i’ve done some more work with this and now it seems to be going more in the direction i was intending… but it’s got a bunch more work done to it, so i would expect it to at least be different than it was before, and, apart from some more glaringly obvious differences, for the most part, it is the same piece of music… and i like that.
Seven Different Tracks, Manipulated and Combined (with a subliminal message)
as you can probably tell, instead of being five tracks, it is now seven, and it has had the addition of the subliminal message, which is somewhat more complex than i originally imagined. the seven tracks are “This is the day”, “The problem with growing boys”, “Sing to jeezis”, “WWJD radio”, “It ain’t over yet”, “Veggie tales – the selfish song”, and “I’m a little weenie”.
yes, i was trying to make a statement with the choice of tracks. no, that is not the subliminal message. keep guessing.
all of the tracks are heard forwards, and only once, with the exception of “It ain’t over yet” which is heard once reversed, and once forward, at the same time. all of them have had significant modifications to their pitch, speed, tempo, and/or a combination of those things, in order to fit them within the required parameters.
this is not finished, and it’s sort of not going where i intended, originally, but i like it anyway.
originally, i intended it to be A LOT more chaotic, and incorporate at least twice as many source tracks, and then i intended to put a “subliminal message” into it, which you could only hear if you sped the track up about 500 times, and muted all the other tracks…
and played it backwards…
of course, this would be impossible to do, because of the chaotic nature of sound, and the fact that i intended the subliminal message to be on its own track, and whispered, and then stretched 500 times, which would render it, for all intents and purposes, the same thing as silence…
which would, then, be completely and totally overwhelmed by the absolute chaos of the other tracks.
and what ended up happening, instead, is that the strange stability that is produced by bounded chaotic mixing appeared a lot sooner than i expected, and it sounds completely different than what i had envisioned.
as i said, i like it, but it’s not what i originally set out to create.
and, don’t worry… i haven’t put the subliminal message in yet, so you can relax. 😉
music is frustrating some times, but it never ceases to be fun…
or at least distracting…
anyway, what i’ve got so far is called 200811 Five Different Tracks, Manipulated and Combined
which is fine for a “contemporary classical” piece of music, but probably not what this is going to end up being called.
so, i got a bunch of “christian” kiddie records on freecycle. they were actually CDs, but there were about 20 of them, and, usually, i collect these things off freecycle, to protect actual children from having to be brainwashedinfluenced by them. if they’re really awful, or if i think they have useful sound-source material, i rip them, and, then, usually, i shred and/or recycle them.
this is what happens when i think they might “have useful sound-source material”. 😈
this is my current string ball. it’s about 5 years old, and it already looks different because i’ve added string to it. i use a very loose definition of “string”: there’s some metal cable and a fair amount of plastic in there as well… it’s a “string-like” ball, in that regard, but at this point nobody would know unless they actually unwound it… which, under the worst of circumstances, is very unlikely.
in the past, i have been the owner of a couple of string balls that were considerably bigger… one was big enough that, when i was holding it in my lap, you couldn’t see my head. i’m hoping that this one will reach that size, or bigger, eventually. 😉
our new house has a whole bunch of interesting things that were left behind by the previous owners. i get the impression that i would NOT have gotten along with them in the slightest (they were #drumpf-supporters), but this is one of the things they left behind. it’s better that way.
this is my office. it’s also the music room.
this is the music room part. i’ve got my piano and my sythesizer set up, for the first time since i got married (which was 22 years ago), and, because of the fact that i bought a mixer in the interim, i now have it set up so that i can use the synthesizer (a yamaha DX7) as a synthesizer AND as a MIDI-controller. as a MIDI-controller, i’ve got old, familiar Reason on my laptop, and i’ve got a bunch of stuff that’s MIDI-controllable on my tablet, which i haven’t played with at all, because i haven’t had room to set it up. i got the DX7 a SuperMAX+ upgrade a couple of years ago, which was also after the battery died, so i’m going to have to learn how to use it all over again from scratch, and i’ve got to reload all of the stock noises (which i’ve got, thanks to a MIDI-controlled patch library on my laptop), but that’s part of the “fun” of COVID19 lockdown… i’ve got the time to do that sort of thing…
last month i was going crazy, so monique took me to see the National Wild Horses Monument in quincy.
it was on the top of a bluff overlooking the columbia river, in eastern washington.
i don’t know why this photo came out so fuzzy, compared to the other ones… but, unfortunately, it’s the only one i got of this particular milestone, so you might have to squint to see it…
the other day i had occasion to wander through Celebration Park in auburn. when i first lived in auburn, in the early 1970s, what is now celebration park was a huge, essentially vacant lot that had some abandoned businesses on it. nobody wanted it as residential property, because it was in the flight path for the airport. at some point, in the distant past (before 1960) i think the property had been an airfield, or something like that, but, by the time i got there, that was long gone, as well. in the ’90s, when i was in bellingham, the city bought the property and created celebration park, but it still has a lot of the same aspects that made it a vacant lot, including a lot of wooded areas where homeless people camp, and drug addicts shoot up…
which is where i found this… interesting… little tidbit.
on the 4th of july, we went on a road trip, so that the dogs wouldn’t freak out because of all the fireworks. we went through the Ross Lake National Recreation Area and saw this waterfall. BOUNDED CHAOTIC MIXING PRODUCES STRANGE STABILITY!
my 60th time around the sun was celebrated on saturday. never, in my wildest imaginations did i ever think i was going to be 60 years old… in fact, my imaginings never exceeded age 40, which means that i’ve been living new and unimagined territory for 20 years now.
we celebrated by having a “gathering” in our back yard. kiki, sasha, stuart, d. barnes and jesse, his son, and hobbit and lucifer, his… partner? i’m not sure exactly what their status is, but they’ve been together for 1719 years or so… and they all brought musical instruments, and we had a “jam session” in the back yard. monique made the german chocolate cake (my favourite), and cupcakes with raspberry butter cream frosting, made with raspberries from our back yard…
it was good to see those folks, after such a long time, and it was really good to play music with them.
* i am MORTIFIED! i read the title as “The Diambola Mikado” and named my piece “The Diambola Mikado…” and then i find out that the name is actually “The Dimbola Mikado”… i’ve already released my mix, and even presented it to mr. phizmiz — who didn’t say anything, which makes me wonder whether he’s just being polite, or whether he didn’t notice… oh GAWD, whatever am i to do??? 😭
there’s this guy who makes music that i really like. he goes by Dominic Robertson, or Ergo Phizmiz, and he’s REALLY prolific: he’s got AT LEAST 40 CD-length albums, plus a whole bunch of soundscape/radio-theatre-like stuff, including a 12 hour 45 minute piece called The Faust Cycle which i haven’t listened to in its entirety because… well, it’s 12 hours long…
he wrote me to say that he is “running this radio station at the moment” at Wolverton FM, and wondered if he could broadcast my CD from 2015, I Breathe At It, which i put up on bandcamp and promptly forgot about… 🤩
i didn’t really forget about it, because i always carry a few copies of the physical CD with me, especially when i’m busking, but i forgot i put it on bandcamp, which is, sort of, the way bandcamp is supposed to work… sort of…
the only thing better than writing music and playing it on the radio yourself, is writing music and having it played on the radio by an artist you respect, because he really likes it… 🤩
pat robertson should not be allowed to broadcast his hate on national television. it astounds me that he still has a platform… although it astounds me that people still go to church, so maybe i’m the crazy one here… although i would much rather be considered “crazy” than i would to convert to that sex-crazed mainiac’s way of thinking. seriously, i don’t understand why HOMOSEXUALS having sex the way they do threatens anybody, and certainly not to the depths of the fabric of society. the fact is, whether pat robertson likes it or not, people have been “doing sex” the “weird way” since long before pat robertson was around, and they’re not likely to go away just because pat robertson and his ilk somehow get a law passed. people like him would do well to pay attention when someone like, oh, i don’t know, Jesus Christ, maybe, says “And why beholdest thou the mote that is in thy brother’s eye, but considerest not the beam that is in thine own eye?”
it makes me wonder about the beam in pat robertson’s eye, particularly since he seems to be obsessed with “weird” ways of having sex. it makes me think that he might not be getting enough, himself. 😒
Pat Robertson’s Weird Way of Doing Sex by Rev. Dr. Guido Super DeLuxe, 190226 download here
this is my interpretation of the introduction to a cassette by Bob Larson, a toxically obnoxious evangelical so-called “christian” radio preacher who bills himself as “the real exorcist”, with whom i have been interacting, on and off, for the better part of 40 years. he, too, is likely a member of my karass, because, despite my repeated attempts to get him out of my life, he keeps popping up, and i keep responding to him.
i’ve been taking my thurible outside (because, realistically, that’s the only place i can use it without setting off my smoke alarm), drinking beer, smoking pot, listening to frank zappa, and burning frankincense, benzoin and copal resin — rather like the ethiopian family that lived next door to us, where we used to live, in renton, did…
although i’m reasonably sure that the ethiopian family didn’t smoke pot, drink beer, and listen to frank zappa… 😉
but, basically, i really like burning incense, i really like burning frankincense, because it has the scientifically-proven ability to calm my anxiousness, and i really like “sharing” the good smells with my neighbours… whether they like it or not… 😈
which got me to thinking, yesterday…
i also REALLY like playing music for people. particularly, i really like playing my overtone flute at the oregon country fair, where people passing by have the possibility of hearing my music, but not knowing exactly from where it may be coming.
so, i thought, why not combine the two, and put together a “performance” or a “concert”, or something like that, where i set up somewhere, incense the whole place, and play my overtone flute?
it would have to be an outside venue, because nobody would want “concert” like this inside, where it would be extremely likely to set off smoke alarms, but that’s okay, because if it’s outside, there’s more of a possibility that people will experience the scent and not even be able to tell from where it’s coming… possible places are greenlake, volunteer park and gasworks park.
i would probably also want to set up a sign, or something, letting people know what i’m doing… but it would also be interesting to do that sort of thing without any clues, just to see how people might respond…
okay, whenever i get personal email from a “famous artist” who i really admire, i get a little verklempt.
a few years ago, i discovered this really weird, really prolific artist, who called himself Ergo Phizmiz, and, since then, i have accumulated approximately 40 individual downloads from him, all of which i really enjoy.
recently — within the last 6 months or so — he decided that the “Ergo Phizmiz” persona had run its course, and started releasing music under a much more “normal” sounding name, Dominic Robertson. i bought his most recent release, and he wrote me to thank me:
Just a quick note to say thanks very much for buying my recent releases on Bandcamp, most appreciated indeed.
feeling encouraged, i wrote back:
i have 40 downloaded albums by Ergo Phizmiz and/or Dominic Robertson, and i enjoy all of them. 8)
i am a musician as well, and play a variety of different instruments:
i also play with the Fremont Philharmonic, a 9-piece wind band that started out as a circus band, many years ago… but they don’t have anything recorded…
keep making music. it’s the only “real” thing there is! 8)
this was his reply:
Thanks a lot Salamandir. Lovely to meet you, going to put my feet up later and tune into you and your hybrid elephants.
although, to be honest, i probably wouldn’t have paid as much attention to him at first, if he had been dominic robertson… a lot of my initial attraction to him was that he made wonderfully weird music AND was called “Ergo Phizmiz”…
this is an “incomplete” track: it has the front and rear stereo pairs from my recording device, which was right in front of me, but it doesn’t have the front and rear stereo pairs from thaddeus’ device, which was about 10 feet away from me, facing the wall of the room…
however, this is pretty much exactly what i was looking for, and there’s around an hour’s worth of new tracks with which i can play around… 😎
this is very quickly becoming “an album”… it’s not there yet (i only have 330.3MB on disk, and i want to fill it up, as much as possible, so there’s room for quite a bit more), but what is already there is definitely shaping up in quite a satisfactory way.
because of the fact that i have a backlog of almost-finished, and finished tracks that don’t have a home yet, i actually just added three more tracks to this, which now puts me up to 15… which is still only half of the disk, but this really isn’t about how much stuff is on it so much as it is about the quality of the stuff that’s on it.
i know when i’ve created music that i really like when i don’t even have to be listening to it for it to put a smile on my face… really… and this has the extra, added bonus of, when i am listening to it, i spontaneously erupt in laughter, or experience shivers going up and down my spine.
i’m particularly proud of Lamentations:
which causes me to bounce up and down and emit squeals of evil glee whenever i hear it. it’s an incomprehensible, gnome-like beginning which very quickly devolves into utter senselessness, out of which comes a definite pattern, which, again, fades into gibberish, which slowly resolves into a preacher talking about jerusalem. this is due, in part, to my receiving my complete “Thru The Bible In 5 Years” USB stick, which is packed full of fun noises with which to play around… 😎
i found the web site put up by Dave Gannett, who is my unwitting mentor in all things tuba. dave is the tuba player for Uncle Yoke’s Black Dawgs, a dixieland band from kissimmee florida, the artist behind Tubas From Hell, and one AWESOME tuba player. my first experience seeing him live was at the Friday Harbour Traditional Jazz Festival in 1991, where he played The Flight of The Bumblebee — at the correct speed — on his sousaphone. when he finished the piece, he had it rigged up so that he blew smoke and flames out of his bell on the last note…
i knew i had found a mentor at that moment… 😉
also, two more tracks for The Church of The Pleistocene, thanks to my recent re-acquaintance with Dr. J. Vernon McGee of Thru The Bible Radio Network. i listened to Dr. J. during my ill-fated time as a taxi driver, just before the birth of my son. the main reason i listened to him was because, at the time, taxi cabs only came with AM radios, and the music on AM radio was AWFUL… Dr. J. Vernon McGee wasn’t an awful lot better, but at least i got familiar enough with his distinctive ‘twang’ to make music out of it thirty years later…
i got this silly little app for my smart phone called Yellofier which is presented by a pair of folks, one of whom is boris blank (of Yello). the app is, basically, a sampler with a bunch of preset effects and a bunch of preset samples, and a sequencer, all of which is obscured by an interesting, quasi-intuitive interface. i’m not sure i’m going to actually use it for anything, although there is already a group that has has released an album using it… or, perhaps, because of that fact… but it’s silly and fun, and it will give me something to do while everybody else is playing angry birds. here is an example of what i’ve been doing so far.
snake suspenderz has been pretty busy recently. we did a wedding, and we did a set for the chateau at valley center, and today we’ve got a moisture festival ( 😐 ) gig. who knows how long it’s going to last this time, but fun is fun, so why not go with it?
i bit the bullet and bought the academic version of sibelius 7… which cost $300, rather than the standard version, which has less capabilities, but costs $700 (a thing which i have yet to figure out, even though the capabilities that the educational version has are useless to me, because it requires that i have a network with at least one other installation of the educational version installed on it).
it actually took me a few days to make it “legal” because of the fact that moe’s WSU email address had been changed (since she graduated… oops!) and we had to work around that until she was able to phone the helpdesk and get things straightened out.
now that it is all legal and everything, i’ve gotta start actually learning how to use it. but it’s easy enough to use that, already, before i’ve even completed one of the FOUR two-hour tutorials it came with(!), i have been able to complete two lead sheets for beatles tunes that i copied from THE BOOK for snake suspenderz, and create a 6-part arrangement of a piano rag by scott joplin for the fremont philharmonic.
i still haven’t realised all of the goodies that this new, legal software holds in store for me, but i think it’s already well on the way to paying me back for the money i spent on it. 😎
so i realised, with all of the so-called “music” (which includes a lot of what the german people call Sprechstimme that is, very definitely, not what “ordinary people” — like my mother — would call “music” — but i say, forget them anyway) that i have been posting over the past few months, that i have enough “new” material to make a new album.
i even created a rudimentary web site which is eventually going to contain said album, along with my two (three?) other original albums…
eventually, because i still haven’t been able to figure out how to separate my “Saint Fred” stuff from the And More stuff that i already have there…
it’s not there yet, but it will be soon… hopefully as soon as the bandcamp folks get back to me and explain where they screwed up… 😉