i got back from OCF, which, apart from the fact that my email was screwed up when i left, and nothing had been done about it by the time i came back, was excellent. i left on tuesday the 4th, and returned on monday the 10th, got bit by at least 50 different mosquitoes. they were huge and ravenous this year, pretty much the same as always, but they definitely dissappeared by thursday. i don’t know whether or not it had to do with the incoming throngs of people, but there was a definite difference between the clouds of mosquitoes surrounding me on wednesday, and their dissappearance on thursday.
the big conversation this year was around “cultural appropriation”, specifically the “cultural appropriation” perceived by a few, very vocal, “native american” (or not) people who aren’t even associated with the fair, when The Ritz (one of my favourite places about the fair) after 5 years of carving this EXQUISITE “story pole” outside the ritz, in a very public way, decided to raise the pole.
the “native americans” (or not) decided, after 5 years of public carving, without saying a SINGLE WORD, that the ritz raising their “story pole” is “cultural appropriation”.
first of all, i don’t actually know anything (which is the way 90% of the fair is run, from the beginning). all i pretend to know is what other, very passionate, people, some of whom actually do “know”, have told me. but what they say is:
the lady that’s behind the cry of “cultural appropriation” is a “troublemaker” and has been for many years. she may or may not be native herself and she has absolutely nothing whatsoever to do with the fair, but she has made an “anti-story-pole” web site and invited other “native american” groups to rally behind her standard. a small number have actually done so.
the ritz, in response to this lady’s blandishments, have COMPLETELY REMOVED ALL of the “native american” art from the premises, taken down the boiler that had native american artwork on it, that was prominently placed at the entrance, flipped over a fence that had native american style carvings, and replaced it with “vanilla” art, taken away 90% of the T-shirts, tote bags, bandanas and other merchandise that had “inappropriate” artwork, and minted new tokens this year, as well as taking the story pole off site for the fair.
at the same time, elders from a variety of northwest tribes, including the native kalapuya tribe, and elders from standing rock, have blessed the ritz, said that the artwork, and the ritz itself, HONOURS native traditions, and that this whole “cultural appropriation” fiasco is totally unimportant, considering how many actual issues of grave importance there are facing native americans, and society at large, these days.
finally, my own opinion is that ART IS CULTURAL APPROPRIATION. people like picasso (or was it banksy?) have said “IMMATURE ARTISTS IMMITATE. MATURE ARTISTS STEAL.” ever listen to “jazz”?
not only that, but having studied, and tried to imitate, northwest native artwork, i can tell you, from personal experience, that it’s not easy at all. the guy who carved the story pole wasn’t native, himself, but he obviously had experienced and expert native assistance, as well as YEARS of personal experience, to make a story pole that looked as authentic as it did, despite having elements that would NEVER HAVE APPEARED on an authentic native pole…
which it was never presented as being in the first place! 😕
so i was intrigued when i read a blurb that was posted in “Xavanadu” (what used to be called “The Craft Lot”, outside Morningwood Odditorium), concerning why the fair decided not to raise the story pole this year. it said, among other things, that there were a band of the kalapuya tribe called “chelamela”.
i haven’t yet met anyone who knows for sure, but it was always my impression (and the sign above supports the idea) that “chelamela” was a sanskrit compound word: छेल (chela) means “a devotee”, and मेल (mela) means “a festival”, so छेलमेल (chelamela) is “a festival of devotees”.
the idea that there may have been a band of kalapuya indians called “chelamela” is intriguing to me — suspicious, but intriguing — especially considering all of this “cultural appropriation” furor that is currently going on.
apparently, it’s true… who knew? 😉 so, the next question is, who “culturally appropriated” who, here?
there wasn’t a single day in the week that i was there, when i wasn’t involved in a PASSIONATE discussion about this issue, with MANY people. it made for a REALLY INTERESTING fair…
above, is “north trotter’s” on wednesday. it’s about a mile from Morningwood Odditorium: to get there, i had to walk through fields called “Xavanadu”, “Miss Piggy”, “North Piggy” and “Kermit” to get to the “Cabal Crossing”, which is where i signed in. by friday, this ENTIRE FIELD was filled with cars. near the center of the photo, in the background, you can see a structure that marks the beginning of the exit road. on the other side of that structure is another, similar sized field, “The Dead Lot” (named for a Grateful Dead performance that happened in 1989(?) in the lot), and beyond that is another similar sized field called “Outta Site”… which is where i parked my car this year. there is a shuttle, called “F.A.R.T.S.” (Fair Area Rapid Transit System) which i had to ride if i didn’t want to walk.
this was the bird that was over the dead lot, one of the times i decided to walk.
on wednesday, someone delivered a huge load of “hippie crap” to “xavanadu”. they eventually assembled it all into this. at night, the “roots” lit up with rainbow crawling LEDs.
he was my next door neighbour. 😎
more huge loads of hippie crap. at night it lit up with rainbow colour-changing LEDs.
what’s wrong with this picture? 😉
Some Random Hippie, 2011
Some Random Hippie, 2012
Some Random Hippie, 2013
Some Random Hippie, 2016