Tag Archives: music

new antique music by somebody else…

once again, i would like to offer my utmost gratitude to my wife, who made it possible for me to own the awesome music notation software called Sibelius. it has made processes like this take so much less time than doing the same thing “by hand”… and it’s not something that i have to imagine, as i have actually done projects like this “by hand” in the past, and it was so tedious and drawn-out over, literally, months, that i no longer do such projects… conversely, this project in it’s entirety, took 5 weeks to go from “a gleam in my eye” to having finished parts and a recording… and 4 weeks and 5 days of that were waiting for the score to arrive from the publisher. 😎

so, there’s this march in honor of Joyce’s 71st New York Regiment written in 1881 by Thornton Barnes Boyer, which we’ve been trying to play with the Ballard Sedentary Sousa Band for several years now, and getting nowhere… primarily because of the fact that there are several different “arrangements” of it scattered across the 35-odd musicians in the band, which have several differences which, while not major, definitely mean that playing it as an ensemble is a lot more difficult. and that’s not to mention that it is in the key of E♭ minor (six flats, for those of you who may not know), which, for a community band with players of all abilities, is asking a bit too much…

but that may or may not be the issue, as i discovered at a recent BSSB rehearsal that, in fact, there are two different “arrangements” of Joyce’s 71st NY Regiment March just in the trombone section, and that they are enough different that playing the two of them and expecting it to sound even reasonably coherent was impossible, as one of them had the “Trio” in an entirely different key all together.

a little bit of research revealed the fact that there are several different “arrangements”, which include adding harmony and ornamentation to the trio, changing the key of the trio to the relative major, and changing the location of the “Da Capo”, all of which were made long after the original composer, TB Boyer, had passed on, and nobody could decide which of the many different arrangements was “best”. one thing that they all agreed on, however, was that the original piece had been published by J.W.Pepper.

a tiny light bulb appeared over my head, as i realised that i actually own a 100-year-old musical instrument with the J.W.Pepper logo stamped on it, and i actually know where J.W.Pepper has a branch location in tukwilla…

so, i went to J.W.Pepper and asked if they still carried the original version of Joyce’s 71st NY Regiment March, not arranged by anyone, and, bob’s-yer-uncle, they have it. not only that, but they have a version of it that has been transcribed for modern instruments, which is really an issue when you realise that what constitutes a concert band has changed pretty dramatically in the past 120 years: no saxhorns, no helicons, no ophecleids, quinticlaves or clavitubes, no serpents, consistent woodwinds, a tuning note that is several cents higher than it was, etc., etc., etc…

however, they sold the publishing rights to some other company, which only prints copies on demand, so i had to wait until they printed a copy… just for meeeeee… 😊

i got it the other day, and entered it into the aforementioned, AWESOME MUSIC NOTATION SOFTWARE (which took all of 5 hours, stretched out over a couple of days) and transposed it down a half-step, into D minor, which only has one flat!

my impression is that it will be much easier to muddle our way through, now that we’ve all got the same arrangement, and it’s in a key that doesn’t twist our brains while we’re trying to learn it… 👍

and, because of the fact that the software also outputs in sound formats, i have been able to hear what it’s going to sound like (more or less) to make sure that all the parts are correct BEFORE i print them and hand them out to people!

Joyce’s 71st New York Regiment March

i suppose this is the only time i’m going to have to update this in a while…

so the moisture festival starts this week. i’ve got a sancapators rehearsal on wednesday, and then i play with the sancapators on thursday. then i’ve got a fremont philharmonic rehearsal on saturday. then starting a week from wednesday i play, with snake suspenderz, one show each wednesday, thursday and friday, three shows saturday, two shows sunday and one show monday. then i’ve probably got a fremont phil rehearsal on saturday, april 4th, and on wednesday the 8th i start all over again, with the phil, one show each on wednesday, thursday and friday, three shows saturday, and two shows sunday. my recollection is that last year i got sick on one of the days that i played with the sancapators, and spent the rest of the festival recovering. i’m going to try to avoid that this year, if at all possible.

moe broke a tooth few weeks ago, while she was on her way to las vegas, and then she broke another tooth about a week later, which she had pulled about a week ago, which resulted in dry socket, a very painful condition that i would have preferred she NOT have to suffer. she went to the dentist today to get her crown made, for the original tooth she broke, and she’s got another appointment to have some other work done in a couple of weeks. it makes me really glad that i’ve got indestructable teeth (seriously, ever since i was a kid the dentists i have gone to have shooed me out of their office as quickly as possible so that they can get actual, paying customers in their chairs, and some have been rather obvious and rude about it), but i wish she didn’t have to go through all this, because i know how painful it can be. 😐

i splurged and bought a USB turntable that actually works (compared to the sony turntable that i had, which appeared to work, but didn’t, in some extremely significant ways that weren’t actually evident until almost the end of the project), and re-started on the process of rendering all of the remaining vinyl in the house (which is a surprisingly small amount at this point) into a digital format that can be played on “today’s” devices. i’m rendering the vinyl albums into .flac format, for burning onto CDs, .ogg format for playing on my desktop, and .mp3 format for playing on my phone and tablet… of course i’m also thinking of how this whole project can be monetized once i’m finished with my own projects, because i can’t be the only person with a hoard of obsolete but desirable music… πŸ‘Ώ

some jehovah’s witlesses just came by our house. it’s the first active evangelisation attempt we’ve had on the house in a very long time. the last time i was taken off guard and actually took their line of drivel for a minute before i ejected them from the property, but this time i was alerted (thanks to zorah, who barks at anything that moves, so i had to be a little aware, as well), and i met the guy on the front porch and told him that i wasn’t interested in his drivel before he even had the chance to say anything. i went back in the house and, while i watched, four more people in a car drove up, so i went down to the driveway and said, very clearly and slowly, “Tina Chopp is God! Praise her OR DIE!!”… i suppose now they’re going to call the police on me, but it was worth it. πŸ‘Ώ

by the way, this post is at least partially because my sister posted that she and her husband are “not very exciting people”… the reason you’re not very exciting people is because you don’t try hard enough… πŸ˜›

rehearsal season is here

monday i’ve got a fremont phil rehearsal. tuesday i have a sousa band rehearsal. wednesday i have a fighting instruments of karma rehearsal. thursday i have a snake suspenderz gig. sunday, a week from today, i have a fremont phil gig. wednesday week, i have a fighting instruments of karma rehearsal… then the moisture festival starts…

oy… 😐

J.W. Pepper

Tenor Hornin a post called fezorocity and antique brass…, from 100911, i wrote of obtaining an antique tenor horn, around 100 years old, stamped with the J.W. Pepper logo. i actually did some research online and found pictures of similar horns from around the same era.

i immediately featured the horn in an educational post entitled “THE "RIGHT WAY" TO REMOVE A STUCK BRASS MOUTHPIECE“, in which i used it as an example of a stuck mouthpiece and the correct way to remove it.

120502 tuba triothen, on 120502, i posted a composite photo of me playing three different tubas, one of which was that same horn with the J.W. Pepper logo. at the time i was under the impression that it was more or less a “mid-west” and/or east coast company.

little did i know… 😎

140331 salamandir at the moisture festivalit turns out that there’s a branch of J.W. Pepper in tukwilla, just down the street from ikea. i went in there today and immediately felt like i’d been there all my life… they had racks of catalogued sheet music all over the place, a rack of batons for sale on the desk, and a friendly dog who greeted me at the door.

i ordered a copy of the piano score for Le Tombeau de Couperin by Ravel, which should be here next week, and i’m going to take the horn with me. 😎

music

i found the web site put up by Dave Gannett, who is my unwitting mentor in all things tuba. dave is the tuba player for Uncle Yoke’s Black Dawgs, a dixieland band from kissimmee florida, the artist behind Tubas From Hell, and one AWESOME tuba player. my first experience seeing him live was at the Friday Harbour Traditional Jazz Festival in 1991, where he played The Flight of The Bumblebee — at the correct speed — on his sousaphone. when he finished the piece, he had it rigged up so that he blew smoke and flames out of his bell on the last note…

i knew i had found a mentor at that moment… πŸ˜‰

also, two more tracks for The Church of The Pleistocene, thanks to my recent re-acquaintance with Dr. J. Vernon McGee of Thru The Bible Radio Network. i listened to Dr. J. during my ill-fated time as a taxi driver, just before the birth of my son. the main reason i listened to him was because, at the time, taxi cabs only came with AM radios, and the music on AM radio was AWFUL… Dr. J. Vernon McGee wasn’t an awful lot better, but at least i got familiar enough with his distinctive ‘twang’ to make music out of it thirty years later…

How Firm A Foundation (A Tribute to Dr. J. Vernon McGee)
We Don’t Like Things Like This

heebie

i’m cold, and i also think that i may be getting a cold, which is not good, because i’ve got important obligations that i’m probably going to have to fulfill, even if i am sick. it may just be that i am still wearing summer-ish clothing and it’s getting to the point where i should probably switch to winter-ish clothing, but i’m too lazy.

the obligations for the next few weeks include: giving rick a ride to the cannabis dispensary (which is usually an “all-day” event, depending on how many dispensaries we visit), a fremont phil gig for a moisture-festival/panto-related performance, the winter panto performances, the lenin lighting, and probably a bunch of other rehearsals, gigs, and what-have-you, that i am forgetting.

we’re well into the fall/winter rehearsal season, but we have only had one panto rehearsal, because all of the music isn’t completed yet. i have two new arrangements for the phil which are ready, however: one is a piano rag by scott joplin called “I Am Thinking Of My Pickaninny Days”, and the other is an arrangement of that piece of music made famous by the bulgarian womens’ radio choir, called “Polegnala e Todora” by philip koutev, which is in 11/16… it’s almost in 3/4 time, but not quite… which may make it a lot more difficult to play, but i’m hoping that we won’t have to get too technical about it. it’s also got a rubato feel about it, that, i’m hoping, will cover for any glaring technical difficulties that we might encounter.

even though i haven’t heard a note of either of them, i’m fairly confident that the arrangements are not going to be the problem once we actually get around to rehearsing them, because i also wrote an arrangement of Drei Equale für Vier Posaunen by beethoven, only four steps lower (so you don’t have to use an alto trombone for the high part), which i tried out with the trombone section from the ballard sedentary sousa band over the weekend. while they were sight-reading, completely unsure of the notes, and not playing with any confidence whatsoever, when they were all playing in the same place, the arrangement stood on its own… completely unlike the previous times i have tried to arrange things, using lilypond, and had significant difficulties getting the right notes to go down on the printed page.

moe has decided that we have to paint and re-carpet the bedroom before our new, king-sized bed arrives, which means that, once again, i am surrounded by boxes, and stacks of stuff, and dressers and suchlike that were in our bedroom. of course, the up side to all this is that, in a couple weeks or so, we will have a freshly, newly-repainted bedroom, with new fixtures, and a new bed… it’ll sort of be like a hotel room, except that we won’t have to go home eventually.

the rat problem is still there. i trapped two rats earlier this week. they go for two or three days without touching the traps, and then there are two in one day… then they go back to not touching them again. these intelligent creatures are being murdered by me, because they are destructive to the way i want to live. i am responsible for the murders of cute, furry, intelligent, rat mothers, fathers, brothers, and sisters, because i don’t like the fact that they chewed up the pluming under the floor of my house…

no matter how hard i try, i am unable to convince myself that what i am doing is not wrong. πŸ˜›

misc.

i panicked

i got this silly little app for my smart phone called Yellofier which is presented by a pair of folks, one of whom is boris blank (of Yello). the app is, basically, a sampler with a bunch of preset effects and a bunch of preset samples, and a sequencer, all of which is obscured by an interesting, quasi-intuitive interface. i’m not sure i’m going to actually use it for anything, although there is already a group that has has released an album using it… or, perhaps, because of that fact… but it’s silly and fun, and it will give me something to do while everybody else is playing angry birds. here is an example of what i’ve been doing so far.

snake suspenderz has been pretty busy recently. we did a wedding, and we did a set for the chateau at valley center, and today we’ve got a moisture festival ( 😐 ) gig. who knows how long it’s going to last this time, but fun is fun, so why not go with it?

Sony Super-Audio CD

quite a number of years ago, i bought a CD of “The Antiphonal Music Of Gabrieli” subtitled “The Glorious Sound of Brass” by the Philidelphia Brass Ensemble, The Cleveland Brass Ensemble and the Chicago Brass Ensemble. it was, i believe, one of the first purchases i ever made on a, then, brand new service called “amazon”, but the current iteration of that service has no record of my purchasing anything like that, so it might have been some other online service.

i have been playing music by giovanni gabrieli for a long time, and he is one of my favourite brass composers, so i figured that this would be an excellent addition to my music collection. however, when i received the disk in the mail, i put it into my CD player and…

nothing happened.

this was before computers had CD players on a regular basis, and the dedicated audio CD player that i had was a sony “diskman” that someone had been throwing away, so i searched around and found another dedicated audio CD player that didn’t have such a sordid background and put the disk in that and…

nothing happened.

then i took a closer look at the CD itself. what i found was this TINY inscription that said this disc is designed for use in super audio cd players only on the back of the box.

no problem, i figured. i’ll just put it into my (at the time) “state of the art” work computer (which did have a CD-ROM drive) and it’ll play there… no, i didn’t think i’d copy it into MP3 files, because this was before MP3 files existed.

but i was mistaken. it didn’t play there, either…

but it is gabrieli, and i’m sure the music is SUPERB, so i didn’t send the disk back. i held on to it, on the off chance that, at some point i would run into someone who had a “super audio CD” player.

which brings us to today… close to 15 years later, and i have tried it on every single computer i have owned, and a bunch of other peoples’ equipment, and i have STILL never heard this CD.

i have, since, learned that sony introduced the super audio CD in 1999, and by 2007 it was considered a failure, and not significantly better quality than standard CDs, but that didn’t make the fact that i have this one disk of music that i really like any easier to listen to… or copy into a format that i can listen to — which, i suppose, is what all this copyright/piracy gibberish that i hear bandied about in the news, is all about to begin with…

but, come on… this is all music that was recorded previously — the SACD is a combination of three other 12″ LP records, released between 1955 and 1980 — and i paid for the music… NOT the incomprehensible file format, or whatever it is that makes this particular disk NOT PLAY in the audio equipment that i HAVE. 😐 furthermore, i’m NOT going to buy a SACD player, which are now “audiophile” equipment, and cost anywhere up to three times what they did originally, so that i can play this ONE disk.

bottom line: does somebody out there have a SACD player that i can hook up to my computer, so i can make FLAC copies of the music? i have a digital pre-amp that plugs into my computer and has RCA inputs, and i have RCA cables, so all i need is the player, and you’d be able to get it back after i’m finished… i’d really appreciate it…

sibelius

the software, not the composer…

i bit the bullet and bought the academic version of sibelius 7… which cost $300, rather than the standard version, which has less capabilities, but costs $700 (a thing which i have yet to figure out, even though the capabilities that the educational version has are useless to me, because it requires that i have a network with at least one other installation of the educational version installed on it).

it actually took me a few days to make it “legal” because of the fact that moe’s WSU email address had been changed (since she graduated… oops!) and we had to work around that until she was able to phone the helpdesk and get things straightened out.

now that it is all legal and everything, i’ve gotta start actually learning how to use it. but it’s easy enough to use that, already, before i’ve even completed one of the FOUR two-hour tutorials it came with(!), i have been able to complete two lead sheets for beatles tunes that i copied from THE BOOK for snake suspenderz, and create a 6-part arrangement of a piano rag by scott joplin for the fremont philharmonic.

i still haven’t realised all of the goodies that this new, legal software holds in store for me, but i think it’s already well on the way to paying me back for the money i spent on it. 😎

whooee… 8P

okay, i had three gigs in three days with three different… well… iterations of the same band: Accidental Rhino is howlin’ hobbit and two or more other musicians, of which i am, frequently, one. i took monday off (to get caught up with laundry and dishes), and then today i had a rehearsal, tomorrow i’ve got a parade, and thursday i’ve got another gig…

i guess you could say i’ve been pretty busy… i’m certainly going through spoons at a phenomenal rate, although, surprisingly, i haven’t been feeling the lack of them – that much – the past few days. i’ve been really tired and sleeping a lot more than normal, but the fact that i made $300 in three days sort of offsets that.

the potential major blow-up that i’ve been suspecting is around the corner for about 6 months has, miraculously, been put on the back burner AGAIN, which is good from one standpoint, but questionable, at best, from the place where i see it. it’s not that i want this particular blow-up to happen, but my impression is that if it has been put on the back burner again, then it will be that much more spectacular and unpleasant when it finally gets around to happening.

not my music, technically, but…

two tracks by my friend Pliny Keep:

God Is Dead, Let’s Fuck

Art Is A Fart

pliny is a guy that i have known since he was about 14 or so. he is one of the best wordsmiths i have ever met. he raps in normal conversation without even meaning to. he invented a new art-form, which is called SPLAB.

these tracks were recorded in the late 1980s or early 1990s and have been lost in my box of tapes until today.

(previously, previouslyer, previouslyer, previouslyer, previouslyer)

functioning societies

the new orchid spangiafora album has got me inspired… i’ve got a whole bunch of cassette tapes of evangelical preachers ranting about this and that, which have been waiting for me to do something creative with, for quite a long time indeed, and now is the time. Functioning Societies Don’t Do That is a preliminary sketch, based on the source material found here. enjoy it or else… 😎

Functioning Societies QR-codeETA: i just figured out that, because i posted this on the web, it is now accessible by google, who conveniently gave me this wonderful QR code. because of the fact that i “know what to do” with QR codes, i can now make a meaningless-babble art which, under the right circumstances, will take people to a recording of this, and they won’t have the first clue what has happened…

i remember, a few months ago, i found a QR code posted on a utility pole in some extremely seedy part of downtown seattle. at the time, i didn’t have a QR-code-reader on my phone, but despite that fact, i’m about 90% certain that, if i did, it would take me to some web site for a band, or a porno site, or something like that… this will take people to a place that really will make them wonder… <hee hee hee>

mystery explained!

i logged into my computer today, and discovered the following email message from r. carey, the artist behind orchid spangiafora:

I recently checked the discogs page for Tin Windows and saw your name listed in the “want this” list. I remember our correspondence from the 1990s and I wanted you to have a copy. I have no idea why Feeding Tube didn’t respond to your email. I’ll have to talk to them and make sure they are getting their mail. I got your post office address from a link on the hybridelephant site. You are (obviously) free to do whatever you like with the five copies, but I thought if you had some extras they might find their way to some interesting people. Anyway, I hope you enjoy it.

squeeeeEEEEEEEEEEE!!!! πŸ˜€ πŸ˜€ πŸ˜€ πŸ˜€

weird mystery…

in november of last year, i read of a “new” recording by Orchid Spangiafora.

by “new” i assumed it meant “newer than Orchid Spangiafora’s first release”, which was their 1979 album called Flee Pasts Ape Elf — an ASTOUNDING work, which is still one of my all time favourites, but, unfortunately, it has been out of print for a LOOOOONG time.

specifically, the announcement said: “Tin Windows – 7″ vinyl 45 RPM – Available now at Feeding Tube Records, Northampton, MA and at Fusetron, Brooklyn, NY or try Discogs”. so, i emailed “feedingtube at me dot com” with an inquiry, and received no response… after waiting around four weeks, i figured that “new” meant some time before the year 2000, and that it was no longer available. i stopped expecting a response around the new year, and forgot all about it by the end of january. it’s important to remember that i NEVER paid, nor did i give any indication that i was GOING TO pay, and i NEVER gave them my physical address.

today(!) i got a “mystery package” in the mail. it was neither expected nor anticipated. it was addressed to my business address, and had a return address i didn’t recognise. contained within the package were not one, but FIVE copies of “Tin Windows”…

five BRAND NEW, UNPLAYED copies of the 7″ vinyl 45 RPM record…

and it turns out that “new” means april, 2012… meaning that it is, ACTUALLY a completely new release… πŸ˜€

i don’t know how they got my address, although it MAY BE because, several years ago (1996? 1997?), i corresponded briefly with the artist behind Orchid Spangiafora, and traded music with him… but if i recall correctly, that was before i had my current email address, and before i moved into my current location — which means that my business address was different, as well…

but, hey… i’m definitely NOT complaining… 😎

okay

moe has gone to southern oregon for the national sheep-dog handling finals — yes, we have not one, but two championship-quality dogs in this house, thanks, in part, to moe, who is the dog-whisperer to dog-whisperers… 😎 (and that guy who is “The Dog Whisperer” really doesn’t know what he’s talking about most of the time… really… you should hear moe rant about how cesar milan is wrecking dogs, when she gets to ranting about him)

but, of course, the down side to all of this, is that moe is gone for a week, and i have to stay here, because i have a performance on saturday and it would be too far to drive back from klamath falls for, especially since we’d either have to take both cars, or i would have to drive from klamath falls to seattle for a 2 hour performance, and then drive back to klamath falls to pick up moe and her dogs and gear… which would be especially important since we just bought a trailer/pop-up-tent/RV-like-thing, and that isn’t going anywhere without a vehicle to tow it.

so, the upshot of the whole deal is that i am alone for a week, with an ancient, decrepit dog, two ancient, decrepit cats, a bird (who is neither ancient nor decrepit), and an ancient, decrepit snake… i guess, since i am verging on ancient and decrepit myself, i’m in good company, but i would really prefer it if i was with moe, or she was with me… there’s nobody but stanley to talk to, and, while some of the things he says are definitely amusing, he doesn’t always respond the way a human being would…

the performance is with the sousa band, at Festa Italiana, and they’re probably going to feed us… which is always the right thing to do for musicians that you hire to come and play for your party… πŸ˜‰

apart from that, i’m still going back-and-forth with the incense guy from india. everything was going as expected until he quoted me a price that is essentially what i charge my retail customers for what would essentially be a wholesale purchace. when i responded, he didn’t come back with an answer for a few days, and then, this morning, he came back with a response in which he, basically, offered me the same incense for a quarter of the price, but only if i order more than a certain amount of it… which i would do, but i don’t want to seem too eager, because i know that if i can put him off long enough, the price has a very good probability of going down even further… and if not, it will also give me time to build up my bank account to the point where i can actually afford to buy a whole pile of incense from india… 😎

i still haven’t gone out to busk with my didjeri-flute/delay/amp setup yet, but i have been out busking with my tuba at least twice in the past week. a couple of days ago, i went out to the ballard sunday market, ostensibly to play with hobbit, but as we were getting set up, we were joined by julie b. who plays “delicious violin” (really, it says so on her cute little business card), who hobbit knows from the pike place market… and with a very little prompting from hobbit, we played quite acceptably, got a couple of inquiries about whether or not we were available for house parties(!) and made some generous tips for playing for a little less than 2 hours… i get the impression that, with a little more prompting, we could either add a violin to snake suspenderz (on a more-or-less temporary basis) or we could simply bill Accidental Rhino as a separate band and have twice as many gigs… either way is fine with me.

paeudt

i actually took my art car to the rainier beach artwalk today, which is the first time since i actually put art on it, and i wasn’t planning on doing something else, that i have attended an “art car function” this year… and i was pleasantly surprised to discover that the art-cartists were paid $25 just for being there. 😎 i also brought my didjeri-flute and played for a while… sort of like at burning man, with no expectation of anything other than making weird noises for people. the weather was cooperative, and not windy enough that it was impossible to play, but there was no electricity, so the delay/amplification wasn’t there, and, as a result, i competed with the bands across the street for most of the time i was there.

and, while i’m on the subject, Snake Suspenderz, the Official SACBO Band, is playing at The Can Can in the Pike Place Market, tuesday 9/18 at 7:00. cover is $5.00 and we hope to see a lot of art car people there! 😎 the snake suspenderz site or buy tickets.

but i’m still struggling with a couple of tunes, which i don’t remember, in spite of the fact that i’ve attempted to play them a number of times recently, and vowed to remember what they were… i really need to start writing down stuff like like that, because my memory is CRAP… 😐 and that has been complicated by the fact that my band-mates don’t feel like checking and responding to their emails: there are two days between now and when we play at the can can, i have repeatedly requested a rehearsal, or some busking, or (preferably) both, since wednesday or so, and i have gotten mediocre and lack-lustre responses AT BEST from the other members of my band… and i’m feeling frustrated about it, because my performance is going to suffer if a rehearsal (at least) doesn’t happen before tuesday! 😐

but, back to my didjeri-flute ravings for a moment: i REALLY need to get out to somewhere where there’s a publically-accessible electrical outlet and no wind (the public space at crossroads mall immediately springs to mind. why? i don’t know, but there it is), and see how i do busking on my own. i’ve got to put together a “busking kit” sort of like the one hobbit has, which includes a tip container and a sign indicating that it’s there… i wonder if the broken wire music stand i “donated” to hale’s palladium is still there?

i’m still “brewing” some new art, as well. it may be that it has something to do with my didjeri-flute, but i’m still not sure. πŸ˜‰

oh yeah, we also rocked their world at cholmondleighland last saturday. we got raving reviews from avner the eccentric who said “If I have a pit, I want you in it!” and said that he’d put in a good word for us with tim at the moisture festival for next year! (WOO HOO!!)

music, video

i played with the fremont philharmonic at big red last night, and also played my didjeriflute for a “talent show”. then, this morning, i got up at an unreasonably early hour and went to the ballard sunday market, where i busked with snake suspenderz until noon, whereupon i went to the edmonds city park and played with the ballard sedentary sousa band.

the video is pretty much exactly what i wanted, but i really need to figure out how to work iMovie a little better, because it could be a lot better… i’m not sure if i want to make a separate video explaining how the flute is made and how to play it, or whether i want to re-make the current video with that information included… or even if i actually want to include information about how it is made and how it is played… i mean, i suppose anybody with a little imagination can probably figure those things out, but it’s kinda neat that, as far as i can tell, NOBODY has done this kind of thing, and made a video of it before. 😎