and a recording… and 4 weeks and 5 days of that were waiting for the score to arrive from the publisher. 😎

so, there’s this march in honor of Joyce’s 71st New York Regiment written in 1881 by Thornton Barnes Boyer, which we’ve been trying to play with the Ballard Sedentary Sousa Band for several years now, and getting nowhere… primarily because of the fact that there are several different “arrangements” of it scattered across the 35-odd musicians in the band, which have several differences which, while not major, definitely mean that playing it as an ensemble is a lot more difficult. and that’s not to mention that it is in the key of E♭ minor (six flats, for those of you who may not know), which, for a community band with players of all abilities, is asking a bit too much…

but that may or may not be the issue, as i discovered at a recent BSSB rehearsal that, in fact, there are two different “arrangements” of Joyce’s 71st NY Regiment March just in the trombone section, and that they are enough different that playing the two of them and expecting it to sound even reasonably coherent was impossible, as one of them had the “Trio” in an entirely different key all together.

a little bit of research revealed the fact that there are several different “arrangements”, which include adding harmony and ornamentation to the trio, changing the key of the trio to the relative major, and changing the location of the “Da Capo”, all of which were made long after the original composer, TB Boyer, had passed on, and nobody could decide which of the many different arrangements was “best”. one thing that they all agreed on, however, was that the original piece had been published by J.W.Pepper.

a tiny light bulb appeared over my head, as i realised that i actually own a 100-year-old musical instrument with the J.W.Pepper logo stamped on it, and i actually know where J.W.Pepper has a branch location in tukwilla…

so, i went to J.W.Pepper and asked if they still carried the original version of Joyce’s 71st NY Regiment March, not arranged by anyone, and, bob’s-yer-uncle, they have it. not only that, but they have a version of it that has been transcribed for modern instruments, which is really an issue when you realise that what constitutes a concert band has changed pretty dramatically in the past 120 years: no saxhorns, no helicons, no ophecleids, quinticlaves or clavitubes, no serpents, consistent woodwinds, a tuning note that is several cents higher than it was, etc., etc., etc…

however, they sold the publishing rights to some other company, which only prints copies on demand, so i had to wait until they printed a copy… just for meeeeee… 😊

i got it the other day, and entered it into the aforementioned, AWESOME MUSIC NOTATION SOFTWARE (which took all of 5 hours, stretched out over a couple of days) and transposed it down a half-step, into D minor, which only has one flat!

my impression is that it will be much easier to muddle our way through, now that we’ve all got the same arrangement, and it’s in a key that doesn’t twist our brains while we’re trying to learn it… 👍

and, because of the fact that the software also outputs in sound formats, i have been able to hear what it’s going to sound like (more or less) to make sure that all the parts are correct BEFORE i print them and hand them out to people!

Joyce’s 71st New York Regiment March

i suppose this is the only time i’m going to have to update this in a while…

so the moisture festival starts this week. i’ve got a sancapators rehearsal on wednesday, and then i play with the sancapators on thursday. then i’ve got a fremont philharmonic rehearsal on saturday. then starting a week from wednesday i play, with snake suspenderz, one show each wednesday, thursday and friday, three shows saturday, two shows sunday and one show monday. then i’ve probably got a fremont phil rehearsal on saturday, april 4th, and on wednesday the 8th i start all over again, with the phil, one show each on wednesday, thursday and friday, three shows saturday, and two shows sunday. my recollection is that last year i got sick on one of the days that i played with the sancapators, and spent the rest of the festival recovering. i’m going to try to avoid that this year, if at all possible.

moe broke a tooth few weeks ago, while she was on her way to las vegas, and then she broke another tooth about a week later, which she had pulled about a week ago, which resulted in dry socket, a very painful condition that i would have preferred she NOT have to suffer. she went to the dentist today to get her crown made, for the original tooth she broke, and she’s got another appointment to have some other work done in a couple of weeks. it makes me really glad that i’ve got indestructable teeth (seriously, ever since i was a kid the dentists i have gone to have shooed me out of their office as quickly as possible so that they can get actual, paying customers in their chairs, and some have been rather obvious and rude about it), but i wish she didn’t have to go through all this, because i know how painful it can be. 😐

i splurged and bought a USB turntable that actually works (compared to the sony turntable that i had, which appeared to work, but didn’t, in some extremely significant ways that weren’t actually evident until almost the end of the project), and re-started on the process of rendering all of the remaining vinyl in the house (which is a surprisingly small amount at this point) into a digital format that can be played on “today’s” devices. i’m rendering the vinyl albums into .flac format, for burning onto CDs, .ogg format for playing on my desktop, and .mp3 format for playing on my phone and tablet… of course i’m also thinking of how this whole project can be monetized once i’m finished with my own projects, because i can’t be the only person with a hoard of obsolete but desirable music… πŸ‘Ώ

some jehovah’s witlesses just came by our house. it’s the first active evangelisation attempt we’ve had on the house in a very long time. the last time i was taken off guard and actually took their line of drivel for a minute before i ejected them from the property, but this time i was alerted (thanks to zorah, who barks at anything that moves, so i had to be a little aware, as well), and i met the guy on the front porch and told him that i wasn’t interested in his drivel before he even had the chance to say anything. i went back in the house and, while i watched, four more people in a car drove up, so i went down to the driveway and said, very clearly and slowly, “Tina Chopp is God! Praise her OR DIE!!”… i suppose now they’re going to call the police on me, but it was worth it. πŸ‘Ώ

by the way, this post is at least partially because my sister posted that she and her husband are “not very exciting people”… the reason you’re not very exciting people is because you don’t try hard enough… πŸ˜›

rehearsal season is here

monday i’ve got a fremont phil rehearsal. tuesday i have a sousa band rehearsal. wednesday i have a fighting instruments of karma rehearsal. thursday i have a snake suspenderz gig. sunday, a week from today, i have a fremont phil gig. wednesday week, i have a fighting instruments of karma rehearsal… then the moisture festival starts…

oy… 😐

J.W. Pepper

Tenor Hornin a post called fezorocity and antique brass…, from 100911, i wrote of obtaining an antique tenor horn, around 100 years old, stamped with the J.W. Pepper logo. i actually did some research online and found pictures of similar horns from around the same era.

i immediately featured the horn in an educational post entitled “THE "RIGHT WAY" TO REMOVE A STUCK BRASS MOUTHPIECE“, in which i used it as an example of a stuck mouthpiece and the correct way to remove it.

120502 tuba triothen, on 120502, i posted a composite photo of me playing three different tubas, one of which was that same horn with the J.W. Pepper logo. at the time i was under the impression that it was more or less a “mid-west” and/or east coast company.

little did i know… 😎

140331 salamandir at the moisture festivalit turns out that there’s a branch of J.W. Pepper in tukwilla, just down the street from ikea. i went in there today and immediately felt like i’d been there all my life… they had racks of catalogued sheet music all over the place, a rack of batons for sale on the desk, and a friendly dog who greeted me at the door.

i ordered a copy of the piano score for Le Tombeau de Couperin by Ravel, which should be here next week, and i’m going to take the horn with me. 😎

music

i found the web site put up by Dave Gannett, who is my unwitting mentor in all things tuba. dave is the tuba player for Uncle Yoke’s Black Dawgs, a dixieland band from kissimmee florida, the artist behind Tubas From Hell, and one AWESOME tuba player. my first experience seeing him live was at the Friday Harbour Traditional Jazz Festival in 1991, where he played The Flight of The Bumblebee — at the correct speed — on his sousaphone. when he finished the piece, he had it rigged up so that he blew smoke and flames out of his bell on the last note…

i knew i had found a mentor at that moment… πŸ˜‰

also, two more tracks for The Church of The Pleistocene, thanks to my recent re-acquaintance with Dr. J. Vernon McGee of Thru The Bible Radio Network. i listened to Dr. J. during my ill-fated time as a taxi driver, just before the birth of my son. the main reason i listened to him was because, at the time, taxi cabs only came with AM radios, and the music on AM radio was AWFUL… Dr. J. Vernon McGee wasn’t an awful lot better, but at least i got familiar enough with his distinctive ‘twang’ to make music out of it thirty years later…

How Firm A Foundation (A Tribute to Dr. J. Vernon McGee)
We Don’t Like Things Like This

heebie

i’m cold, and i also think that i may be getting a cold, which is not good, because i’ve got important obligations that i’m probably going to have to fulfill, even if i am sick. it may just be that i am still wearing summer-ish clothing and it’s getting to the point where i should probably switch to winter-ish clothing, but i’m too lazy.

the obligations for the next few weeks include: giving rick a ride to the cannabis dispensary (which is usually an “all-day” event, depending on how many dispensaries we visit), a fremont phil gig for a moisture-festival/panto-related performance, the winter panto performances, the lenin lighting, and probably a bunch of other rehearsals, gigs, and what-have-you, that i am forgetting.

we’re well into the fall/winter rehearsal season, but we have only had one panto rehearsal, because all of the music isn’t completed yet. i have two new arrangements for the phil which are ready, however: one is a piano rag by scott joplin called “I Am Thinking Of My Pickaninny Days”, and the other is an arrangement of that piece of music made famous by the bulgarian womens’ radio choir, called “Polegnala e Todora” by philip koutev, which is in 11/16… it’s almost in 3/4 time, but not quite… which may make it a lot more difficult to play, but i’m hoping that we won’t have to get too technical about it. it’s also got a rubato feel about it, that, i’m hoping, will cover for any glaring technical difficulties that we might encounter.

even though i haven’t heard a note of either of them, i’m fairly confident that the arrangements are not going to be the problem once we actually get around to rehearsing them, because i also wrote an arrangement of Drei Equale für Vier Posaunen by beethoven, only four steps lower (so you don’t have to use an alto trombone for the high part), which i tried out with the trombone section from the ballard sedentary sousa band over the weekend. while they were sight-reading, completely unsure of the notes, and not playing with any confidence whatsoever, when they were all playing in the same place, the arrangement stood on its own… completely unlike the previous times i have tried to arrange things, using lilypond, and had significant difficulties getting the right notes to go down on the printed page.

moe has decided that we have to paint and re-carpet the bedroom before our new, king-sized bed arrives, which means that, once again, i am surrounded by boxes, and stacks of stuff, and dressers and suchlike that were in our bedroom. of course, the up side to all this is that, in a couple weeks or so, we will have a freshly, newly-repainted bedroom, with new fixtures, and a new bed… it’ll sort of be like a hotel room, except that we won’t have to go home eventually.

the rat problem is still there. i trapped two rats earlier this week. they go for two or three days without touching the traps, and then there are two in one day… then they go back to not touching them again. these intelligent creatures are being murdered by me, because they are destructive to the way i want to live. i am responsible for the murders of cute, furry, intelligent, rat mothers, fathers, brothers, and sisters, because i don’t like the fact that they chewed up the pluming under the floor of my house…

no matter how hard i try, i am unable to convince myself that what i am doing is not wrong. πŸ˜›

misc.

i panicked

i got this silly little app for my smart phone called Yellofier which is presented by a pair of folks, one of whom is boris blank (of Yello). the app is, basically, a sampler with a bunch of preset effects and a bunch of preset samples, and a sequencer, all of which is obscured by an interesting, quasi-intuitive interface. i’m not sure i’m going to actually use it for anything, although there is already a group that has has released an album using it… or, perhaps, because of that fact… but it’s silly and fun, and it will give me something to do while everybody else is playing angry birds. here is an example of what i’ve been doing so far.

snake suspenderz has been pretty busy recently. we did a wedding, and we did a set for the chateau at valley center, and today we’ve got a moisture festival ( 😐 ) gig. who knows how long it’s going to last this time, but fun is fun, so why not go with it?

Sony Super-Audio CD

quite a number of years ago, i bought a CD of “The Antiphonal Music Of Gabrieli” subtitled “The Glorious Sound of Brass” by the Philidelphia Brass Ensemble, The Cleveland Brass Ensemble and the Chicago Brass Ensemble. it was, i believe, one of the first purchases i ever made on a, then, brand new service called “amazon”, but the current iteration of that service has no record of my purchasing anything like that, so it might have been some other online service.

i have been playing music by giovanni gabrieli for a long time, and he is one of my favourite brass composers, so i figured that this would be an excellent addition to my music collection. however, when i received the disk in the mail, i put it into my CD player and…

nothing happened.

this was before computers had CD players on a regular basis, and the dedicated audio CD player that i had was a sony “diskman” that someone had been throwing away, so i searched around and found another dedicated audio CD player that didn’t have such a sordid background and put the disk in that and…

nothing happened.

then i took a closer look at the CD itself. what i found was this TINY inscription that said this disc is designed for use in super audio cd players only on the back of the box.

no problem, i figured. i’ll just put it into my (at the time) “state of the art” work computer (which did have a CD-ROM drive) and it’ll play there… no, i didn’t think i’d copy it into MP3 files, because this was before MP3 files existed.

but i was mistaken. it didn’t play there, either…

but it is gabrieli, and i’m sure the music is SUPERB, so i didn’t send the disk back. i held on to it, on the off chance that, at some point i would run into someone who had a “super audio CD” player.

which brings us to today… close to 15 years later, and i have tried it on every single computer i have owned, and a bunch of other peoples’ equipment, and i have STILL never heard this CD.

i have, since, learned that sony introduced the super audio CD in 1999, and by 2007 it was considered a failure, and not significantly better quality than standard CDs, but that didn’t make the fact that i have this one disk of music that i really like any easier to listen to… or copy into a format that i can listen to — which, i suppose, is what all this copyright/piracy gibberish that i hear bandied about in the news, is all about to begin with…

but, come on… this is all music that was recorded previously — the SACD is a combination of three other 12″ LP records, released between 1955 and 1980 — and i paid for the music… NOT the incomprehensible file format, or whatever it is that makes this particular disk NOT PLAY in the audio equipment that i HAVE. 😐 furthermore, i’m NOT going to buy a SACD player, which are now “audiophile” equipment, and cost anywhere up to three times what they did originally, so that i can play this ONE disk.

bottom line: does somebody out there have a SACD player that i can hook up to my computer, so i can make FLAC copies of the music? i have a digital pre-amp that plugs into my computer and has RCA inputs, and i have RCA cables, so all i need is the player, and you’d be able to get it back after i’m finished… i’d really appreciate it…

sibelius

the software, not the composer…

i bit the bullet and bought the academic version of sibelius 7… which cost $300, rather than the standard version, which has less capabilities, but costs $700 (a thing which i have yet to figure out, even though the capabilities that the educational version has are useless to me, because it requires that i have a network with at least one other installation of the educational version installed on it).

it actually took me a few days to make it “legal” because of the fact that moe’s WSU email address had been changed (since she graduated… oops!) and we had to work around that until she was able to phone the helpdesk and get things straightened out.

now that it is all legal and everything, i’ve gotta start actually learning how to use it. but it’s easy enough to use that, already, before i’ve even completed one of the FOUR two-hour tutorials it came with(!), i have been able to complete two lead sheets for beatles tunes that i copied from THE BOOK for snake suspenderz, and create a 6-part arrangement of a piano rag by scott joplin for the fremont philharmonic.

i still haven’t realised all of the goodies that this new, legal software holds in store for me, but i think it’s already well on the way to paying me back for the money i spent on it. 😎

whooee… 8P

okay, i had three gigs in three days with three different… well… iterations of the same band: Accidental Rhino is howlin’ hobbit and two or more other musicians, of which i am, frequently, one. i took monday off (to get caught up with laundry and dishes), and then today i had a rehearsal, tomorrow i’ve got a parade, and thursday i’ve got another gig…

i guess you could say i’ve been pretty busy… i’m certainly going through spoons at a phenomenal rate, although, surprisingly, i haven’t been feeling the lack of them – that much – the past few days. i’ve been really tired and sleeping a lot more than normal, but the fact that i made $300 in three days sort of offsets that.

the potential major blow-up that i’ve been suspecting is around the corner for about 6 months has, miraculously, been put on the back burner AGAIN, which is good from one standpoint, but questionable, at best, from the place where i see it. it’s not that i want this particular blow-up to happen, but my impression is that if it has been put on the back burner again, then it will be that much more spectacular and unpleasant when it finally gets around to happening.

not my music, technically, but…

two tracks by my friend Pliny Keep:

God Is Dead, Let’s Fuck

Art Is A Fart

pliny is a guy that i have known since he was about 14 or so. he is one of the best wordsmiths i have ever met. he raps in normal conversation without even meaning to. he invented a new art-form, which is called SPLAB.

these tracks were recorded in the late 1980s or early 1990s and have been lost in my box of tapes until today.

(previously, previouslyer, previouslyer, previouslyer, previouslyer)

functioning societies

the new orchid spangiafora album has got me inspired… i’ve got a whole bunch of cassette tapes of evangelical preachers ranting about this and that, which have been waiting for me to do something creative with, for quite a long time indeed, and now is the time. Functioning Societies Don’t Do That is a preliminary sketch, based on the source material found here. enjoy it or else… 😎

Functioning Societies QR-codeETA: i just figured out that, because i posted this on the web, it is now accessible by google, who conveniently gave me this wonderful QR code. because of the fact that i “know what to do” with QR codes, i can now make a meaningless-babble art which, under the right circumstances, will take people to a recording of this, and they won’t have the first clue what has happened…

i remember, a few months ago, i found a QR code posted on a utility pole in some extremely seedy part of downtown seattle. at the time, i didn’t have a QR-code-reader on my phone, but despite that fact, i’m about 90% certain that, if i did, it would take me to some web site for a band, or a porno site, or something like that… this will take people to a place that really will make them wonder… <hee hee hee>

mystery explained!

i logged into my computer today, and discovered the following email message from r. carey, the artist behind orchid spangiafora:

I recently checked the discogs page for Tin Windows and saw your name listed in the “want this” list. I remember our correspondence from the 1990s and I wanted you to have a copy. I have no idea why Feeding Tube didn’t respond to your email. I’ll have to talk to them and make sure they are getting their mail. I got your post office address from a link on the hybridelephant site. You are (obviously) free to do whatever you like with the five copies, but I thought if you had some extras they might find their way to some interesting people. Anyway, I hope you enjoy it.

squeeeeEEEEEEEEEEE!!!! πŸ˜€ πŸ˜€ πŸ˜€ πŸ˜€

weird mystery…

in november of last year, i read of a “new” recording by Orchid Spangiafora.

by “new” i assumed it meant “newer than Orchid Spangiafora’s first release”, which was their 1979 album called Flee Pasts Ape Elf — an ASTOUNDING work, which is still one of my all time favourites, but, unfortunately, it has been out of print for a LOOOOONG time.

specifically, the announcement said: “Tin Windows – 7″ vinyl 45 RPM – Available now at Feeding Tube Records, Northampton, MA and at Fusetron, Brooklyn, NY or try Discogs”. so, i emailed “feedingtube at me dot com” with an inquiry, and received no response… after waiting around four weeks, i figured that “new” meant some time before the year 2000, and that it was no longer available. i stopped expecting a response around the new year, and forgot all about it by the end of january. it’s important to remember that i NEVER paid, nor did i give any indication that i was GOING TO pay, and i NEVER gave them my physical address.

today(!) i got a “mystery package” in the mail. it was neither expected nor anticipated. it was addressed to my business address, and had a return address i didn’t recognise. contained within the package were not one, but FIVE copies of “Tin Windows”…

five BRAND NEW, UNPLAYED copies of the 7″ vinyl 45 RPM record…

and it turns out that “new” means april, 2012… meaning that it is, ACTUALLY a completely new release… πŸ˜€

i don’t know how they got my address, although it MAY BE because, several years ago (1996? 1997?), i corresponded briefly with the artist behind Orchid Spangiafora, and traded music with him… but if i recall correctly, that was before i had my current email address, and before i moved into my current location — which means that my business address was different, as well…

but, hey… i’m definitely NOT complaining… 😎

okay

moe has gone to southern oregon for the national sheep-dog handling finals — yes, we have not one, but two championship-quality dogs in this house, thanks, in part, to moe, who is the dog-whisperer to dog-whisperers… 😎 (and that guy who is “The Dog Whisperer” really doesn’t know what he’s talking about most of the time… really… you should hear moe rant about how cesar milan is wrecking dogs, when she gets to ranting about him)

but, of course, the down side to all of this, is that moe is gone for a week, and i have to stay here, because i have a performance on saturday and it would be too far to drive back from klamath falls for, especially since we’d either have to take both cars, or i would have to drive from klamath falls to seattle for a 2 hour performance, and then drive back to klamath falls to pick up moe and her dogs and gear… which would be especially important since we just bought a trailer/pop-up-tent/RV-like-thing, and that isn’t going anywhere without a vehicle to tow it.

so, the upshot of the whole deal is that i am alone for a week, with an ancient, decrepit dog, two ancient, decrepit cats, a bird (who is neither ancient nor decrepit), and an ancient, decrepit snake… i guess, since i am verging on ancient and decrepit myself, i’m in good company, but i would really prefer it if i was with moe, or she was with me… there’s nobody but stanley to talk to, and, while some of the things he says are definitely amusing, he doesn’t always respond the way a human being would…

the performance is with the sousa band, at Festa Italiana, and they’re probably going to feed us… which is always the right thing to do for musicians that you hire to come and play for your party… πŸ˜‰

apart from that, i’m still going back-and-forth with the incense guy from india. everything was going as expected until he quoted me a price that is essentially what i charge my retail customers for what would essentially be a wholesale purchace. when i responded, he didn’t come back with an answer for a few days, and then, this morning, he came back with a response in which he, basically, offered me the same incense for a quarter of the price, but only if i order more than a certain amount of it… which i would do, but i don’t want to seem too eager, because i know that if i can put him off long enough, the price has a very good probability of going down even further… and if not, it will also give me time to build up my bank account to the point where i can actually afford to buy a whole pile of incense from india… 😎

i still haven’t gone out to busk with my didjeri-flute/delay/amp setup yet, but i have been out busking with my tuba at least twice in the past week. a couple of days ago, i went out to the ballard sunday market, ostensibly to play with hobbit, but as we were getting set up, we were joined by julie b. who plays “delicious violin” (really, it says so on her cute little business card), who hobbit knows from the pike place market… and with a very little prompting from hobbit, we played quite acceptably, got a couple of inquiries about whether or not we were available for house parties(!) and made some generous tips for playing for a little less than 2 hours… i get the impression that, with a little more prompting, we could either add a violin to snake suspenderz (on a more-or-less temporary basis) or we could simply bill Accidental Rhino as a separate band and have twice as many gigs… either way is fine with me.

paeudt

i actually took my art car to the rainier beach artwalk today, which is the first time since i actually put art on it, and i wasn’t planning on doing something else, that i have attended an “art car function” this year… and i was pleasantly surprised to discover that the art-cartists were paid $25 just for being there. 😎 i also brought my didjeri-flute and played for a while… sort of like at burning man, with no expectation of anything other than making weird noises for people. the weather was cooperative, and not windy enough that it was impossible to play, but there was no electricity, so the delay/amplification wasn’t there, and, as a result, i competed with the bands across the street for most of the time i was there.

and, while i’m on the subject, Snake Suspenderz, the Official SACBO Band, is playing at The Can Can in the Pike Place Market, tuesday 9/18 at 7:00. cover is $5.00 and we hope to see a lot of art car people there! 😎 the snake suspenderz site or buy tickets.

but i’m still struggling with a couple of tunes, which i don’t remember, in spite of the fact that i’ve attempted to play them a number of times recently, and vowed to remember what they were… i really need to start writing down stuff like like that, because my memory is CRAP… 😐 and that has been complicated by the fact that my band-mates don’t feel like checking and responding to their emails: there are two days between now and when we play at the can can, i have repeatedly requested a rehearsal, or some busking, or (preferably) both, since wednesday or so, and i have gotten mediocre and lack-lustre responses AT BEST from the other members of my band… and i’m feeling frustrated about it, because my performance is going to suffer if a rehearsal (at least) doesn’t happen before tuesday! 😐

but, back to my didjeri-flute ravings for a moment: i REALLY need to get out to somewhere where there’s a publically-accessible electrical outlet and no wind (the public space at crossroads mall immediately springs to mind. why? i don’t know, but there it is), and see how i do busking on my own. i’ve got to put together a “busking kit” sort of like the one hobbit has, which includes a tip container and a sign indicating that it’s there… i wonder if the broken wire music stand i “donated” to hale’s palladium is still there?

i’m still “brewing” some new art, as well. it may be that it has something to do with my didjeri-flute, but i’m still not sure. πŸ˜‰

oh yeah, we also rocked their world at cholmondleighland last saturday. we got raving reviews from avner the eccentric who said “If I have a pit, I want you in it!” and said that he’d put in a good word for us with tim at the moisture festival for next year! (WOO HOO!!)

music, video

i played with the fremont philharmonic at big red last night, and also played my didjeriflute for a “talent show”. then, this morning, i got up at an unreasonably early hour and went to the ballard sunday market, where i busked with snake suspenderz until noon, whereupon i went to the edmonds city park and played with the ballard sedentary sousa band.

the video is pretty much exactly what i wanted, but i really need to figure out how to work iMovie a little better, because it could be a lot better… i’m not sure if i want to make a separate video explaining how the flute is made and how to play it, or whether i want to re-make the current video with that information included… or even if i actually want to include information about how it is made and how it is played… i mean, i suppose anybody with a little imagination can probably figure those things out, but it’s kinda neat that, as far as i can tell, NOBODY has done this kind of thing, and made a video of it before. 😎

finally…

so i’ve put together another And More album, but for a long time (i.e. more than two but not quite three weeks) i have been trying to upload the files to bandcamp, and my browser keeps coming back with a “we’re sorry, but you’re fucked” error, by which the bandcamp people have been stumped.

i finally got it to upload today, from opera on the mac… i tried multiple different combinations of browser and operating system, but apparently i never tried opera on mac… i still don’t know why it wouldn’t upload with any other browser, on either operating system, but now that it’s uploaded, here it is:

as may be obvious…

or not…

i have been rather busy over the past week, with rehearsals and preparations for my trip to san francisco. they said not to mention it on social networks or tell anyone why, so it’s still somewhat of a secret (although if you know me personally, you’ll probably have heard me mention it in passing).

the rest of the past week has been filled with transferring vinyl to digital. since i damaged your ears with some early “music” in which i performed earlier in the week, i figured it would be only just to undo the damage with some real, quality music, performed by REAL musicians…

Porgy And Bess: A Symphonic Portrait, by George Gershwin, arranged by Robert Russell Bennett
performed by the 1975 – 1976 Seattle Youth Symphony Orchestra

what i’m doing

i got a turntable off of freecycle, and i bought a behringer phono-to-USB pre-amp, and i am currently listening to the National Geographic recording “On Parade – The Music of John Philip Sousa” which has not been played in over 30 years. i am not only listening to music i haven’t heard since i got rid of my turntable (which was built by my father, out of spare parts from several other projects) in 1980 or thereabouts, but i am transforming them into the next generation of music files: ones which you can reproduce on your computer… will wonders never cease… i still have a huge crate of vinyl LPs (most of which are crap) that i’m going to dig out over the next few days and have fun (or not) turning all of them into ogg-vorbis files.

8)

wow…

okay, i’ve been REALLY busy over the past week, ending with a snake suspenderz gig and four panto performances in the past three days… which, oddly enough, has already resulted in my having, in my hot little hands at this very moment (well, not this very moment, because i’m typing – and that rather badly, because of the fact that my hands are cold – but you get the idea) cash and checks amounting to more than $250… and i’ve got another $100 being transferred to my bank account from paypal…

today i took an order from Rev. Mary, who called me on the phone this morning inquiring about aparajita… she didn’t say who she was, but she was raving about how much she likes it, and said that she wanted to buy 5 boxes. we talked for about half an hour about how much incense has changed since the 1960s and the “new trends” in incense. she then said that she would order from the site. when the order came in, it was for 12 boxes, which makes me think that it may be about time to contact that guy in india who has been spamming me with requests for the past year, who i finally convinced to shut up and go away…

anyway, back to rev. mary… i had no idea who she was when she called. i have since (obviously) discovered who she is and where she’s coming from. i’m rather amused that an old-time gospel preacher’s wife has latched onto my incense, but i’m not sure that she could be even more bizarre than i first imagined. she’s an old lady (the picture on her web site was taken at least 20 years ago, judging solely by what she sounds like), and it could very well be that she’s a “reformed” hippy, or, possibly one of those weird cross-breed hippies that took jeezis instead of LSD… or, she could be pre-hippy, a real old-time gospel preacher and just really like quality incense regardless of what religion its maker and seller belongs to, OR she could be really ignorant of everything (although how one could order incense from hybrid elephant and not come away with the impression that i might be hindu is somewhat beyond me, it may be that i am a little too close to the subject to be very objective) and has no idea that i’m not a “christian” as well…

anyway, she ordered 12 boxes, which means that i only have 10 left… and that’s including my “personal” stash…