Tag Archives: workshop

pictures, workshop

victory is mine!

210421 repaired magnifying loupe
210421 repaired magnifying loupe
210421 repaired magnifying loupe
210421 repaired magnifying loupe
210421 repaired magnifying loupe
210421 repaired magnifying loupe

i got the nuts that fit the screws, i took the loupe part off the old, broken frames, and mounted it on the new, unbroken frames, with entirely new screws and nuts, and washers from the repair kit the denmat/perioptix people sent me. the new screws are TINY alan-key drive… mcmaster-carr doesn’t have philips-head screws that are 2-64… 😒 i don’t actually have an alan-key small enough to tighten them, but i’m pretty sure i got it tight enough with a wrench on the nut side. 🔧

ETA: it turns out i do have an alan-key that is small enough, and i did get it tight enough with a wrench… HOWEVER in my final look-over before i put it back in the box, i noticed something i hadn’t before, which is that the hinge is completely broken, and, while the repair kit they sent me has a replacement hinge, it’s actually the part of the hinge that is a molded part of the magnifier, itself, which means that i cannot fix it, because it is an integral part of the actual optical piece… replacement parts for which, i already know they no longer make. 😒

210421 eyebrow hole
210421 eyebrow hole

at this point, it’s still in one piece, and functional, so long as you don’t move the hinge around too much, but the hinge has already failed and cannot be repaired. it’s just a matter of time before the whole thing falls apart. 🤬

i also burned a hole in my eyebrow, when i was grinding down the screw so that it wouldn’t poke the wearer in the eye, and i put the frames on to test them too quickly after grinding… 😉

workshop

the irritating story of the non-standard screw sizes… 😒

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workshop, workshop, workshop, workshop, workshop, workshop…

there are quite a few nit-picky details i have left out, and some people who helped a great deal, who i haven’t identified, in the attempt to make this less overwhelmingly verbose. sorry.

a few weeks ago, moe asked me if i could do some improvised repair work on a magnifying loupe belonging to her clinic.

what she brought me was a perioptix loupe, which was originally mounted on a pair of safety glasses, the frames of which had broken… and then been not quite repaired (a number of times, apparently) with the surgical equivalent of duct tape.

seriously… why smart people with degrees, DOCTORS, think sticky cloth tape is an appropriate medium to affect the permanent repair of a broken surgical instrument, is WAY above my pay grade… 😕

she also brought me a set of oakley “safety” glasses (i’m not sure if they are actually SAFETY glasses, because you can remove the lenses, and replace them with shaded lenses, which were included), the frames for which would be an almost perfect replacement for the broken perioptix frames… except that the frames are a “skosh” thicker, and thus, the screws that hold the loupe on to the original frames are not quite long enough to fit through the test hole that i drilled in the oakley frames, when i accepted the project.

thus commenced the arduous and frustrating task of finding screws that would fit.

first thing i did was measure the screws. what i came up with is that the screws are NOMINALLY 2-64 threads — i say “NOMINALLY” because they’re REALLY small (although not as small as most pivot screws for most musical instruments), and when threads are that small, unless the manufacturing is INCREDIBLY precise, there are going to be not-quite significant, but noticible differences between what the “standard” is, and what appears “in practice”.

then, i started casting around for somebody who had the correct size screws, reasoning that i’ve already got washers and nuts for the screws, so, if i can find someone who has 2-64 thread screws that are A LITTLE longer, i can save having to buy nuts for them. i figured that places that sell optical equipment would be a good place to start, but they all said that 2-64 is “a lot bigger” than they use currently, and, also, if it’s optical, they measure things using metric, rather than imperial measurements.

after checking with a few optical places, i confirmed that the screws were 1) probably metric, and 2) WAY bigger than the screws that are used in MODERN optical devices…

the magnifying loupe is around 7 years old, and they have already stopped making replacement parts for it. 😒

so, i figured that it would probably just be easier to make the screws myself… because that’s a skill that i have…

however, musical instruments usually do things with imperial measurements (at least, here in the land of imperial meaurements), and i trained as a musical instrument repair technician: i don’t even HAVE a metric thread-pitch guage…

so i contacted a friend (the guy who rebuilt my trombone slide a couple of years ago), and asked him if he had a metric thread-pitch guage, which he did. i brought one of the screws to him, and he told me, with confidence, that it was a 2.4-52 metric thread.

as i said previously, unless the manufacturing is REALLY precise, there can be enough “slop” in the threads that it may actually fit in more than one die, so i went out to find a 2.4-52 metric die, so that i could make my own screws.

home depot and lowe’s, as expected, didn’t have it, and i drew blank expressions from the employees who i asked if they knew where i might get something that small. 🤷

mcclendon’s was a little better: they, too, didn’t have anything that smalll, but they suggested that i go to swift tools, in auburn, which “caters to machinists”. i went down there… and their showroom is closed, due to COVID. 😒 so i CALLED them (from the parking lot in front of their location), and said that i was looking for a 2.4-52 metric die…

and they didn’t know what i was talking about. 😒

they said that there AREN’T ANY standard metric dies that are 2.4-anything. if i wanted a 2.0 die, they had them, and if i wanted a 2.5 die, they had them, but they had never heard of a 2.4 die, and, while they could have one specially made, it would be expensive, and i would have to be sure that it was what i wanted before they could even start on that project, because it would be expensive, and if it wasn’t what i wanted, i would have to pay for it anyway…

reaching the end of my rope, i contacted another friend who has the ability to get just about anything, and, with A LOT of back-and-forth, arm waving, and measuring things with my micrometer-caliper (which measures down to .00001 inch), we determined that it’s NOT a metric screw, that the screw’s outside diameter is EXACTLY the standard for an IMPERIAL 2-64 screw (down to five decimal places) and that all of these people who had been telling me that it was metric were, probably, wrong.

he, then, directed me to the McMaster-Carr web site, where he gets a lot his weird shit, and, sure enough, they actually have exactly the screw i needed… so i ordered a package of five, and mcmaster said that it would be delivered on monday.

by the end of tuesday, i was wondering where my screws were. the UPS web site, apparently, doesn’t know where it is… according to the UPS site, the package left pacific (which is just down the road from us) last wednesday morning, and then the package vanished… the web site now says that it’s scheduled to arrive on friday 4/23, but it still has the package leaving pacific, on a UPS delivery truck, LAST wednesday 4/14, and it hasn’t been seen since, so i don’t hold out much hope. calling UPS is a lost cause: their automated “customer service” robot assured me that a real person can’t help me, if the package didn’t arrive, to contact the sender, and unceremoniously hung up on me without even giving me a chance to speak to a real person.

so, i contacted the sender, who, graciously, sent out another package of five miniature screws, this time by fedex, which arrived this morning. 👍

except…

these screws are, guaranteed, 2-64 screws. the nuts that i have, which are the original, perioptix nuts, SHOULD fit…

but they don’t. 🤬🤬🤬🤬🤬🤬🤬🤬🤬

perioptix, apparently, had PROPRIETARY screws and nuts made to mount their magnifying loupe, just to make things EXTRA DIFFICULT for anyone (like me) who has the audacity to repair one of their products, rather than just buying a new one. 🤬

fortunately, McMaster-Carr doesn’t JUST have screws… and, for some unknown reason, the screws were 5 for $10, but nuts that will fit the screws are 100 for $2.

they’ll deliver them (by fedex) on wednesday. 😒

workshop

workshop workshop workshop

the title is an imitation of stanley, who enjoys saying “workshop” with no context.

this, however, has context, so it’s not as amusing.

i fixed an alto saxophone for a colleague this afternoon. i started on it on monday, prepared the neck for a new mouthpiece cork, and then discovered that 3 of the 4 pads it needed were ones that i didn’t have… 😒

so i ordered pads, which arrived today.

three of the four pads were also on the left-hand side keys. the high F key is normally activated by the palm of the left hand, but it has a rocker underneath it, which is activated by the high F auxiliary lever, which is part of the left-hand stack, and activated by the left index finger… and the high F rocker was bent WAY out of whack, so that you couldn’t actually activate the high F key with the high F auxiliary lever.

so, as well as having to replace the pad on the high F key, i had to completely remove the left-hand stack, and the side E key, which is activated by the palm of the left hand, in order to adjust the high F rocker.

that was easy enough, but, because of the fact that i don’t actually work on as many saxophones as i used to, i had to assemble, and disassemble the left-hand stack no less than three times, in order to get the jigsaw-puzzle of keys to get to fit together in the right way…

saxophone
saxophone

i had to get the B♭ bridge under the F# bridge, which is part of the right-hand stack, and i had to get the C key, which has an actuator that goes behind and above the other keys of the left-hand stack, installed correctly, and i had to get the side E key under the top of the left-hand stack, but above everything else, which meant that i had to carefully install the side E key with the left-hand stack in place — minus the top two keys — but not held in place by the long steel that goes through the hinge-tubes of all the keys.

i ended up not having a problem, once i figured out how to proceed, but it was a hassle, putting it most of the way together, and then remembering that something had to go underneath the keys that i had just installed, and having to take all the keys off again to fix the problem.

it was definitely worth the $100 that i’m going to charge him.

music, workshop

maque asked me to build a bullroarer

maque asked me to build a bullroarer. i may have gone a little bit overboard…

i built a 30″ bullroarer. it’s big enough that i had to order special rubber bands to finish it. then, when i realised that i had to wait for the rubber bands to be delivered, i went crazy and spent two days going various places searching for a suitable alternative.

180506 30 inch bullroarer
180506 30 inch bullroarer

it’s a lot quieter than i expected. i’m going to have to build a smaller one, like this:

to see if smaller helps it be noisier.

And More, meta, moisture festival, workshop

hrmph…

yeah, i’m still here…

i was cleaning up in the workshop today and i found the keys to the thule box, which i had to have new ones made several months ago when i wanted to use the thule box for something and couldn’t find the keys. they were sitting on the surface of my secondary workbench, under a massive pile of other projects (at least 5, going back to last summer) which either got abandoned, or the detritus from finishing never got cleaned up. i didn’t finish cleaning up, but i made a significant start. maybe tomorrow.

i’ve got my DX7 on my desk, because i want to work with reason to find some synth voices that i don’t have to tweak, so that the next time i go to bellingham i’ll have something ready to play live. about half of the time that i spent playing music last week was actually tweaking the voices to get something that didn’t sound like it was part of a pop song. i would use the DX7 voices except for the fact that the internal battery is dead, and i have to take the synth completely apart to replace it. fortunately the battery is really common (i have a couple of them that are still in their blister pack), but replacing it is something that i think i want to have help with, much in the same way that i needed help replacing the brake pads in my old car… not that i don’t know how to do it, but someone who knows how to do it to make sure that i don’t do things incorrectly, and to help if something breaks.

this is after taking my piano to bellingham, in the hopes of being able to use that, but one of the first things that was done to it after i left was that one of the tines was broken (number 50) and, until a replacement is found, the piano is currently in storage in the attic, which is doubtless a lot safer place for it than where it was, under the window in my living room.

but, as much as i would like to, the probability that i will be going to bellingham in the next few weeks is low, because of the looming moisture festival and its surrounding chaos.

the moisture festival is approaching at an appalling rate, and i am, once again, playing in three out of the four bands at the palladium: The Fighting Instruments of Karma, Snake Suspenderz and The Fremont Philharmonic. i have rehearsed and/or played with snake suspenderz (or significant portions thereof) and the fremont phil enough recently to know that we’re probably going to do okay, but we could use more rehearsal, and i haven’t played with the FIOK enough to be absolutely certain that we need more rehearsal, but probably aren’t going to get it. i’m still ambivalent about my participation in the moisture festival, but my vocal ranting has been dissipated somewhat by the inclusion of snake suspenderz in the lineup of show bands… but i didn’t donate $100 last year to get a star on the wall, like i did two years ago, and, unless the “stipend” is well above where it was last year, it’s not likely that i’m going to donate this year either.

today has been a banner day for people or robots trying to crack my shit… once again, i will advise you that if you try to login using anything other than the correct username and password, you get two attempts and then you are IP blocked for two weeks. after that, you get two more attempts and then you are blocked for a month. here’s a final hint: the username is NOT admin. 😛

workshop

workshop workshop workshop

peter's flute

my friend peter brought me his flute. he had done several things to the flute that an average person, who isn’t a musical instrument repair technician, isn’t supposed to do to a flute… and then he figured he could “repad” it himself. so he bought a “repad kit” (yes, they are available, no i won’t link to one, because repadding your flute by yourself is, for the most part, one of the wrong things to do with a flute) from gemeinhardt. they come with pretty much everything you need to either repad your flute, or get into big trouble: a leak-light, a screw driver, a bunch of white shellac, fifteen random pads, a pad-slick, and poorly written instructions (which he didn’t give me). he, then, took the screw driver and proceded to…

lose a pivot screw.

they’re TINY — no more than an a half-centimetre long and a few millimetres in diameter — so it’s not particularly surprising that he lost it, but if he weren’t under the impression that one could repad a flute themselves, he wouldn’t have had this problem. compounding that was the fact that, another of the things you aren’t supposed to do with a flute, that he did, was dip it in a river… and then attempt to lubricate the lower stack with vegetable oil.

now, i can see how, particularly if one is camping or something like that, and one “accidentally” dips their flute in a river, that one might consider the possibility of lubricating it with vegetable oil a possibility… and i am also aware of the fact that, at first, it does, actually, lubricate the inner workings of your flute, but it very quickly hardens and then your flute won’t work at all… which is what happened to my friend peter.

these are all things that a qualified instrument repair technician can fix, fairly easily. they are NOT things that i would recommend doing to your flute. now, don’t get me wrong, i have worked on flutes which were in much worse shape than this, but he could have saved himself a lot of trouble if he had brought the flute to me, first…

although i probably would have recommended that he refrain from dipping the flute in a river, all together… 😐

pictures, workshop

workshop

my friend david bought a really expensive curved soprano saxophone on ebay recently — like $1200 expensive — because it had been “cleaned up and completely repadded” by… um… someone.

then he contacted me to find out if he had actually gotten a good deal or not.

on the surface, it appeared that he had paid a little too much, but not anything that couldn’t be fixed with $200 or so of competent repair work. he informed the seller, and actually got $250 back, making the instrument worth $950… still a bit too much, but it appeared that it could be rescued, so i took on the job.

140424 curved soprano saxophone

the first thing i did was remove all the keys… which is the first thing you do when you get a sax that needs to be put back into playing condition. i quickly discovered that all the keys had not been removed when it was “cleaned up and completely repadded”.

140424 curved soprano saxophone140424 curved soprano saxophone

in fact, on top of the 4 keys that i knew about that were composition cork (instead of the standard leather that most saxes have), i found two pads that were so poorly installed that they probably can’t be rescued. on top of that, i found two springs that were installed in a “haphazard” way (they were installed backwards), one of the clothes guards is missing and another one only has two of its three solder points made solid, and the neck cork needs to be replaced. also, because of the fact that it’s an old curved soprano it has D auxilliary key (modern ones don’t have it), and because of the fact that modern ones don’t have it, people who don’t know any better will block the key closed, so that they don’t have to regulate it… but that also has the unfortunate side effect of making the instrument play out of tune… which is exactly what happened in this case.

which drives the “fixing it” estimate up to $500 or so… and that’s not to mention the two top tone-holes which have been drilled out and replaced with brass tubing…

140424 curved soprano saxophone

this is why you have to be REALLY careful about buying old curved soprano saxophones off of ebay… he could have bought a brand-new, FUNCTIONAL curved soprano sax for $800… and he probably will do that once he decides what to do with his $1200 instrument that needs $500 worth of repair before it can even be played.

pictures, workshop

flooooooooooooote!!!

through an interaction with someone i didn’t know on the south king county freecycle, i found out about this gemeinhardt flute for sale for $15 on craigslist…

so i went and bought it.

it was made for me… 😎

i can repair it for probably under $10 (not including my labor, which i’m not charging myself for anyway) and turn this flute around for between $80 and $120… maybe as much as $150 to the right person… 😉

flooooooooot!!
flute pieces — all present and accounted for!

only i gotta buy some new cork cement, because the last bottle i had is about 2 years old…

soon! 😎

musical instrument repair, workshop

musical instrument repair

a friend of mine came over this evening to have his clarinet repaired. the A key pad had come de-laminated (which happens to old clarinet pads occasionally) which interfered with his practice, and his avocation as one of the clarinet players in some local orchestra or another. it turned out that the G♯ key needed its pad replaced as well, so i did that, while i had it apart. in his words, “even with coming all the way here, it was cheaper and faster than other instrument services.”

i even let him watch, which is something he probably could not have done in any other musical instrument repair shop. 😎

pictures, sousaphone, workshop

the END of the ugly sousaphone project!!!

The End of The Ugly Sousaphone Project!
The END of the ugly sousaphone project!

i’m FINALLY done with the ugly sousaphone! it’s not any less ugly — in fact, it’s significantly more ugly in a lot of ways — but the important part is that it is, now, one contiguous piece of tubing from one end to the other, and it will play and sound more-or-less like a sousaphone is supposed to sound.

i have to thank craig from allied supply, who built the new lead pipe, and david cole, a repair technician at kenelly keys who provided advice, encouragement and a few spare parts that i didn’t have… but that’s why i prefaced this entire project with the comment that i probably couldn’t do it all myself.

tomorrow, i deliver it to an anxious thaddeus, and he will pay me with hokum’s B-flat tuba! i can hardly wait! 8)

pictures, sousaphone, workshop

i have now, officially, replaced the lead-pipe on the ugly sousaphone

i added the last piece, which is the mouthpiece-receiver pipe, to the narrow end of the ugly sousaphone, and cleaned up the tons of old solder left on the instrument. now it’s just a matter of patching the split 3rd valve tube and installing a water key, and it’s a working sousaphone, once again…

i was able to cover the water key hole with my finger, and get the instrument to play… as long as i didn’t use the 3rd valve… 8)

ugly sousaphone project

pictures, sousaphone, workshop

it’s getting closer, ever closer! 8D

ugly sousaphone project

it’s good that i was a little nervous… it prevented me from doing stupid things like picking up hot metal with my bare fingers on more than one occasion… but it also was primarily because of the fact that, apparently, i can’t do things like “sweating” stuff like i used to be able to… it appears to be one of those “use it or lose it” skills that i haven’t kept up on… 8/

oh well, it’s airtight, and that’s really all that matters, when it comes right down to it.

bbwp, sousaphone, workshop

mrph…

today is the flying karamazov brothers show for which i earned free tickets in exchange for playing sousaphone in the parade last saturday. i was hoping to get together with dave cole this evening and discuss where to go with thaddeus’ sousaphone (pictures after most of the duct-tape was removed… bleah! 😛 ), but i forgot about the FKB show until this morning… which now means that i won’t get to discuss the sousaphone with someone who actually knows what they’re doing (as compared to me, who theoretically knows what to do with a brass instrument of that size and lack-of-repair) until sunday… probably…

oh well… at least thaddeus isn’t in too much of a hurry to get it back… ’cause if he was, he’d be outta luck…

on the other claw, Big Bois With Poise has an audition for America’s Got Talent on saturday, which is complicated by the fact that one of the big bois currently has a fever and is in bed — probably because of all that rehearsing and filming in the cold, wet, windy weather a few days ago. however, we wouldn’t even have the audition if it weren’t for the filming we did, because our act involves fire, which is forbidden in the ballroom of the downton sheraton hotel (which is where the auditions are being held), so it’s not as bad as it could be.

sousaphone, workshop

FKB parade &c.

so i was recruited to play sousaphone for a parade this afternoon, which was to drum up publicity for the Flying Karamazov Brothers shows at ACT theatre starting on february 2nd.

it was rather like the time, a couple of years ago, when i played sousaphone for the fighting instruments of karma and discovered that i knew about ¾ of the people in the band from other places: from bellingham, primarily, but i had played in various different groups with a whole bunch of people who were also in the fighting instruments of karma. i remember thinking, then, and my experience today only solidifies that thought, that this is my karass…

not too bad a karass to be a part of, with the new old time chautaqua, rev. chumleigh, the flying karamazov brothers, cirque de flambe, etc., etc., etc… 😉

i have “reading” glasses, and “seeing” glasses, but because of the fact that the lyre for my sousaphone is so close to my face, i can’t even use the “reading” glasses to read the music when i’m playing sousaphone, so i have to not wear any glasses at all, which is fine for reading music that is 6 inches from my face, but lousy for actually seeing were i’m going or what’s around me. apart from blurs, i was totally blind for the parade… they found a 15-foot-tall banner from somewhere which was supposed to be carried in front, but because of the fact that it was 15 feet tall, it didn’t fit on the sidewalk, and they had to carry it in the street.

we went to the pike place market and held up traffic by parading the wrong direction on pike place. then we did a “show” under the clock for about five minutes, while people who looked suspiciously like policemen on bicycles nervously cased the crowd. i saw a whole bunch of photographers taking what appeared to be pictures of me, but because of the fact that i couldn’t actually see, i’m not sure. one thing for sure, i didn’t take any pictures of my own.

after the parade, i picked up a sousaphone from thaddeus, which i’m going to fix in exchange for him giving me (conditionally) a BBb tuba that used to be Hokum’s… and i really hope that i’m actually going to be able to fix that sousaphone, because i really want that tuba, but also because i haven’t actually worked on a brass instrument for quite some time, and i don’t have a lot of dent removal tools. fortunately, the majority of the “fixing” appears to involve soldering braces that have come loose, and/or re-aligning tubing that has come un-aligned… which i think i can do, more or less… fortunately, i’ve got a ringer, in that i’ve got a professional musical instrument repair technician who specialises in low brass to help me if i get stuck.

on my way home, i was driving down I5 north of the west seattle freeway, and i saw a newish honda civic with a license plate that said “GANESA”… the guy obviously wanted my license plate, but i already had it… 😉

hybrid elephant, nablopomo, workshop, x-mas

the rest

i finished three gifts, which should be the last of my x-mas “shopping” yesterday… which is the reason i didn’t get around to posting until very late yesterday. i’d post pictures of them, but they’re gifts and i don’t want to spoil the surprise. i’ll probably post pictures after the holidays, if i remember.

i also cleaned up the remainders of several projects that had accumulated on my workbench, which involved sorting of a number of tiny, almost but not quite identical parts into piles, and storing them in film containers, which took quite a bit of time, because the parts were so tiny.

i sent a message to the manufacturer of the penatrating oil that i bought recently, because the directions for the use of the penetrating oil assumes that you’re going to be using it on engines of some variety or another, and i am working on a musical instrument. i’m fairly sure what they’re going to say, but i just want to make sure before i start pouring unknown liquid into my antique horn.

hopefully i’ve got an order of postcards that will be arriving tomorrow, that i will be delivering to florentia clayworks when i get them. i’ve got a rehearsal tomorrow, a rehearsal tuesday, two rehearsals wednesday, an appointment and an optional rehearsal thursday, and three shows saturday.

the next two days posts are already taken care of. nablopomo, if it has done nothing else, has taught me about the scheduling feature of wordpress. when you’re much more organised than i am (which isn’t hard) you can schedule posts ahead of time, instead of using the “Publish immediately” feature in the upper right of the “Add New Post” page. i’ve actually scheduled a few posts over the past month, but i have also been disorganised enough that i haven’t been able to schedule everything, because normally it’s not necessary, i would normally just not post on a day that i had nothing to say. hint: the posts that i scheduled are posts that appear at the same time, down to the second, every day.

pictures, workshop

exactly!

the shelf of notebooksi’ve been carrying around a looseleaf notebook labeled “BRASS” ever since i graduated from the tech school, in 1986, which contains all of the class notes, handouts and other printed materials for the brass repair sections that i completed when i was in training.

the "BRASS" notebookbecause of the fact that, for 25 years i have focused on the repair of woodwind instruments, i have actually never looked in the looseleaf notebook labeled “BRASS”, and it has langushed in various places, including currently on a shelf in my workshop with a bunch of other looseleaf notebooks.

but last night, i took down that notebook, and turned to the exact page that had the answer that i was looking for, which was techniques for freeing stuck tuning slides.

exactly the information i was looking fori mentioned to moe last night that i had never even opened this notebook since my tech-school days, and she commented that i had carried it around with me for all that time without ever being used. however i would carry it around with me, unused, for another 25 years if i could be guaranteed that, the next time i open it, i would find exactly the information for which i am searching.

fezorocity, music, snake suspenderz / alive, workshop

fezorocity and antique brass…

salamandir, hobbit, jasonfriday i played linda lee’s open mike at the gypsy trader café with hobbit, and while i was there, i met another open mike musician named marshall who had already finished off one 40-ouncer and was well into his second (he had finished the second and was well into his third by the time it was his turn at the mike) when we came in. he immediately fixed his bleary gaze on me and my tuba, came over, introduced himself, and proceded to gush over my tuba, and how he had a “miniature tuba” that was exactly like mine, which had belonged to his grandfather, which he had determined that i should want to buy, because it was exactly like my tuba, but little. i payed little attention to him, becuase he was drunk and because i always get people raving about my tuba at open mikes anyway, but i gave him my business card and thought no more about it.

it was really nice to play music with hobbit, and it made me realise even more acutely the fact that snake suspenderz has been on far too long a “break” and i’ve got to get back into playing tuba for some band, because i really miss it… and tuba isn’t much of a solo instrument unless you’re The Tuba Man…

last night i (#32) went to a fez-up with hobbit (#8) and fez-monger (#13) at the elephant and castle, an upscale “british” pub (although despite the “british” ambience and decor, there wasn’t a single brit in the entire joint) on 5th avenue that has been there for at least 20 years, but i have never been in it before last night. once again, it was great to be out with hobbit and another fez-wearer in public, and the fact that it was the fez-monger himself added honour and prestige to the whole evening, even if i was the only one who noticed it.

i’ve been playing email tag with fez-monger for a week now, and i still can’t figure out where the link to order an “order of the fez” fez is. jason assured me that it was on the order of the fez web site, and he said that he emailed me with the information, but i haven’t received email from him, and the only mention of it that i can find on the order of the fez web site says that you should contact jason at fez-o-rama, and i can’t find anywhere on the fez-o-rama web site that even mentions the “order of the fez” fez. perseverance (or, possibly, perseveration) is key when approaching things like this.

Tenor Hornyesterday, before the fez-up, i got a call from marshall, who was still obsessed with the idea that i wanted to buy his miniature tuba. he gave me enough details about it that i was able to determine that the instrument he had was probably very simlar to this one. he said that it had “engraving” on the bell (which i later determined was actually stamped there, rather than engraved, but i can’t expect him to know the difference) that said “J.W.Pepper, Importer, Philadelphia and Chicago” and that it had a serial number #24320. i determined that it was most likely manufactured around 1910 by John Distin for J.W.Pepper – a company that is still in business. i called him back and asked him if he could send me pictures, but apparently he is not technologically savvy enough to do such a thing, so i made arrangements to meet him today, to take pictures of the horn so that i could do some more research on it.

at 2:00 this afternoon, i met with him on dearborn avenue in seattle, and what he showed me was almost exactly the same as the horn that i picked out on the web, and it looked like it was in pretty good shape, for a 100-year-old silver plated instrument. it had some problems, but none that were not almost immediately overcome-able by a person with a bit of intuition and the correct tools, so i offered him $75 for it, and came away with a pepper tenor horn that is currently in the workshop with penatrating oil soaking through 100 years of corrosion on the tuning slides.

once i get the horn playing (which shouldn’t take too long, because all it really needs is a good cleaning and lubrication, and to have the lead-pipe soldered down where it’s come loose), it’s very likely going to join my menagerie.

pictures, tips, workshop

THE “RIGHT WAY” TO REMOVE A STUCK BRASS MOUTHPIECE

why you should never try to remove a stuck mouthpiece with pliers

A QUICK REFRESHER FOR BRASS PLAYERS

 
 
WHY YOU SHOULD NEVER TRY TO REMOVE A STUCK MOUTHPIECE WITH PLIERS OR A PIPE WRENCH 
 
a public service announcement brought to you by Hybrid Elephant, dba Nataraja Music Service

why you should never try to remove a stuck mouthpiece with pliersreal musical instrument repair technicians have a nifty little device called a mouthpiece puller. it is a screw-and-leverage gadget that pulls from the center of the mouthpiece, while, at the same time, pushes on the edge of the leadpipe: a method that is 100% guaranteed to free the most stubbornly stuck mouthpiece in existence, without marring the finish of either the horn, or the mouthpiece itself.

why you should never try to remove a stuck mouthpiece with pliersseriously, you could actually solder the mouthpiece into the reciver, pull it loose with the mouthpiece puller, and not mar the finish of either the mouthpiece or the instrument itself. i’ve done it. 8)

the proper way to insert a brass mouthpiece to avoid getting it stuck is to place the mouthpiece, gently, into the reciever and then, without putting pressure on the mouthpiece, twist it a quarter turn. this places the mouthpiece firmly enough that you can actually hold up the horn by the mouthpiece, but it can be easily removed by twisting it the other direction, and pulling straight out. if you put your mouthpiece in this way, it will never get stuck, and you will never have this problem, but if you do, this to warn you that you should never try to remove a stuck mouthpiece with pliers or a pipe wrench.

why you should never try to remove a stuck mouthpiece with pliers
these are examples of mouthpieces which have been removed “the wrong way”. they are scarred by wrenches or plier jaws, and ruined beyond repair. if they had been removed the right way, they would still be usable. when you try to remove a mouthpiece “the wrong way”, all you accomplish is ruining your mouthpiece, and about half the time, your entire horn is an unintended casualy: a stuck mouthpiece is notorious for being stuck so firmly that it pulls loose solder joints or twists tubing instead of being removed by pliers or a pipe wrench. instead of using the correct tool and pulling your stuck mouthpiece in under five minutes, you have completely ruined your mouthpiece and have to figure out where the money for several hundred dollars worth of repair to your leadpipe is going to come from, before you can play your horn again.

a decent quality mouthpiece can cost anywhere from $20 to $200, and a new horn can cost upwards of $2,000. getting your mouthpiece stuck is not uncommon, even if you are very careful. removing it the right way can insure that you have a mouthpiece that can still be used afterwards, and can save you a lot of money and headaches.

depression, health, poop, workshop

day of depression and diarrhea

today moe left for a weekend camping trip sheepdog trial, which involves her camping out for a few nights near camas. she took all of the dogs with her, but i felt like cold ass when she got up (at 6:00 in the morning) to leave, and due to the fact that, despite the fact that she had been telling me about this for months, i “didn’t remember” it was happening until yesterday, which meant that along with feeling like cold ass, i was in a pretty depressed state of mind, and that’s not to mention the fact that i had a headache – and i very rarely get headaches, which is kind of odd for someone that has had an AVM. so i woke up depressed, feeling like ass, with a headache and moe is leaving. i went back to sleep (a feat in and of itself, all things considered), and when i woke up the headache was mostly gone, but moe was gone too. 🙁

i have been making a list of things i need to remember recently, and i had a few things that i needed to get for the workshop, so i went out and did my list stuff. i was finishing up at home depot when my stomach did one of those growls that indicates immediate, uncontrolable pooping – which has been an on-again-off-again problem that they told me to watch out for at the hospital after my injury. they just mentioned it in passing, so i didn’t give much thought to it at the time, but every now and then i’m struck with sudden, almost explosive diarrhea for no apparent reason, and it struck as i was checking out at the home depot this afternoon. i don’t think anybody else noticed, but i was glad that it was my last stop, because i would have had to go home, take a shower and change clothes pretty much regardless. 🙁

i actually felt the depression slip away, though, once i got home (and once i got cleaned up). i did some desperately needed work in the workshop which resulted in five new shelves and a second work space, so that now i can work on two projects at once and not have to put stuff away from one project before starting on another one. i’m feeling subdued and tired, but, as i told moe, i don’t have that “nasty, kill the whole world and then commit suicide” feeling any more.

house stuff, workshop

the hole

the past couple of days have been spent sawing and chiseling out the piece of what turned out to be ⅝" masonite around the back door, which has had considerable water damage pretty much ever since we first moved into the house, and has gotten bad enough that you could see the ground through the floor. the masonite had deteriorated to the point where it was formed sawdust being held together with hope and what remained of the watered down glue by which it had originally been held together, so i broke out what i could of it manually, and then i sawed and chiseled out the rest, made a replacement piece out of ⅝" CDX (exterior grade plywood), and put that in its place.

i took a few pictures of my progress, but i pretty much stayed on task, because having a hole in the floor right outside our bedroom door doesn’t work very well.

and, once again, this is a prime example of a job that couldn’t have been done if it weren’t for the workshop, and its contents… 8)

moe, workshop

another day

another day without moe… one less day until i see her again… how much like an old teenage love song do i sound at this point…

i put a handle and feet on my saw case today. i went to a shoe and luggage repair place that was inhabited by a couple of old korean folks. i said i needed a handle for my instrument case – something that i could see that they had in their display case – and the old lady said that she had to see the case, so she could pick out the right handle. so i pulled out the saw case and she was so non-plussed by it that she had to roust the repair guy from his bunker. he spoke even less english than the old lady, pretty much restricting his communication to a series of meaningful grunts and two word responses, which were apparently in some language other than english. i don’t know for sure that they were korean, but there was an ancient (1970s era) calendar for a korean christian church on the wall. the repair guy came out, took one look at the case, and immediately started rooting around in a box on the floor from which he produced the feet, then went over to the display case and pulled out a handle from a pile of miscellaneous parts, and proceded back to his bunker with the old lady on his heels. there was a lot of talking, mostly from the old lady (the old guy preferring his grunts and two-word answers to pretty much everything she said) for about 10 minutes, and then the old lady came out and said that they couldn’t figure out what to charge me because they don’t usually sell these things. i suggested $15, which sounded good to her.

and the saw case really did need a handle. instead of being a large, unwieldy object with no handles, it’s got a standard instrument case handle in exactly the right place. when i placed it next to my trombone and trumpet cases, i realised that “real” cases have rounded edges, and the saw case currently has rough square edges, but that’s easy enough to fix.

pictures, workshop

while i’ve been waiting…

saw case closedsaw case openwhile i’ve been waiting for my ebay victims to die, i’ve been making constructive use of my new workshop (!!!) and building myself a case for my saw. i got tired of carrying it around in a cardboard box with the bow separate and exposed, shortly after i got the bow, and i’ve had nothing better to do the past couple of days. it doesn’t have any “case cloth” on the outside yet, and it doesn’t have a handle, but it’s as much an instrument case, and made in almost exactly the same way as most trumpet cases, and it came outta my workshop(!!!) with the help of a spare scrap of plywood, a few campaign signs, a coupla hinges, a coupla suitcase hasps and some screws. i’m debating whether it actually needs case cloth. it would definitely look a lot more like a legitimate instrument, but i can cover up the more obvious gaps with stickers and it’ll be just as good. it definitely needs a handle, though… 🙂

workshop

grr… woof…

i bought a whole bunch of (the wrong size) insulation to flesh out the workshop, since it has been COLD for the last week or so, and even with the space heater going full blast, it’s not enough for me to work comfortably. as i said, the insulation i bought was the wrong size, but i think i’ll be able to make it work, however i won’t be installing it the way it is designed to be installed, because it is the wrong size. it’s 16″ wide, and the rafters are 24″, so instead of stapling it in place, i will place lath on top of the rafters to keep it in place – which, of course, means obtaining some lath, which i will probably do tomorrow before the show.

of course i didn’t actually discover the fact that it was the wrong size until i had already bought two packages of it, opened one of them and lugged a single piece, and a stapler, up the ladder to the ceiling, and, because of the fact that i’ve been running the space heater in the workshop since this morning, it was nice and toasty up there, which didn’t help much when i realised that working on the ceiling is a pretty warm job to begin with. i actually succeeded in getting two 48″ strips of insulation more-or-less adhered to the ceiling with a multitude of staples (most of which didn’t actually penetrate anything except the first inch or so of the insulation) before i decided that there had to be an easier way. i honestly don’t believe that it would have been much easier if the insulation had been the right witdh anyway, and it probably would have been significantly heavier.

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my workshop, DVR and SSDI

so the clarinet is done and all that’s left to do with it is locate the person for whom i’m doing it. i wrote her an email yesterday and she didn’t respond. i wrote her another one today laying out my schedule for the next four days and now it’s up to her. if i don’t hear from her in a week or so, i’ll just freecycle it to someone else… or, for that matter, the fact that it was given to me and remains unclaimed means that i can legally sell it on craigslist or something like that. my impression is that there are always a bunch of people who need a clarinet, if you know where to look.

which reminds me, i need to make up some flyers that advertise woodwind repair services and distribute them to the local public schools and music stores. i figure as long as i’ve spent the money to create this workshop, maybe i can use it to make back some of that money. after all it’s not just a one way street…

i got an amusing letter from DVR today, referring to my failed attempt to convince them that my business plan was a sound enough investment that they should help me out by building me a workshop. it says “if you would like DVR to review updated records or if you would like to discuss your current situation” that i should call this lady. i really want to call her up and tell her to fuck off and die, because they weren’t willing to help me, but now that i’ve actually qualified for SSDI, i’d be willing to bet that they’re trying to get their fingers in my pie. i’m probably going to call and talk to her, and i probably will not be as blunt as i am here, but i’m not sure, which is the reason i haven’t called her yet.

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fun

bundy clarinetthis has been a fun day.

i got a clarinet from freecycle, and i’m really glad that i got it before anybody else, because it has had a broken key that would have driven the cost of repairing it up over $100. this is also one of the reasons that i recommend people who “know a little bit about musical instrument repair” don’t try to fix their instruments themselves. the clarinet was worthless with the broken key, and the most common way of “fixing” it that i have seen on other instruments i’ve worked on over the years has been “superglue”… which not only doesn’t work, but then I have to clean up the superglue from the key and the instrument before i can get down to the task of actually fixing it. the progress has been posted, and the rest of it should be finished and posted tomorrow.

also, i found more erzatz “Tina Chopp is God” material on cafepress, so i sent them a DMCA notice last week – not expecting that they would respond, and not being sure what the procedure is once they didn’t respond – and today i got email from a “content usage associate” who said

Thank you for your November 16, 2009 notification regarding the possible infringement of your rights by a user of our service. In accordance with our Intellectual Property Rights Policy, we have prevented the user from using the images on products for sale through their store.

geez, if i had known that it was that easy, i would have written them a long time ago, because various people who aren’t associated with the Church of Tina Chopp have been profiting from our God for at least 5 years. it’s enough to make me want to see if it might be possible to market Tina Chopp myself, since i now can.

and there’s a couple in california who is using cannabis – very successfully, i might add – to treat their child’s autism. will wonders never cease…

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whooy… 8/

the past five days have been definitly ones where i spent way too many spoons.

i began a day before halloween by deciding to switch host providers again. the new old host provider had a strong tendency to flat out lie about their service: they say they don’t delete support tickets, but i have had no fewer than three support tickets mysteriously disappear from their server. they also say that they don’t block IP addresses from their support server, but i have documented no fewer than five different occasions where my IP address was blocked from accessing their support server and had to have their support technician – Zac O. – clear the IP block so that i could access their server.

so i researched and found another host server that was willing to take all of my domains. there was a bit of controversy over at web hosting talk regarding whether or not a host provider who is using litespeed web server is prohibited from hosting “blasphemous” or “adult oriented” content, but as far as i have been able to tell, according to the email that i recieved from a litespeed sales representative ” for general shared hosting purpose, or for general user contributed content web site, it is ok.” i’m still a little confused by the guy who said why do you mention this is a porno site?, and then requested a friend connection with me, when i very clearly stated that it’s not a porno site more than once, but i guess that’s what i can expect from a relative newbie.

anyway, i got the blog and the other web sites operating again, after going back and forth with the new new host provider about shell access a couple of times. they don’t provide shell access by default, and they’re a bit less responsive than the old new host provider, but they’re more honest about what they actually provide, and they’ve added WHMCS to the mix, which will ultimately improve the likelihood that i will be a successful web host myself some day.

meanwhile, i’ve also all but completed the clarinet that i’ve been working on for thaddeus. i also got started on the jewelry project that i’m working on for xmas presents. and, finally, i’ve finished the sticker project that i’ve been working on for howlin’ hobbit.

i still have to discover why, when you enter “https://przxqgl.hybridelephant.com/” into your browser’s address field, you end up at “http://www.hybridelephant.com/przxqgl” – which is actually where you go, but the subdomain is what it has been before, and as far as i’ve been able to tell, nothing has changed except the IP address of the host server, but i know from past experience that anything that changes could mean that the whole thing suddenly and mysteriously could decide to work entirely differently, so i’m not really worried about it at this point, especially when i know that if you enter the subdomain you’ll redirect to the correct place anyway.

also, the authority in england that said that alcohol and tobacco are more dangerous than cannabis and LSD has been relieved of his position as an authority, which just goes to show that even when they do listen to reason, they don’t always hear reason. oh well, better luck next time.

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Mrs. Awdrey Gore’s C clarinette

gorey house membershipthis is my 2009 membership card and pin for Edward Gorey House, which makes me “an integral part of building the foundation for the success and longevity of this celebration of the life and legacy of Edward Gorey”. now all i have to do is come up with some use for the “Ogdred Weary” font that is in my collection.

old, european fingering system C clarinetalso, this C clarinet is going to be the first official instrument fixed in the new workshop. it’s from thaddeus and it has definitely seen better days. it needs at least new corks, some new pads, a ligature and a thumbrest, and it could also use a new case, as the one that it’s currently in was made for a metal, Bb clarinet. it shouldn’t take me more than a couple of hours to crank this out, given the rate at which i fixed clarinets when i lived in bellingham, but it may take a bit longer than that, because it has been a while since i had to crank that hard.

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yah-fucking-hoo!!

3 Comments

finished worhshopthe workshop is officially finished enough that i was able to take apart and diagnose my space heater, go to home depot and get the materials and fix it with tools that i haven’t used for 4 years. now i have a workshop with a space heater. all i gotta do now is get a new blade for my band saw and i’m ready to roll.

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ketchup

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now that i am not intensively, obsessivly scanning pretty much everything in sight i can sit back, listen to mozart and catch up on my more mundane life before i disappear into the workshop for extended periods of time in an attempt to work off some of this horny creativeness that has been plaguing me for the past 4 years.

i’ve already glued a whole bunch of stuff that has been sitting around for a few years because of this or that which prevented me from actually completing the project. i’ve located an unfinished pipe left over from just before we moved which has yet to be finished, and a couple of already finished pipes which i will probably put on the web site soon. i’ve got to get a new blade for my band saw, because the old one has no teeth left (a condition i remember it being in before we moved, but since we were moving, i did nothing to remedy the problem). i also need to see about replacing the cord – or something similar – on my portable electric radiator so that when it starts to get really cold i will be able to heat the workshop adequately. i’ve also got at least one jewelry making project that i have to finish; a new necklace for a pendant that my mother-in-law has had for the past 20 years.

now that i’ve divested myself of all but 6 milk crates full of stuff – which are things like my books of lessons, service readings and suchlike from SRF, paper and labels for the printer, books for which we (still) don’t have space, and a couple of boxes of miscellaneous decorations – i’ve discovered a bunch of things that i only vaguely remember, such as a pair of enameled chinese hand excersice balls (with bells inside that cause one of our dogs to bark insanely when she hears them, but only when both moe and i are both in the house) which have already been used for their intended purpose. there are also a couple of wooden, jointed human drawing figures, of which i only remember one (the smaller one) from before we moved.

i am afraid of being eatenand apparently the fremont philharmonic is not breaking up, although we still haven’t decided for sure who our new leader is going to be. at this point, the concern is more for trolloween (which i am not going to attend because of a paying gig with snake suspenderz) and Alad’din in december. at this point we’ve recruited a couple of potential new members, including clayton, who already plays in two other bands that i play in, who will be playing tuba for trolloween and potentially euphonium for the pantos, and the guy who played tenor sax at trolloween last year, who expressed extreme interest in playing with us on a more permanent basis. we’re still sort of looking for a trumpet player, and possibly a trombone as well (yes, silveradept, i have mentioned your name, but there are a couple of other possibilities as well).

finally, here is another result of my going through boxes of stuff that i haven’t looked at in years, a little piece that i call “i am afraid of being eaten” which was what was written on the other side of the paper. when i found it originally, it was folded in half three times, with the title written on the outside. it is something that i found on the ground in bellingham when i lived there (which means that it was before 1995, and i seem to recall that i’ve had this particular piece since the 1980s). i remember when i was living in bellingham and i was depressed, i would read this and think that my life could be so much worse than it was, although at times i can remember reading it and relating quite well to what was said there. i wish i had the whole story, but i’m glad i got this one page.

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grmf

i finished moving the majority of the stuff out of the piles of boxes that have been stored first in the dining room, then the living room and finally the office/spare bedroom of our miniscule house and into the newly constructed workshop. i even got rid of the 2 extra 4’x8′ sheets of sheetrock (although i haven’t got rid of, and i’m not sure i want to get rid of the extra 4’x8′ sheet of peg board), as well as most of the old but still functional computer equipment.

which reminds me… i advertised the complete computer system again for $200 this time, and someone called me about it and asked if he could just take the mac. i said if he wanted the mac, he would have to take the whole system, to which he agreed. i also agreed to take $30 if he would help me move the desk from the office in the house to the workshop in back of the house and he agreed to that as well. however, from the moment he arrived he was trying in many not-so-subtle ways to get me to give him only the mac, and even moreso when he discovered that he was actually going to have to help me figure out how to get the desk out of the office, that he was going to have to lift the desk in order to move it, and that the place we were moving it to was not actually somewhere in the house. because of the fiasco that occurred when we couldn’t immediately figure out how i got the desk in to the office to begin with (it was a very tight squeeze, and it would only fit out into the corridor immediately outside the office door on it’s side with the upright supports facing in one direction, even though it would fit halfway through the office door with the upright supports facing in the other direction, and we had to try it both ways before i remembered how it actually fit), i actually agreed to give him the complete system for no money at all, despite the fact that he and i both thought better of it several times during the entire ordeal.

basically what it came down to is that he wanted to come and take only the parts of the computer system that he wanted, leave the rest for me to deal with, and he didn’t want to actually do anything for it. i came very close to just saying that i would deal with both the desk and computer system myself if he would just shut up and get out of my house. you don’t arrange to come to my house at 12:00 and then show up at 2:30 and then tell me how i’m supposed to give you the things that i’ve said i’m going to give you, especially when you have agreed to do some work with me in exchange for the things i’m giving you and then you’re so recalcitrant about doing the work. if you don’t want to do the work, that’s fine. if you don’t want the entire computer system, that’s fine. but when i’ve said that i will give you the whole computer system in exchange for some work, you don’t come to my house and then say that you only want part of what i’ve said i’m going to give you and you don’t want to do the work you’ve said you’re going to do.

anyway, i’ve still got 4 or 5 more boxes of holiday stuff, my “odd food” collection (which includes a package of ramen-like stuff labeled “mixed food flavour”, a gummy foot, “men’s pocky”, colourless M&Ms, “Nihilist” chewing gum [it has no flavour] and several other prizes), a box of bongs, and some other miscellaneous, stuff which is wholesale going in the loft of the workshop.

then i went to a banda gozona rehearsal last night, where it was decided that instead of playing sousaphone, i would be playing trombone, which is a lot smaller and easier to carry, and because of the fact that it was my original instrument, there’s a good chance that i’ll be a lot better at actually playing all of the notes, despite the fact that i’ve been learning the sousaphone parts for two and a half years and swiching to trombone will mean learning entirely new parts for all of the songs.

by the time i got home last night i was in an absolutely vile mood, and i woke up this morning in an almost equally vile mood, which wasn’t helped by the fact that when i was in the process of replacing the broken doorknob in the office, i succeeded in locking myself in the office, and i had to escape through the window. i’ve never actually been what i would call drunk in my entire life, but i’m seriously thinking about getting drunk tonight, simply because it would be something else vile that i’ve never done, and i’m not likely to want to do it once i’ve come out of the vile funk that i’m in currently.

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it’s a workshop! it’s a workshop!!

it’s a workshop!it's a workshop!there are a few finishing touches i have to make: i have to put up shelves on the right and move some stuff on to them, and i have to put up the remaining peg board and some shelves over the band saw and drill press, but i made the workbench on which the band saw and drill press are sitting, in the workshop, out of bits of the old shed!

IT’S A WORKSHOP!!

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progress…?

insulation & pegboardi’ve accomplished about as much as is possible for me to do without help… and possibly a ladder. the insulation is left over from an igloo stage-prop that was a part of a movie that jeremy was a part of producing last year, before i went to burning man. he wrote a message to cirquechat saying that he had this “dome” that needed to be got rid of, and it sort of fit into my fantasy of what a dome should be, so i said i wanted it. but when it was delivered, i discovered that it was not very substantial, being made of quarter-inch plywood and foam insulation, so i stowed it under a huge blue tarp at the bottom of our property and used it for projects like insulation for windows, knowing that eventually i would have a project like this to use the rest of it. now i intend to cover the bottom half of the insulated wall with sheetrock (which is just out of camera range on the right side of the photo) and the top half with pegboard. i came home from home depot the other day with two 4×8 sheets of pegboard, and i realised that i have never had this much pegboard – with a purpose – in my entire life.

in other news, i installed gucharmap yesterday, and when i rebooted, apparently my operating system decided that instead of running KDE, it was really set up to run gnome by default. which, of course, meant that when i rebooted this morning, instead of loading my pretty, shiny KDE desktop, it loaded the red, drab, default gnome desktop, and gave me an error message that said “The panel encountered a problem while loading OAFIID: GNOME_FastUserSwitchApplet. Do you want to delete the applet from your configuration”. after a good deal of whinging and complaining, and a good deal of forum perusing, and a little bit of inginuity, i discovered that i could disable automatic login and change my session back to KDE, whereupon everything went back to the way i expected it to be.

also, stuart has decided that he’s not going to play with the fremont philharmonic any longer. i don’t know what that means in the short run, considering that we’ve got trolloween and december performances of alladin, but it means a substantial change in the phil, and potentially the end of the phil all together. pam has said that if she has the choice of performing with the phil for no money, or going hiking, that she’s going to choose hiking. ted hasn’t been showing up very regularly for about a year, and katharine just had a baby, so there’s no guarantee that he’s going to be any more consistent in the short run. joseph just quit the phil as well, about a month ago. that leaves myself, sasha, kiki, and possibly kim, and i don’t know how much any of those people – myself included – want to be involved with building a new fremont philharmonic, especially since we’ve got a huge repertoire, for which we would have to come up with all the parts, or start all over from scratch. it also affects my participation in things like the moisture festival, OCF and the fremont solstice parade. i’m stereotypically worried, but there isn’t much i can do about it at this point, because, although stuart says he’s discussed his decision with simon (the founding clown of the fremont players), macque isn’t even back from burning man yet, and i haven’t even talked to the other members of the band… but i’m stereotypically worried anyway. i hate to think that my ability to attend OCF (for example) could be affected by stuart’s quitting the band, but there it is, and at this point, there’s nothing i can do about it.

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workshop workshop workshop work!

my father in law (who is a retired electrician) came up today and got started on electrifying the workshop. he’s basically adding another 20 amp circut to our house, and then running conduit from the back of the fuse box out to the workshop. it was really strange to stand in the non-electrified workshop and say that i wanted electrical outlets here, there and there, and a 4 foot flourescent light fixture there, with a switch over there, and then have him put up boxes and wire them together, and hang a light fixture… he’s coming back tomorrow to finish the job.

while the electricity was going in, i painted the exterior of the workshop with the 5 gallons of “oops” paint i got at home depot for $15 – if i had bought 5 gallons of “exactly the right colour” paint it would have been more like $145, but the “oops” paint was exactly the right colour before i even started putting it on, because of the discounted price, and – lo-and-behold – it turns out that it’s exactly the right colour anyway, which makes it an extra bonus. i’d post a picture of it, but it’s dark outside now and the colour wouldn’t show up correctly, so that’s a job for tomorrow.

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WOO HOO!

they’re here at this very moment, putting up my workshop! 😀

UPDATE: O. M. G. this is going to be OUTRAGEOUS!!1! i realised that it was going to be 10×14, but i didn’t realise that it was going to have 8 foot walls and a 4 foot barn ceiling…!

i mean, i knew… that’s what i ordered, i just never realised that it was actually going to happen… it’s happening! it’s happening!!

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the pile of shed

a pile of shedwith the help of St. Ian of The Holy Snake, we now have a quite large pile of shed in our back yard, and the place where the shed used to be is more or less clear and ready to have the new workshop(!!) built there. while i was at it, i removed the outdated and obsolete technnology otherwise known as a television antenna from the roof. i plan on re-using about 90% of the shed to make the new workshop even cooler than it will already be, and the pole from the antenna would be perfect for hanging a Hybrid Elephant banner from at the fremont sunday market… all i gotta do is actually design and produce a banner…

in other news, there’s a snake suspenderz gig at the issaquah art walk on thursday, a BSSB performance at the ballard locks on sunday, after which moe and i are leaving for a week of well deserved vacation at the doe bay resort, thanks to pliny the younger general manager.

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growl

i’m in the process of taking down the shed, and i’ve been taking it easy and going very slowly, because i’m not using the correct tools. i should be using my two medium pry-bars (one hexagonal and one flat). if i were using the correct tools, i probably would have completed the job by now. what i’m using instead is MJOLNIR (my 5 pound sledge hammer, named after the Hammer of Thor) and one of my claw hammers.

i HATE knowing that i have the right tools, and if i had a workshop i’d be able to put my hands on them immediately, but because of the fact that i haven’t had a workshop in 4 years, i don’t even know where i packed them, and will very likely have to go out and buy replacement tools to be able to finish the job of demolishing the old shed so that i will have the space to build a workshop!

HATE!!!

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heat wave!!!!1

oh. my. GAWD it’s been hot the past few days!! we’ve shattered old heat records three days in a row! three nights ago the lowest the temperature got was 69, which shattered the old record (set in the 1950s, i think), and then two nights ago the lowest it got was 71, and last night the lowest was 72. yesterday it was almost 120 in olympia, and i, personally, saw a reader board in des moines that said 103. needless to say, i’ve been keeping the computers turned off most of the time, and only doing email once a day for the past few days. it’s slightly less hot today, but still, the weather report says that it’s going to hit 99 later this afternoon, so as soon as this is done, i’m turning the computer off again. it’s the end of the world or something. it’s just WAY too hot!

in other news, i paid off the roofers today to the tune of almost $9,000, i got a date set for building a workshop(!!!) on 18th august, and the guy is coming over for a site check today. also moe and i are going to doe bay, camping in one of their yurts, the 9th through the 13th, and we get to pay ½ price because we’re “friends and family” now… 8) another really good reason why, in spite of the gawdawful heat, this is a very good place to live indeed.