they’re here.
now i have to (once again) pester the web designer into showing me how to make a product that has multiple purchase choices: one postcard, two postcards, three postcards, four postcards, five postcards, multiple 5-postcard packs… that sort of thing… he’s showed me how to do it once, with the jagannath pins that i had a few years ago, but they all sold out, and the item got deleted in one of my “clean up my web site” binges.
for a few years now, i have been playing around with this app for my tablet called FRAX, to which i was pointed by my friend gunnar, who is a fractal maniac. i find it really easy, and somewhat meditative, to generate an infinite variety (they’re fractals, after all 😉) of magnificently detailed, wildly psychedelic patterns, and i can crank out 4 to 6 images per hour, for several hours, before getting “bored” with it.
i have maintained for some time that “boredom is a state of mind i never visit”, and, while it’s true, from the outside one might presume that it’s boredom, when it’s really something else… but i digress…
the other day, i went through the photostream on my tablet (which i am finally getting organised enough that i can find what i’m looking for, some of the time), and discovered that i have 91 frax drawings in a directory, which started me thinking…
what if i made postcards out of these drawings, and sold them on my web site?
i’ve got more than enough raw material, and they wouldn’t take that much tweezing to get them to fit on a postcard…
and i can buy 100 18 point postcards (the really thick ones) for less than $20, which means that i can sell them for $1.00 a piece and make a profit (assuming that people buy them, about which i am not as certain).
not only that, but i can send them out to the IOTM club, which is coming up a lot sooner than i realised.
so, yesterday, i ordered 100 of five different fractal drawings (not necessarily the ones depicted here)… we’ll see what happens next.
i got the green light to print the banners on tuesday. this is thursday…
i’m REALLY impressed: they took our artwork (me, norma, and mimi) and printed it at 300dpi on a 60″x90″ banner, and they did a GOOD job of it in a VERY short period of time: i sent them the artwork on tuesday, and, according to their web site, they had everything done and it was shipped by wednesday evening… it didn’t actually get to me until thursday morning, but even that is a lot faster than i was expecting… and two 5’x7½’ banners for $155 is astounding… seriously, i was expecting them to be at least $155 A PIECE… 👍‼‼
chris came over to talk about printing.
he actually convinced me to make some minor changes to the back of the postcard: i changed one typeface to bold, and increased it by one point.
it was more than i should have done, but i wanted to seem like i was giving in to at least one of his demands.
and the only reason i didn’t tell him to take the finished files and make the changes himself is because i’ve worked with him for a long time, and, allegedly, he’s my friend.
but, honestly, it seems like he has drunk the kool-aid a little bit on this one.
however, one way or the other, the postcards are currently at the printer, so no further changes can be made. and, as they’re getting 5,000 of them, there’s a good chance that there won’t be a second run.
still don’t know about the poster. leah has already printed some — who knows how many — so there might not be any more. 😒
the most recent thing is that i have “volunteered” to help make the artwork that is going to be used for this year’s panto: the program cover, poster, postcard and banner. i put “volunteered” in quotation marks because it was presented as a fairly straightforward job that has turned into a nightmare of emails between me and norma, on one side, and leah and the steering committee — who pretty much don’t know what they’re talking about — on the other side… which i would very definitely NOT have “volunteered” for, if i had known about it ahead of time.
it started with me and norma. we, plus mimi, produced the artwork for last year’s panto (to great success, i might add), and we started out to make it largely the same…
then leah got involved. leah is the “publicity manager” this year, and she has very specific — if not outrageously wrong — ideas about how the artwork should appear. leah also set a deadline of october 3rd for all of this to be done, so that i could send it to the printer so that we could have posters and postcards by the first week of october.
on the first round of feedback in which leah was involved (third week of september), one of her “suggestions” was
Remove the Fremont Players website and keep the brown paper tickets (if people google us, they will find our web site)
⁉⁉⁉⁉⁉🤨🤦
she also wanted me to remove the fremont players’ graphic logo, remove the year, reduce the amount of text, and “integrate other stylistic suggestions from the steering committee”, who, like i said before, have NO CLUE what they’re talking about.
so, norma and i ignored about 90% of their suggestions, did what we could to placate leah (including taking the graphic logo off the front of the postcard and putting it on the back, faded behind the text so it’s “not noticible”, and, after a few more “back-and-forths” which didn’t include leah, we came up with what we thought was finished artwork.
meanwhile, on october 1st, leah wrote to me, asking how much it would cost — PER POSTER — to print them. this is a very complex question, which has a different answer based on whether you are using a small, local print shop (like the kind i worked in for 20+ years) or a large, nation wide printing house (like the kind i use these days), and if you are using a large, nation wide printing house, how much posters cost depends on whether you want a small number or a large number.
i tried to explain this to leah, but she was more concerned with the fact that
If I’m reading this correctly, 150 posters cost $210 but 250 posters cost only $40 more and ordering 4000 postcards is $465 but 5000 is $125 cheaper??
to which i responded “that’s right.”
i know, it’s weird, but it’s how large, nation wide printing houses do business, and it appears to work for them. you can’t get different specific-size jobs unless you’re willing to pay more than you would if you get an amount that the printers produce, which is usually more than you want, but “per poster” it comes in WAY cheaper than if you get a different, specific-size job.
so, she approved the artwork on october 2nd, and on october 3rd, she said that i should hold off on contacting the printer, because she wanted to see if it was possible to get an exact size job for a cheaper price.
to which i responded
yes, you can probably get cheaper prices from somewhere else, but keep in mind the quality of the printing i provided last year: posters on 100lb gloss stock, and postcards on 16pt gloss stock with UV coating. i’m pretty sure you’re not going to get anywhere close to the same quality anywhere else, for anything close to the prices i have quoted.
which was ignored… 🤦
a couple of days later, she wrote asking for the high res files, because she had found a “digital printer” (read “photocopy shop”) who would do EXACTLY the size job she wanted for half the price (on much lower quality paper, but she doesn’t know the difference).
so i uploaded them to dropbox, and washed my hands of the whole deal. 😒
it turns out that she had something printed — i still don’t know whether or not she used the correct files (if i had actually been there, and she had shown up with printing from the wrong files, i would have walked out and never gone back… 😒), but my guess is that either she didn’t use the correct files, or she whipped something together in microsoft publisher (or something like that) and used that instead.
then, on october 9th, i get a request for more changes to the postcard. apparently, now, they actually want the date on the front of the card.
i respond by telling maque that they have the high res versions of the artwork, and that they are welcome to make whatever changes they like to the card, BY THEMSELVES, because i am done with this job, and there is a very good likelyhood that i will not be available to “help” again next year, or going forward, because i felt like it was too much work for too little actual gain.
then, yesterday, i get a call from chris huson. he wants to meet me to discuss why i am so upset with the printing process. actually, he SAYS he wants to “discuss further changes” to the postcard, but i nip that in the bud right away.
i explain exactly what i (and mimi and norma) did, and exactly what leah did. i show him emails from leah. i show him the finished artwork — which he says doesn’t look like what leah had printed. i explain about the confusing pricing, and the quality differences, and how none of this seemed to make a difference to leah.
it turns out that leah actually asked chris to take over managing the artwork portion of the job. given what chris already knew about leah, and about the fact that i was upset about the way this whole thing was working out — AND because chris is on the steering committee AND the board of directors, he made the executive decision to take over managing the production of the artwork.
he’s coming over tomorrow to finalise the “already finalised” artwork, to talk about run amounts, and the schedule of when we might have things.
——
from the time i was born until the time i finally escaped my parents’ house, when i was 20 or so, the primary message i received, over and over, was that i was not good enough, that i would never BE good enough, and that, unless i worked VERY hard at “being normal”, nobody would ever like me.
it wasn’t always very subtle, but that was the underlying message, regardless of what i did: they said they were “proud of me” when i won awards, but they refused to do anything to help me win more awards, and shot me down every time i thought i might be able to succeed at doing… pretty much anything…
and when i wasn’t winning awards for playing trombone, or doing magic shows, i didn’t even have a name: i was “the crummy child”. oldest by 6 years of four children, the other three of whom were born two years apart, starting when i was 6, then 8, then 10, when they got old enough to realise what was happening, my siblings called me “the crummy child” as well. when my first younger sister was born, i quickly faded into the background. after that, the only times anybody noticed me was when i was winning awards or when i was getting into trouble.
——
this whole business of working with leah brought all that back in one fell swoop: regardless of how good the art was, it wasn’t good enough. 😠
it has begun to be worked out, now that chris is more involved than he was before, but i’m still quite shaken, and stirred up (at the same time) by this whole fiasco.
i got email this morning. this is the official word:
The shipment of 3 Cartons Incense Sticks has been arranged per vessel CORINTHIAKOS Voy. E091, sailing on 28/02/2018.
The delivery is expected by end of March.
i am, officially, getting three cartons of MSDF incense. it’s actually a lot less than they wanted to send me, but what they are sending me is making me a little concerned about where i will store it. it’s 33 dozen 999 Lord Krishna Puja, 63 dozen 7 African Powers and 40 dozen 909 Three Roses. in total, 136 dozen packages of incense, or 1,632 individual packages… which is a little bit less than half of the total incense that i CURRENTLY have.
there’s a chance that i can sell some of it, wholesale, to other agarbathiwalas (i’ve already been in contact with one, who said that she has a friend who might be interested, as well), but it’s still going to stretch my storage ability to the maximum.
i’ve got two print orders that total almost $350 that (supposedly) they’re going to pay around the end of the month… but the end of the month is in two days, so hopefully it’ll be soon.
i was going to post yesterday, but then i spent two nights ago not sleeping very well and having dreams that i wished i wasn’t having — and waking up on more than one occasion, specifically to end a particularly annoying dream, only to have it resume, more or less, when i succeeded in getting back to sleep — so when i finally got up yesterday i was already in a sour mood… and then i turned on my computer and the sour mood increased about ten-fold, which was not made any better by the fact that i couldn’t get my backups to work the way i wanted to, because of the fact that the crack used a “new, different” way of intruding, which the host provider was less than forthcoming about explaining…
i actually had everything fixed by 11:00 am or so, but my mood was so bad, and it was so hot, that, by that time, all i wanted to do was watch the god-damned-noisy-box, smoke cannabis and drink… first mountain dew, then water, then beer. seriously, the temperatures have been in the low-90s and upper-80s, but it has been more humid than i have ever seen before (around here, it’s par for the course in illinois and alabama), and the overall effect is that the temperature is oppressively hot, which made the god-damned-noisy-box even more inviting… if i had a swimming pool, it be a lot better…
but, unfortunately, if i had a swimming pool, realistically, it would only get used a week or so a year, and the rest of the time i would have to maintain it… so it’s probably better this way… it’s a lot more realistic to dream of a sauna, because i’d use that year round EXCEPT for the really hot days…
anyway, if i had posted yesterday, this would have been that post:
the oregon country fair is in a little more than a week. i had in mind to distribute QR code stickers for music at the fair, but they haven’t even contacted me with a shipping date yet, and i placed the order almost a month ago. so THIS is the reason why NOT to use StickerRobot when time is sensitive. they may make the best stickers in the world (for all i know, they haven’t delivered them yet), but if a simple, square, black-and-white sticker takes them a month, i am less than impressed.
the panto this year is Dick Whittington, which i have wanted to do for two years now. it should be a great show, although i haven’t seen it yet. we’ve got some of the music, we’re getting more tonight, and, as usual, we’re probably going to get new music when we arrive at the fair… at this point, the fact that we’ve never performed the panto all the way through, even once, doesn’t faze me very much… we have almost exactly the same routine every year, and it invariably comes out on the other end as a finished work of art. the real fun is working together to make it a work of art… and the reactions of the audiences when we perform.
because the next few weeks are going to be tremendously busy, and i’m not sure how much time or energy i’m going to have for trendy computer gizmos…
i’m getting ever closer to finishing the repair work on thaddeus’ E-flat sousaphone, for which he intends to give me (on the condition that, when he absolutely NEEDS a tuba, it’s his) a BB-flat tuba that he is in possession of, which used to belong to hokum w. jeebs. i’ve finished the “hard” part, which was actually procuring the correct piece (the “mouth pipe” or “lead pipe” pictured here). the rest of the process, of course, is soldering everything back together… which i have done before, but it was a LOOOOOOOONG time ago, before my injury, and so i’m a little nervous about the whole thing… one of the good things, that i need to remember, is that this is thaddeus’ UGLY E-flat sousaphone, despite the fact that the lead pipe is brand new and shiny, and pretty much anything i do to it doesn’t really matter, as long as it’s playable when i get done… and it WILL be playable, i guarantee that… 8)
then, i’ve been working with chris, who owns neighborhood acupuncture, making a business card, and i’ve been going back and forth with him for about a week. he keeps leading me to believe that he’s ready to send it off to get it printed, and then, at the last minute, there are a bunch of minor changes… which wouldn’t be so bad if chris was more accessible by email, but he’s not… he makes changes, and then he might not check his email again until tomorrow… and if he really needed the business cards “last week” (as he assured me, when i asked him), that’s not the way to get it done…
also, while i was in seattle dealing with the illusion that chris’ business cards were ready to send out, my elderly, brain-injured client called me with news that his computer suddenly quit working. from his (hazy, inaccurate) description of what had happened to his computer, i deduced that he was very likely having power supply issues. so when i was done at chris’, i went to capitol hill and took out my client’s power supply which i suspected had gone tits-up, and took it down to RE-PC, where i confirmed that it had, indeed, gone tits-up: the guy plugged it in, listened to the (annoying, high-pitched) noise it was making, and said that it had at least two blown capacitors. so i recycled the old power supply and bought a new one, which i’m going to put in tomorrow, after the snake suspenderz rehearsal.
AND there’s the moisture festival, which starts on thursday. i’m playing 13 performances over 24 days with the fremont phil, and 4 performances during the same period of time, with snake suspenderz, two of which are “fluffing” the crowd pre-show, and two of which are on the stage with the rest of the performers.
so, without further ado, i’m going to morph into my alternate personality, one of the busiest low-brass players on the west coast… 8)
we’ve got one more week of panto left this year. i say this every year, but this year’s show is probably the best show we’ve ever done: the jokes that are supposed to go over the kids’ heads do so with much more accuracy than they ever have, and the fact that there are more than one dyed-in-the-wool brits add to the illusion that we are doing a “traditional” british panto… and we’ve even got a “I Am The Very Model Of A Modern Major General” style “patter” song, which, despite the fact that ours is a “musical” and not an “operetta”, lends a very distinct “Gilbert and Sullivan” air to the show… i would say that if G&S defines the “high end” of panto, this year’s show may have qualified us for the extreme low end… which is about what we were aiming for anyway… 8)
also, Big Bois With Poise has got an audition for America’s Got Talent… of course we won’t win, but the objective is to get on television. chris is friends with a talent scout for the show, and they’ve already seen some of the (second- or third-rate) youtube videos (that there are more than one is a surprise to me, but whatever) and they’re very enthusiastic about getting us to audition… of course we can’t actually do our act for the audition, because they don’t want to set the hotel where they’re holding the auditions on fire, but they said that they want us to show up in costume, and then they’ll show a (first-rate, yet to be made) video of our performance.
i’m getting together with chris on tuesday to talk about doing some graphic design for his new(!) acupuncture clinic, which is not far from the palladium. i’m not sure where, because he hasn’t sent me the address, yet, but presumably he’ll take care of that before it becomes a problem. also i’ve got a tentative (we don’t know when yet) appointment with cedar, who needs some new business cards, and i’ve got a preview in to katy, who also needs new business cards (her old ones had the word “Inpisre” spelled wrong, which isn’t a thing that an educator of small children should have on her business cards).
thanks to the people at edgewood tire showing off their fancy business cards, i got a business card order from this guy named lamar, who wanted his cards to say $$ CASH $$ FOR JUNK CARS & TRUCKS with his name and phone numbers. i didn’t actually talk to lamar, but he wrote down what he wanted on a napkin and the people at edgewood tire put in the order for him.
this, needless to say, is not the way i have done business with people who needed printing in the past. usually i’ve found that when people write something down on a napkin, that some time has to be spent figuring out exactly what is needed. i told sally (one of the owners of edgewood tire, i think) that, and she agreed that it was not exactly the best idea, so i left my phone number and told her to have lamar give me a call.
days passed by, and lamar didn’t call me.
i stopped by edgewood tire again, and sally said that lamar said (already you begin to see why i was leery of doing this) that what was written on the napkin was what he wanted, and that i shoud just go for it. i still wanted to at least talk to the guy before i typeset something, but when i called both of the numbers he gave, and asked for lamar, nobody had any idea who i was talking about, so sally actually called lamar while i was standing in her office, and then handed the phone to me. it didn’t take long. he gave me the impression that he wanted them in a hurry, and suggested the word CASH should be in red. i asked him if he wanted any artwork, and he said that the words should take up the entire card… in fact, he said “if there is any room left on the card, fill it with the words i gave you.” i asked him if he needed to see a proof copy before i sent them out, and he said no (which is another BIG RED FLAG in the “normal” printing industry). i said i would see that his need for cards was met, and that if he needed any changes, we could talk about it for the next time.
so i whipped out a card that filled as much of the available space as possible with words. and sent them off with faster than normal delivery service… which was a mistake, because UPS couldn’t find my address (which is a down side to living in the “unincorporated” part of king county) and the day they were supposed to deliver it, the status suddenly changed to “we don’t know where you are, delivery postponed indefinitely” and i actually had to go down to the UPS package center in pacific to get it.
armed with the business cards, i, once again, tried calling both of the phone numbers on the card, and got the answering service for pacific auto glass, who didn’t know who lamar was. i began to think that i may never see payment, but i took them to edgewood tire and said that lamar could pay for the replacement gear that my new car needed, and sally said that was an acceptable arrangement, so i left the cards with her.
but i got to thinking… i actually have a junk car that i need to get rid of, so i tried calling them again. this time, there was an answering machine that said that if you need a new windshield or have a junk car, leave your number… so i did.
this time lamar actually called back. we made all of the arrangements for him to pick up(!) the old ganesha the car before he asked for my name and phone number (heh heh). when he found out who i was, he immediately put in another order for 1000 more business cards. he really likes them, and says that the word “cash” is exactly what he wanted…
i’ve been working on a business card, but i’ve needed important things like the location of hi-res images and the names of the fonts and stuff like that before i can actually create anything… which means waiting for them to get back to me… of course, once i actually have all those things it took me about 15 minutes to put together a business card that is like the example they sent me, and now i’ve got to wait (again) for the customer to either approve the card, or make changes… and, being that it’s a business card for an artist, if there are changes, they’ll most likely want something exotic, unusual and expensive…
we had a snake suspenderz rehearsal on tuesday. it’s really great to play with the guys again, but i’m afraid that, once we’re through with the (one) gig that we’ve got scheduled so far (28th june, at the can can) the band will fade from existence again… and, as much as some people complain that it’s a “hobby band”, i get the very strong feeling that it could very easily be a good deal more than that. we’re going to be playing for SACBO on saturday and sunday. i have my canopy, and i’m going to be there anyway, because of my art car, so i figured what the hell… we can busk, and because of the fact that it’s the fremont solstice festival, we’ll probably make some money, and it’s a couple more “rehearsals” before we have to do it “for real” at the can can…
i decided that, because of the fact that SACBO is imminent, and because of the fact that the continued working existence of the current Ganesha The Car is still very much in question (it’s still working – touch wood – but who knows whether or not it’ll be working tomorrow, much less next week), i decided that i was going to put “freeform” art on it, and save the complicated design work for a car that i have confidence is going to last me a little bit longer. i haven’t taken any pictures of it, yet, but it vaguely resembles this drawing from my sketchbook. it’s not nearly as “artistic” (read “exotic and unusual”) as i would like it to be, but it will have to do for the time being.
we had a fremont phil rehearsal on wednesday. there was a rehearsal last week, as well, but i was in the middle of preparing for my colonoscopy last week, so i didn’t go to that one. the phil has taken off in a new direction, which is interesting and intriguing, and not entirely unwelcome. we’ve gotten a couple of new flutists, a new trumpet player and the baritone player and the EWI player from last year, who are all dedicated musicians and very interested in moving forwards with the group. we’re playing a private “ice cream social” near edmonds on the 23rd, and we’re sounding surprisingly good, considering the small amount of rehearsal we’ve had.
speaking of the colonoscopy, the results arrived yesterday. the other two polyps that i had removed were benign as well, and there’s nothing to worry about, but they want to see inside my ass again in two years, rather than the three that they told me originally, because of the fact that the polyps were there to begin with.
“For some reason I am not able to attach the 3’x8’ signs to the email, to send it off to be printed. Is there any way that you can change it to be ‘KB’, instead of ‘MB’? The ‘KB’ ones always seem to work better for me.”
tuesday i was going to shoot a video with hobbit, but it didn’t happen. i also went to a sousa band rehearsal. while at the sousa band rehearsal i picked up a clarinet that needs repair from a fellow band member.
wednesday i went to see doctor wackaloon and found out that i’m probably “hypertensive” which means that i have to take my blood pressure for two weeks and then call for another appointment where he will probably prescribe medication that will give me nausea and a headache and make me more tired than i already am. whee.
thursday i fixed the clarinet and took the jeep that has been living in my front yard for the past year for it’s weekly drive (to make sure that it still works) to costco, and discovered that the thermostat is “intermittent”. joy.
friday i took the jeep in to get the thermostat changed out, because it has to be ready to go to the person who actually owns it on the first of june. i also got a business-card order from the new owner of the repair shop (who is the old owner‘s son), who wanted to change the email address on his card. i walked home, and when i got home i made the change and sent the business card to the printer, whereupon i discovered that i couldn’t find my wallet. i searched the house and the workshop, and called costco (the last place i remember having it), but it wasn’t in any of those places. i called the car-repair shop and the guy said that he couldn’t find it in the jeep.
if i wasn’t hypertensive before this, i sure am now… 😐
i had to go out, and i wasn’t completely sure that the guy had known what i was talking about, so i drove up to the car-repair shop, where i found my wallet, after a thorough search of the jeep. <deep breath> then took the clarinet back to its owner, and picked up a piccolo which needs repair, from another sousa band member. when i got home, the jeep was ready, so i walked up to the shop and picked it up.
today i straightened up the workshop and fixed the piccolo.
considering how “easy” my life is these days, how i come up with high blood pressure is beyond me. it’s probably genetic… i sent a vial full of my spit to some people who claim that they will test my DNA and tell me where i came from a few weeks ago. they haven’t produced a result yet, but it’s my understanding that “these things take time”… maybe they can tell me why i have high blood pressure while they’re at it.
i subscribe to a modified version of the spoon theory, and the past few weeks have definitely been ones in which i have pushed the limits of my spoons, traded one day’s spoons for another day, and that sort of thing. now that the moisture festival is over for another year, it is important that i rest up and gather my spoons for a spring and summer that looks exciting and frightening at the same time.
i am expanding hybrid elephant in a number of ways: i have gotten at least one and potentially three or more new web clients, which may mean that i’m going to need more web space eventually(!), and i have been talking with bfly about teaming up to teach some classes(!!).
i talked with dan from nanda about printing business cards and postcards for them.
i have also decided, now that moisture festival is out of the way, that i’m going to have my tuba “seen to” by someone that can re-solder the outside guard bracing that’s come loose, replace several missing braces that are currently being held together with zip ties, and tackle the third valve slide that is wider at one end than it is at the other, and is just waiting for me to bump it a little bit too hard in the wrong direction so that it will totally lock up and never move again.
i also have a new art car project to work on. i have every intention of putting all 1008 names of ganesha on my new art car, which, of course, will mean that i will have to write them a lot smaller than i did on the previous art car, which will doubtlessly mean more time spent on it. SACBO is in june, so that doesn’t really leave very much time…
okay, i’m getting really excited now. after what seems like years of not getting anywhere, i’m finally coming down to the last stretch of work on the new site. i’ve still got some products to add to the database, i’ve still got a few things that need tweeking, and i still need to add a whole bunch of content, but i have a fair idea of where that’s coming from and a fairly good idea of how to incorporate it into the site without too much difficulty. there’s still an annoying difficulty, which is that when i put the “ganesha” directory anywhere in the new site, for some reason (including permissions, which i have already checked and they’re all set correctly), the contents of the directory don’t show up, and links to within the “ganesha” directory come back as “403 Forbidden” which is exceedingly strange. furthermore, when i link to where the “ganesha” directory currently lives, there’s no problem, but i get the impression that it can’t stay that way, because when i “move” the domain from the old site to the new site, everything that’s where the old site currently is will be two directories in back of the root directory, and while i can develop that way, i’m about 50% sure that domain-forwarding will make it impossible in real life. i’m not worried, though. things will work out, as always.
ganesha the car got a tune up for the first time in 3 years today. it was close to $400, but the guy took off almost $100 of that because i paid in cash, and because i’m going to make him more business cards. he’s also got a flyer that i’m going to design and (probably) print as well. it was really strange, because i dropped off ganesha the car yesterday and he gave me a ride home in his huge-ass black cadillac with a license plate that says “CHR1ST”. this is the guy who, when i showed up wearing my “it’s just a vegetable” shirt, gave me evil looks all afternoon. i guess he’s willing to look askance at my propensity to sacrifice the Holy Vegetable when it means that he’s going to get kick-ass business cards.
i got a call from "the attorney" the other day, about the notice i received. he said there is nothing to worry about – like i believe that, especially coming from an attorney 8/ – but it was good to hear him say it if nothing else. he said that we’re one to two months out from "the hearing", and he needs to collect updates from me, and various other folks.
yesterday i was supposed to go to marysville to pick up the business cards for MIVC from troy the printer. i was supposed to pick them up at noon, and i figured that saturday northbound would take me about an hour. at 10:30 – half an hour before i was supposed to leave – i get a call from troy, asking me when i was planning on being there, and when i told him noon, he said that he had neglected to get the business cards actually printed, and asked me if i could come tomorrow – which is today. of course that left me with nothing to do, but i said okay, because if i had picked them up yesterday he would have printed them, but he would have slip-sheeted them before cutting (so that the wet ink doesn’t offset on to the back of the card above it) and i would have had to un-slip-sheet them which is a tedious project that i would sooner not have to do anyway.
so, anyway, i spent yesterday processing photos of my inventory (which will eventually be visible on the Hybrid Elephant web site). about 9:00 pm i got a call from Howlin’ Hobbit who wanted to know what i was doing tomorrow morning. i told him that i was planning on going to marysville, but hobbit tempted me with busking at the Ballard Sunday Market, which sounded good enough to me that i changed my plans for going to marysville from morning until afternoon. i also packed three empty 5-gallon water bottles, because since i was going to marysville, swamp creek was right on the way, and i figured that way i could kill three birds with one stone.
i’m glad i did. i showed up in ballard at 9:30 am, and by 1:00 pm i was $50 richer. we played two extended sets, and made $150 between the three of us. sketch was, sadly, not present for some unknown reason – but in this case that was okay, because it was more money for the rest of us. also, i ran into fred, for the first time in several years, and mentioned that i would be interested in setting up a musical instrument repair shop with him, and he said he would call me. for a brief time there were two different trombones busking at the ballard market, a fact which i find to be somewhat unusual.
after we vacated the market, i went to swamp creek and filled my water bottles, went up to marysville and picked up cards from troy (it’s quite a drive, but he’s the only printer i know who is willing to do printing for me in exchange for computer technical support) and made it home by 4:00. i feel accomplished. if only every day could contain such accomplishment.
since thursday i’ve filled an order for business cards for NBAC, and taken but not yet filled an order for business cards from MIVC, and filled an order for $50.00 worth of incense, which comes around to $207 and some change. let it continue!
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the moisture festival opening was last night. the fremont philharmonic played a grand total of 4 tunes, and then vacated the stage, while artists with artificial music, and artists who performed with the zebra kings performed for 2 hours. this was primarily because of RB deciding that we would play the first half, and then conveniently scheduling all the artists that had artificial music for the first half, while saying that the zebra kings (which includes RB himself) would play the second half, including hacki’s performance, and godfrey daniels’ performance, both of whose music we have actually been rehearsing for the past month, unlike the zebra kings, who sound as though they haven’t played together since last year. i really think that once they actually get a professional theatre manager, instead of RB – who is a contractor and a musician on the side, but is definitely not anything like a professional anything – the moisture festival will actually be fun to play. until then, there are, by definition, going to be problems that are a direct result of having the person making the schedule one of the performers as well.
also, the program this year is a joke compared to the program that i produced last year! they actually copied my format – they used a different title font (they actually used papyrus, a “distressed” font that i find particularly annoying), but everything about the format is essentially the same. they even used some of the same ads. also, they cheaped on the printing, which means that the greyscale graphics are at a larger screen density, and coarser than they were last year, and the “colour” cover is on cheaper paper, with no UV coating, and is only colour on one side – and i’d be willing to bet that they paid at least twice as much for it than they did last year. of course they didn’t post the actual schedule in the program, and included numerous warnings that the schedule can change at a moment’s notice. in general, i say “ha ha!”
i took a whole bunch of pictures, but only three of them are worth looking at, because the rest of them were taken from the back of the theatre, with no flash, which means blurry at best. i like the picture of diemo, though. i got down on his level and snapped the photo, and then i was able to turn the camera around and show him the picture, which was really cool. he seemed to like it, too… 8)
24″ x 30″ foamcore SVBT sign, 080212. $74.00
well, i’m back from troy’s with 500 business cards for NBAC, and now i know all the juicy details about why troy quit MMP. apparently there have been substantial changes happening that i didn’t know about. bart is now “general manager”, which means that instead of being back in the press room, being useful, he’s now up front, surfing the net and goofing off. bart says that he’s going to “do something” about the fact that numerous jobs have been going on the press without being spell checked and okayed by the customer (i actually used to have a proof stamp, that had to be initialled by the customer before i would put jobs on the “to-be-printed” pile – that stamp disappeared shortly after my injury [i suspect carl was behind it], and when i got out of the hospital, nobody knew where it was). troy was tired of taking flak for it, and complained to bart, but bart was apparently too busy surfing the net and goofing off to do anything about it once he left the press room. finally, one of the new (sales)girls came back and read troy the riot act for printing a job that hadn’t been proofread, and he told her to eat shit and die. when mike told troy to apologise to her, troy told mike to eat shit and die, and walked out.
good for him. it wasn’t enough that he was working from 3:00 am because of where he lives, and it wasn’t enough that he was only making $17 an hour when the industry standard for a press operator with his experience is more like $30 an hour, he shouldn’t have to put up with taking the blame for doing stuff that wasn’t his fault to begin with. of course this means that now bart will either be forced back into the press room, or he will have to hire a new, presumably competent press operator who is willing to work for $17 an hour.
also, apparently, mike is under the impression that quark xpress has been purchased by microsoft. i don’t know where he got that idea from, but it was probably from sharon, who is doing my job now, and who hates quark, despite the fact that it is consistently more reliable than adobe.
i’m going to troy’s shop in marysville today, to take him the paper and then pick up the NBAC business cards. they ordered ’em on friday, and i may just be able to deliver them on monday. troy is no longer working for MMP issaquah any more. i don’t really blame him much: mike is the guy who bought MMP from carl, right after my injury. a couple of years ago, he offered me a job (actually he offered me my old job back) which i refused because he insisted that i use inferior software for most of the jobs. i don’t understand why the people who don’t actually use or understand the software are in the position of telling the people who are, what software they are going to use. especially when the people who are going to be using, and who understand the software quite intimately (me) inform them that the software that they want to use is inferior and won’t get the work done as quickly or accurately. but that’s apparently the way it is in MMP-land. i won’t mess with his fantasy, but i’m not gonna work for someone who doesn’t want to get the job done right, and get it done right the first time. presumably he’s still got bart, as well, but with all of the work that went through MMP when i was working there, i sincerely doubt that one press operator is going to do it for him. on the other hand, troy has been doing work for me for free, and now i wonder whether or not he’s going to be able to afford to do that any longer. i’ll ask him today.